| Fotos (Alle 16 | Diashow) | Videos (see all 3) |
| Cedric the Entertainer | ... | Ralph Kramden | |
| Mike Epps | ... | Ed Norton | |
| Gabrielle Union | ... | Alice Kramden | |
| Regina Hall | ... | Trixie Norton | |
| Eric Stoltz | ... | William Davis | |
| Jon Polito | ... | Kirby | |
| John Leguizamo | ... | Dodge | |
| Carol Woods | ... | Alice's Mom | |
| Ajay Naidu | ... | Vivek | |
| Arnell Powell | ... | DJ Suckaslam | |
| Leticia Castillo | ... | Young Mother | |
| Chuy Bravo | ... | Grocer | |
| Doreen Keogh | ... | Miss Celestine | |
| Camille Donegan | ... | Lissa | |
| Joanna Dickens | ... | Bus Stop Woman | |
| Kim Chan | ... | Quinn | |
| Alice Drummond | ... | Miss Benvenuti | |
| Jerry DeCapua | ... | Television Play-by-Play Announcer (voice) (as Jerry De Capua) | |
| Gerard G. Williams | ... | Poolhall Heavy (as Guss Gerard Williams) | |
| Andrew St Clair James | ... | Poolhall Heavy | |
| James Akpotor | ... | Poolhall Heavy (as James Akapotor) | |
| Kensika Monshengwo | ... | Poolhall Heavy | |
| Tim Dillard | ... | Sewer Worker | |
| Enrique Fonseca | ... | Sewer Worker | |
| Charlie Kranz | ... | Sewer Worker | |
| Dana Lee | ... | Hitako Kawakami | |
| John Tormey | ... | Auctioneer | |
| Lenny Venito | ... | Lenny | |
| Brad Adkins | ... | Dog Handler | |
| Bernard Deegan | ... | Chip (as Bern Deegan) | |
| Fergal Brady | ... | Valet | |
| Tsisiana Lohmann | ... | Party Guest | |
| Marcus Valentine | ... | Party Guest | |
| Charlie Schultz | ... | Party Guest | |
| Jeffrey Zade Rudom | ... | Party Guest (as Jeffrey Rudom) | |
| Laura Way | ... | Kirby's Date | |
| Maria Tecce | ... | Race Track Party Coordinator | |
| Shi Lun Liu | ... | Real Entertainer | |
| Bai Wong Xiao | ... | Real Entertainer | |
| Tom Lawrence | ... | Lonnie | |
| Arlin Miller | ... | Race Track Announcer | |
| Kevin Corrigan | ... | Larry the Bus Driver (as Kevin Fitzgerald Corrigan) | |
| Doug MacMillan | ... | City Health Inspector | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Michalina Almindo | ... | Diner Regular (uncredited) | |
| Robert Bizik | ... | Businessman (uncredited) | |
Regie | |||
| John Schultz | |||
Buch(WGA) | ||
| Danny Jacobson | (written by) and | |
| David Sheffield | (written by) & | |
| Barry W. Blaustein | (written by) and | |
| Don Rhymer | (written by) | |
Produktion | |||
| Cedric the Entertainer | .... | executive producer | |
| Julie Durk | .... | producer | |
| Mike Epps | .... | executive producer | |
| David T. Friendly | .... | producer | |
| Niles Kirchner | .... | co-producer | |
| Paul Myler | .... | co-producer | |
| Eric Rhone | .... | producer (as Eric C. Rhone) | |
| Hal Ross | .... | executive producer | |
| Marc Turtletaub | .... | producer | |
Originalmusik | |||
| Richard Gibbs | |||
Kamera | |||
| Shawn Maurer | |||
Schnitt | |||
| John Pace | |||
Casting | |||
| Susie Farris | |||
| Nancy Foy | |||
| Frank Moiselle | |||
Szenenbild | |||
| Charles Wood | |||
Bauten/Dekorationsbau (art directors) | |||
| Susie Cullen | (supervising art director) | ||
| Ray Chan | (uncredited) | ||
Bühnenbildner/Ausstatter (set decorators) | |||
| Eliza Solesbury | |||
Kostüme | |||
| Joan Bergin | |||
Maske/Frisuren | |||
| Clare Barman | .... | assistant makeup artist | |
| Patrick Byrne | .... | assistant hair stylist | |
| Orla Carrol | .... | hair stylist (as Orla Carroll) | |
| Morna Ferguson | .... | makeup artist | |
| Jennifer Hegarty | .... | makeup artist | |
| Lori Hicks | .... | makeup artist: New York | |
| Lisa Mitchell | .... | hair stylist: Ms. Union | |
| Niamh O'Loan | .... | assistant makeup artist | |
| Kenneth Parker | .... | hair stylist: Cedric the Entertainer & Mr. Epps | |
| Deirdre Tormey | .... | hair stylist | |
Produktionsleiter (production managers) | |||
| Mary Alleguen | .... | unit production manager | |
| Blair Breard | .... | unit production manager | |
Ausstattung (Stab) | |||
| Graeme Bird | .... | propmaker | |
| Antonio Calvo-Dominguez | .... | draughtsman | |
| Amiee Clark | .... | art department coordinator: New York | |
| Robert Currie | .... | assistant property master | |
| Romek Delmata | .... | illustrator | |
| Darrin Denlinger | .... | storyboard artist | |
| Tom Dowling | .... | construction manager | |
| Alex Gorodetsky | .... | charge scenic artist | |
| Darren Kearney | .... | chargehand | |
| Lisa Kent | .... | buyer | |
| Anna Kirwan | .... | assistant set decorator | |
| Wing Lee | .... | art director: New York | |
| Bernard Lyster | .... | trainee props | |
| Kate McColgan | .... | art department coordinator | |
| Adrienne McGrane | .... | graphic designer | |
| Ciara O'Donnell | .... | assistant graphic designer | |
| William F. Reynolds | .... | property master: New York | |
| John Snee | .... | trainee props | |
| Jil Turner | .... | props buyer | |
| Noel Walsh | .... | stand-by props | |
| Ginny Walsh | .... | greens foreman (uncredited) | |
Ton Stab | |||
| Odin Benitez | .... | co-supervising sound editor | |
| Odin Benitez | .... | sound designer | |
| Allan Byer | .... | sound mixer | |
| Valerie Davidson | .... | sound editor | |
| Zack Davis | .... | adr supervisor | |
| Brendan Geaney | .... | transfer recordist | |
| David Grimaldi | .... | sound editor | |
| Robin Harlan | .... | foley artist | |
| Kieran Horgan | .... | production sound mixer | |
| Andy Koyama | .... | sound re-recording mixer | |
| Susan Kurtz | .... | dialog editor | |
| Bill Meadows | .... | sound recordist | |
| Brian Miksis | .... | sound mixer: New York | |
| Sarah Monat | .... | foley artist | |
| Ronnie Morgan | .... | assistant sound editor | |
| Willard Overstreet | .... | foley editor | |
| Bryan Pennington | .... | consultant: Dolby film sound | |
| Michael Primmer | .... | boom operator: New York | |
| Jeff Sawyer | .... | sound effects editor | |
| Robert L. Sephton | .... | sound designer | |
| Robert L. Sephton | .... | supervising sound editor | |
| Randy Singer | .... | foley mixer | |
| Frank Smathers | .... | sound editor | |
| Assen Stoyanov | .... | additional sound engineer | |
| Bruce Tanis | .... | sound effects editor | |
| Alfredo Viteri | .... | boom operator | |
Spezialeffekte | |||
| Paul Byrne | .... | special effects technician | |
| Conor Coughlan | .... | senior special effects technician | |
Visual Effects | |||
| Brian Corpus | .... | technical operations manager | |
| Robert Duncan | .... | visual effects supervisor: on-set | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Brad Kalinoski | .... | digital compositor | |
| Patrick Keenan | .... | digital compositor: Pacific Title | |
| James D. Tittle | .... | visual effects coordinator: Pacific Title | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Damian Achilles | .... | stunts | |
| Roy Farfel | .... | stunt driver: New York | |
| Dominick Hewitt | .... | stunt rigger | |
| Giedrius Nagys | .... | stunt rigger | |
| Donal O'Farrell | .... | stunt coordinator | |
| Manny Siverio | .... | stunt coordinator | |
| Philippe Zone | .... | additional stunt coordinator | |
Kamera und Elektrik (Stab) | |||
| Alan Butler | .... | assistant camera | |
| Barry Conroy | .... | electrician | |
| Gregg de Domenico | .... | film loader: New York | |
| Angelo Di Giacomo | .... | assistant camera: New York | |
| David M. Dunlap | .... | director of photography: second unit, New York | |
| Sarah Francis | .... | assistant camera | |
| David Grennan | .... | focus puller: second unit | |
| Robert Hamilton | .... | video assist operator | |
| James Harker | .... | electrician: New York | |
| Brad Heiner | .... | grip | |
| Jonathan Hession | .... | still photographer | |
| Larry Huston | .... | first assistant camera: "b" camera, New York | |
| Gregory F. Johnson | .... | best boy: New York | |
| Greg Johnson | .... | best boy grip | |
| David Knox | .... | camera operator: "b" camera | |
| Michael Lohmann | .... | camera operator | |
| Tim McAuliffe | .... | best boy electric | |
| Steve Ramsey | .... | gaffer: New York | |
| Keith Robinson | .... | assistant camera | |
| Mark Schwartzbard | .... | second assistant camera: New York | |
| Scott Tinsley | .... | assistant camera: New York | |
| Barry Wetcher | .... | still photographer: New York | |
Casting (Stab) | |||
| Barbara Harris | .... | adr voice casting | |
| Bryan Riley | .... | casting associate | |
| Sasha Vaughan | .... | casting assistant: New York | |
Kostüm und Garderobe (Stab) | |||
| Lynne Maureen Curtis | .... | wardrobe supervisor: New York | |
Schnitt (Stab) | |||
| Brad Adkins | .... | editorial production assistant | |
| Cedric Nairn-Smith | .... | assistant editor | |
| Anna Maria O'Flanagan | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Jason Solberg | .... | assistant editor | |
| Frederick Wardell | .... | first assistant editor: avid | |
Musik (Stab) | |||
| Charles L. Brown | .... | composer: song "Bustin' Loose" | |
| Julie Eidsvoog | .... | music preparation | |
| Gordon Fordyce | .... | score mixing | |
| Richard Gibbs | .... | conductor | |
| Jennifer Hawks | .... | music supervisor | |
| Leon Huff | .... | composer: song "For the Love of Money" | |
| Anthony Jackson | .... | composer: song "For the Love of Money" | |
| Tim Lauber | .... | score recordist | |
| Jason Lloyd | .... | scoring cue mixer | |
| Nicholas O'Toole | .... | scoring assistant | |
| Patrick Russ | .... | orchestrator | |
| Tom Steel | .... | scoring stage manager | |
| Bill Talbott | .... | scoring technician | |
| Sherry Whitfield | .... | music editor | |
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I have higher expectations for a movie than a bottom-of-the-barrel sitcom episode. I didn't want to go but the group voted for this one. I'll be reminding those who voted to see this movie about their poor taste when we vote for the next movies to see.
The producers, writers, director, movie executives, etc. should hang their heads in shame. They knew it wasn't funny when they released it. The test audiences, if there were any, must have been ignored.
Why does Hollywood release this kind of junk and then wonder why movie attendance is down? Why do actors sign up even after reading the script and knowing this will be a second-rate movie, at best?