Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
Karen O'Connor tells the story about two distinct but related periods in her life. In 1972, she is an up-and-coming Los Angeles based journalist who has been given the lucrative assignment of convincing once successful comic Vince Collins, who is at the tail end of his career, to allow her to ghost write his memoirs. Most specifically, she has the task from her publishers of discovering the reason behind two issues in Vince's life from 1957: why he and his former on-stage partner Lanny Morris, who is still active and well known within the entertainment business, broke up their professional partnership shortly after they hosted a successful thirty-nine hour telethon for polio research in Miami, there not having been any indication of problems between the two before that; and how did the dead body of Maureen O'Flaherty end up in the water filled bathtub in Vince and Lanny's New Jersey hotel suite, the opening of that New Jersey hotel owned by mobster Sally Sanmarco which was Lanny and ... Written by
As Lanney signs the bill in the hotel room when Maureen brings him his food, there is a ZIP code visible in the hotel's address. This part of the film is set in 1957, but ZIP codes were not used by the US postal service until 1963. See more »
Performed by Blood Sweat & Tears (as Blood Sweat and Tears)
Courtesy of Sony BMG Music Entertainment (UK) Ltd.
Written by David Clayton-Thomas (as David Clayton Thomas)
Published by EMI Music Publishing Ltd. See more »
Atom Egoyan is one of my most trusted directors. He never disappoints me even when I'm not totally taken by the film. This is a perfect example of that. I loved it and hated it, all at the same time. Everything works and nothing works. Bacon and Firth couldn't be better as the Martin and Lewis, boy and girl act and yet...I didn't quite believe it. Good as they are they're not heavyweights and in my modest opinion the parts required heavyweights. I was sucked in though and enthralled by some extraordinary Egoyanesque moments with David Lynchish touches here and there. I believe the film was a flop at the box office, naturally. Too much of an adult story that demands not only full attention but participation from its audience. I will certainly see it again.
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