After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Brian Lackey is determined to discover what happened during an amnesia blackout when he was eight years old, and then later woke with a bloody nose. He believes he was abducted by aliens, and N. McCormick, a fellow player on Brian's childhood baseball team, may be the key as to exactly what happened that night. As Brian searches for the truth and tries to track him down, Neil McCormick takes up hustling and moves to New York, in attempts to forget childhood memories that haunt him. Together, the two of them uncover the terrible truth of the scars they share. Written by
Original novelist Scott Heim wrote a draft screenplay which he then entered into the Sundance screenwriting lab. Gregg Araki was on the judging panel and the two became friends. Eventually it was mooted that Araki himself tackle the material. See more »
When Coach records the voice of Neil he presses the Rec and Play button simultaneously on his tape recorder, but you can clearly see how the Play button flips right back again thus making the recording impossible. See more »
The summer I was 8 years old, five hours disappeared from my life. Five hours. Lost. Gone without a trace.
Last thing I remember I was sitting on the bench at my Little League game. It started to rain. What happened after that remains a pitch black void.
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Catch the Breeze
Written by Neil Halstead
Performed by Slowdive
Courtesy of Creation Records Ltd./SBK Records
Under license from SINE a division of Sony Music Entertainment (UK) Limited/EMI Film & Television Music
Used by permission of EMI Blackwood Music Inc. See more »
Amazing. I was expecting another sexually charged adrenaline infused dark comedy a la Doom Generation or an ironic look at relationships in the post-modern world like Splendor. Instead I found a more mature, calmer tale. Still funny, but muted, dark but based on the darker parts of human nature in reality... The performances were unbelievable. Joseph Gordon-Levitt came across with a combination of grit and beauty, anger and happiness that reminded me of Colin Farrell. The cockiness of youth, the sadness of child abuse, and a realistic recognition of prepubescent sexuality. The opening sequence reminded me of something in my youth - nothing specific it just left me with this certain feeling. I hope this is a sign of things to come....
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