A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
Ong Bak 3 picks up where Ong Bak 2 had left off. Tien is captured and almost beaten to death before he is saved and brought back to the Kana Khone villagers. There he is taught meditation ... See full summary »
When the owner of a major elephant camp is murdered, Kham finds himself the number one suspect and on the run from both the police and the deceased's vengeful twin nieces. But luck is on ... See full summary »
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
Booting lives in a small and peaceful village. One day a sacred Buddha statuette called Ong Bak is stolen from the village by an immoral businessman. It soon becomes the task of a voluntary young man, Boonting (Phanom Yeeram), to track down the thief in Bangkok and reclaim the religious treasure. Along the way, Boonting uses his astonishing athleticism and traditional Muay Thai skills to combat his adversaries. Written by
The style of Muay Boran Tony uses, according to his handwrap, is Muay Korat. Boxers of the Korat style wrap their tightrope up until their elbow. See more »
In the tracking shot of Ting being chased, just after he leaps over the children, the sound recordist can be seen holding his microphone and moving with the gang members on the right side of the frame. See more »
I saw Ong-Bak for the first time on the Stockholm Film Festival in November of 2003, and now recently saw it again on DVD. I usually see at least 4-5 Asian films on the festival every year and each one is a gamble. At worst Asian action films can be unbearably slow and dull with uninteresting action scenes and horrible acting. At their best they can be like a wonderful ballet with astonishing moves and moods. Ong-Bak falls somewhere inbetween these two.
The story and set-up in Ong-Bak is nothing very original. The head of the village Buddha-statue (named Ong-Bak) is stolen which spells bad luck for the village. So they send their best man to the city to find the son who moved away, and they can search for the head together. Of course the villager is completely lost in the city and soon gets himself into trouble.
So the story is nothing new, neither is the setup which is more or less van Damme standard fare movies like "Lionheart" except in Thailand. We see some street-fighting and some tournament-style fighting in seedy bars. So, what makes Ong-Bak stand out? Well, the fighting! I have seldom seen such well-made fighting scenes. Both well choreographed and plentiful! The thai-boxing done here might be very stylized to look good, but it really does the trick. The fights are simply put amazing! The lead actor really knows his moves and his acrobatics, and many times you can really feel the crushing hits as kicks and elbows hit home. Also the pace is very high with almost constant fighting in the last half of the movie. And it all looks very very nice.
So, Ong-Bak is definitely for those of you who are suckers for martial-arts and fighting. Don't expect an original story or terribly solid acting. But expect a fun ride, lots and lots of violence. And for me that's enough. Ong-Bak receives a 7/10.
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