| Fotos (Alle 18 | Diashow) |
| Matthias Schweighöfer | ... | Baron Manfred von Richthofen | |
| Til Schweiger | ... | Werner Voss | |
| Lena Headey | ... | Käte | |
| Joseph Fiennes | ... | Captain Roy Brown | |
| Volker Bruch | ... | Lothar von Richthofen | |
| Maxim Mehmet | ... | Leutnant Sternberg | |
| Steffen Schroeder | ... | Leutnant Bodenschatz | |
| Hanno Koffler | ... | Leutnant Lehmann | |
| Tino Mewes | ... | Leutnant Wolff | |
| Ralph Misske | ... | Menzke | |
| Axel Prahl | ... | General von Hoeppner | |
| Gitta Schweighöfer | ... | Kunigunde von Richthofen | |
| Jan Vlasák | ... | Major von Richthofen | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Luise Bähr | |||
| Brian Caspe | ... | Officer | |
| Karsten Kaie | ... | Fokker | |
| Filip Moravec | ... | French soldier | |
| Anastasia Schifler | ... | Nurse | |
| Vlasta Svátková | ... | Girl in the disorderly house | |
| Jan Unger | ... | Surgeon | |
| Eddie Wren | ... | Mechanic | |
Regie | |||
| Nikolai Müllerschön | (as Nikolai Müllerschoen) | ||
Buch(WGA) | ||
| Nikolai Müllerschön | (written by) | |
Produktion | |||
| Stephan Barth | .... | line producer | |
| Rene Kock | .... | co-producer | |
| Dan Maag | .... | producer | |
| Marcus Machura | .... | associate producer | |
| Nikolai Müllerschön | .... | producer (as Nikolai Müllerschoen) | |
| Roland Pellegrino | .... | producer | |
| Thomas Reisser | .... | producer | |
| Philip Schulz-Deyle | .... | co-producer | |
| Christoph Strunck | .... | assistant producer | |
| Christoph Strunck | .... | associate producer | |
Originalmusik | |||
| Stefan Hansen | |||
| Dirk Reichardt | |||
Kamera | |||
| Klaus Merkel | |||
Schnitt | |||
| Emmelie Mansee | |||
Casting | |||
| Franziska Aigner-Kuhn | |||
Szenenbild | |||
| Yvonne von Wallenberg | |||
Bauten/Dekorationsbau (art directors) | |||
| Jindrich Kocí | (senior art director) | ||
| Milena Koubkova | |||
| Thomas Molt | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Petra Klimek | |||
Kostüme | |||
| Gudrun Schretzmeier | |||
Maske/Frisuren | |||
| Linda Dvorakova | .... | makeup artist | |
| Georg Korpas | .... | sfx makeup artist | |
| Ivo Strangmüller | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Vaclav Eisenhamer | .... | unit production manager | |
| Jiri Husak | .... | unit manager | |
Ausstattung (Stab) | |||
| Bara Barova | .... | property coordinator | |
| Alice Bartosova | .... | graphic designer | |
| Henning Brehm | .... | graphic artist | |
| Zuzana Cizmarova | .... | draftsman | |
| Jan Jericho | .... | set designer | |
| Karina Lange | .... | graphic designer | |
| Lukas Lehoucka | .... | stand-by props | |
| Jiri Macke | .... | property master | |
| Jan Müller | .... | model maker | |
| Stanislav Suva | .... | scenic artist | |
| David Trojan | .... | draftsman | |
| Katerina van Gemundova | .... | art department coordinator | |
Ton Stab | |||
| Hubert Bartholomae | .... | sound re-recording mixer | |
| Christian Bruckmair | .... | adr mixer | |
| Stefan Busch | .... | supervising sound editor | |
| Tomas Cervenka | .... | cable person | |
| Petr Forejt | .... | production sound mixer | |
| Lisa Geffcken-Reinhard | .... | foley editor | |
| Nico Krebs | .... | sound designer | |
| Frank Kruse | .... | sound effects recordist | |
| Pit Kuhlmann | .... | sound designer | |
| Pierre Peters-Arnolds | .... | adr supervisor | |
| Roman Rigo | .... | boom operator | |
| Benjamin Rosenkind | .... | sound re-recording mixer | |
Spezialeffekte | |||
| Jens Döldissen | .... | special effects supervisor: Germany | |
| Tanja Fenninger | .... | special effects: puppets | |
| Jan Holub | .... | special effects crew | |
| Miroslav Miclik | .... | special effects technician | |
| Pavel Policar | .... | special effects crew | |
| Filippo Vogl | .... | special effects: puppets | |
| Jirí Vojtech | .... | special effects crew | |
| Schwerthelm Ziehfreund | .... | special effects: puppets | |
Visual Effects | |||
| Figielski Adam | .... | digital environment artist | |
| Jörg Baier | .... | digital compositor | |
| Alexander Balling | .... | pipeline software developer | |
| Eran Barnea | .... | CG supervisor | |
| Sabina Bihlmaier | .... | digital environment artist | |
| Rene Borst | .... | digital matte painter | |
| Jean-Michel Boublil | .... | lead compositor | |
| Stefanie Braun | .... | matchmove artist | |
| Andreas Bundenthal | .... | digital artist | |
| Sebastian Butenberg | .... | animator | |
| Michal Chadima | .... | visual effects video editor | |
| Alessandro Cioffi | .... | compositing supervisor | |
| Jiri Cvancara | .... | digital intermediate assistant | |
| Justin Daneman | .... | digital compositor | |
| Damian Doennig | .... | matchmove supervisor | |
| Michael Dohne | .... | lead compositing artist | |
| Hector Robles Fernandez | .... | digital artist | |
| Jan Fiedler | .... | assistant to the visual effects supervisor | |
| Adam Figielski | .... | digital environment artist | |
| Felix Fissel | .... | financial controller | |
| Andreas Frickinger | .... | digital compositor | |
| Miriam Glorer | .... | digital artist | |
| Rainer Gombos | .... | visual effects supervisor | |
| Sebastian Greese | .... | senior lighting artist | |
| Mark Haberpursch | .... | matchmove artist | |
| Lisa Hansen | .... | visual effects production assistant | |
| David Harter | .... | digital compositor | |
| Jan Heinze | .... | visual effects producer | |
| Thomas Hiebler | .... | digital matte painter | |
| Finlay Hogg | .... | digital compositor | |
| Holger Hummel | .... | visual effects editor | |
| Angela Jedek | .... | animator | |
| Martin Jurado | .... | matchmove artist | |
| Sven Klimm | .... | digital artist | |
| Annika Koch | .... | team assistant | |
| Tanja Krampfert | .... | animator | |
| Benjamin Krebs | .... | digital compositor | |
| Marius Kuberczyk | .... | digital compositor: Pixomondo Images GmbH | |
| Thilo Kuther | .... | visual effects executive producer | |
| Michael Landgrebe | .... | lead lighting/rendering | |
| Daniel Loeb | .... | animation supervisor | |
| Kern Marcel | .... | effects artist | |
| Petr Masek | .... | digital frame touch-up | |
| Björn Mayer | .... | digital environment supervisor | |
| Sebastian Mayer | .... | animator | |
| Tobias Meier | .... | digital artist | |
| Pieter Mentz | .... | lead effects artist | |
| Mohsen Mousavi | .... | lead effects technical director | |
| Tomas Munzar | .... | digital frame touch-up | |
| Conrad Murrey | .... | animator | |
| Bernd Nalbach | .... | lead animator | |
| Debora Neumann | .... | visual effects coordinator | |
| Teni Noravian | .... | digital compositor | |
| Philip Nussbaumer | .... | digital compositor | |
| Ingo Putze | .... | compositing supervisor: preproduction | |
| Sean Raffel | .... | digital artist | |
| Michael Ralla | .... | digital compositor | |
| Melanie Reichmann | .... | digital environment artist | |
| Christian Sawade-Meyer | .... | animator | |
| Stephan Schweizer | .... | lead compositor | |
| Kino Scialabba | .... | digital matte painter | |
| Oliver Seiter | .... | digital compositor | |
| Sally Sherwood | .... | digital compositor | |
| Manolo Soler-Llorca | .... | digital artist | |
| Tim Stern | .... | digital compositor | |
| Michael Thalmann | .... | system administrator | |
| Johannes Weiland | .... | animator | |
| Johannes Weiss | .... | matchmove artist | |
| Martin Wellstein | .... | animator | |
| Christian Wieser | .... | compositing sequence lead: Pixomondo Images | |
| Marco Wilz | .... | digital environment artist | |
| Henrik Zähringer | .... | senior lighting artist | |
| Martin Zwanzger | .... | title designer | |
Stunts | |||
| Jiri Horky | .... | stunts | |
| Jindrich Klaus | .... | stunt rigger | |
| Ladislav Lahoda | .... | stunt coordinator | |
| Miroslav Lhotka | .... | stunts | |
| Jaroslav Peterka | .... | stunts | |
| Jan Petrina | .... | stunts | |
Kamera und Elektrik (Stab) | |||
| Dariusz Brunzel | .... | first assistant camera: "a" camera, first unit | |
| Vytaitas Gudlevicius | .... | dolly grip | |
| Rolandas Joneliukstis | .... | first assistant camera | |
| Karl Keil | .... | second assistant camera: "a" camera, first unit | |
| Robert Kodera | .... | grip | |
| Martin Maryska | .... | first assistant camera | |
| Miroslav Pavlik | .... | additional second assistant camera | |
Casting (Stab) | |||
| Franziska Aigner-Kuhn | .... | casting: Germany | |
| Jirí Hrstka | .... | extras casting | |
| Jeremy Zimmerman | .... | casting: international | |
Kostüm und Garderobe (Stab) | |||
| Barbora Wildova | .... | wardrobe assistant | |
Schnitt (Stab) | |||
| Lorenz Jahn | .... | assistant editor | |
Transporte | |||
| Jiri Husak | .... | transportation coordinator | |
| Pavel Voracek | .... | transportation captain | |
Restlicher Stab | |||
| David Eisenhamer | .... | production assistant | |
| Udo Happel | .... | production controller | |
| Andrew Jack | .... | dialect coach | |
| Lubomir Janci | .... | stand-in: Baron Manfred von Richthofen | |
| Annika Koch | .... | assistant to producer | |
| Aslaug Konradsdottir | .... | script supervisor | |
| Heike Kresse | .... | assistant to line producer | |
| Marcus Machura | .... | legal and business affairs | |
| Vera Matousova | .... | production coordinator | |
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| The Blue Max | Aces High | Battle of Britain | Pearl Harbor | Wings |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
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Few days ago I read an interview with Schweighöfer in which he's wondering why "The Red Baron" didn't get any subsidies. "Maybe they didn't like the script". They were right! And I don't think, the script was too controversial... I wish, it'd be. It's a pity that private financed productions like "As far as my feet will carry me" or even Vilsmaier's "Marlene" and now "The Red Baron" have producer's that are obviously willing to make the best movies they can, even without public money. they spent their budget on the cast, effects, good looks but they don't have a clue what to do with their values. They hire authors and directors who turn out to be just unable to cope with their projects. And most of the critics just complain about historical facts... I don't get it. It's a movie! But a badly told one. If you want to make a movie about a world war pilot who tries to be the best, then tell us, how he does it. And not in the main case, how he tries to win a nurse's heart! There are a lot of good love stories around, but THIS is the story of guy who liked to fly and shoot down enemies. If you pick it, stick to it. Don't be ashamed of your choice. It's quite funny to see a few quite impressing battle scenes, but the battles that mattered for the story are simply ignored. They get on the plane. Cut. Hospital. Everything that matters in the story is in the dialogs, not in actions. And even the important dialogs are filmed in cowardly undramatic distant shots... A waste of talent, chances and money.