After a thirteen-year imprisonment for the kidnap and murder of a six-year-old boy, Guem-Ja Lee seeks vengeance on the man truly responsible for the boy's death. With the help of fellow ... See full summary »
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Abducted on a rainy night in 1988, the obnoxious drunk, Oh Dae-Su, much to his surprise, wakes up locked in a windowless and dilapidated hotel room, for an unknown reason. There, his invisible and pitiless captors will feed him, clothe him and sedate him to avoid committing suicide, and as his only companion and a window to the world is the TV in his stark cell, the only thing that helps Oh Dae-Su keep going is his daily journal. But then, unexpectedly, after fifteen long years in captivity, the perplexed prisoner is deliberately released, encouraged to track down his tormentor to finally get his retribution. Nevertheless, who would hate Oh Dae-Su so much he would deny him of a quick and clean death? Written by
The restaurant that Mido works in is called "Mediterranean", which is the name of the restaurant in real life, but the director originally intended for it to be called "Akira" - not as a reference to the popular Manga, but to the Japanese director Akira Kurosawa. See more »
Despite having been imprisoned and isolated from the outside world for 15 years, Oh Dae-Su is shown to be familiar with the operation of a modern cell phone, something that would have been very rare (and completely different from the flip-top handset Dae-Su has) in South Korea when he was imprisoned in the late 80s. However, Dae-Su watched television for 15 years and it is highly likely that at some point he saw a modern cell phone being used. See more »
Who the hell are you?
Me? I'm a sort of scholar. And my major is you. A scholar studying Dae-su Oh; an expert on Dae-su Oh.
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In an age of American cinema where our biggest blockbusters are based on films already successful overseas, this is one movie that needs to be seen by more American movie goers. This is the movie that got me hooked on Asian revenge films. Oldboy is an original movie that shows what happens when a man's freedom is taken away and he doesn't know why, or by whom. He is sudden thrust back into society where he must track down the person that took away his freedom. Along the way come multiple plot twist and surprises that you just don't see coming.
It's a shame so many American film goers refuse to see foreign films, because this movie is genius. Who knows, maybe someday the movie will get remade for audiences here in the U.S. and the main character will be played by Mel Gibson or Bruce Willis. If you want to stay true to the Asian vision, I even think Jackie Chan could be a candidate.
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