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Oldboy (2003)
"Oldeuboi" (original title)

8.4
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Ratings: 8.4/10 from 295,026 users   Metascore: 74/100
Reviews: 782 user | 293 critic | 31 from Metacritic.com

After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.

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(story), (comic), 4 more credits »
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Cast

Cast overview, first billed only:
...
...
...
Dae-han Ji ...
Dal-su Oh ...
Byeong-ok Kim ...
Seung-Shin Lee ...
...
Dae-yeon Lee ...
Kwang-rok Oh ...
Tae-kyung Oh ...
Yeon-suk Ahn ...
Il-han Oo ...
Su-hyeon Kim
Seung-jin Lee
Edit

Storyline

An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor. Written by Jacksrevenge

Plot Summary | Plot Synopsis

Taglines:

15 years of imprisonment, five days of vengeance See more »


Motion Picture Rating (MPAA)

Rated R for strong violence including scenes of torture, sexuality and pervasive language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 November 2003 (South Korea)  »

Also Known As:

Oldboy  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$85,351 (USA) (15 April 2005)

Gross:

$2,181,290 (USA) (20 December 2013)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Min-sik Choi trained for six weeks and lost twenty pounds to get in shape for the role of Dae-su, and did most of his own stunt work. See more »

Goofs

Oh Dae-Su states that the maxim, "Free yourself, like a gazelle from the hand of the hunter, like a bird from the snare of the fowler," is from Proverbs 6:4; these numbers are emphasized shortly afterwards. The saying is actually from Proverbs 6:5. See more »

Quotes

Dae-su Oh: [Dae Su is on his knees. Begging] Please. Don't tell Mido. What has she done wrong? You know it was all my fault... I have committed an unforgivable sin, against your sister. And I also... Did you wrong. Please leave Mido alone... If by any chance Mido finds out the truth, you son of a bitch, I'll tear you limb from limb. And your remains will never be found. Why? Because I'm going to swallow every last bit.
[Crawls over to Woo-Jin and starts to grovel to Woo-Jin]
Dae-su Oh: Woo-Jin! Please, sir, I made a ...
[...]
See more »

Connections

References Un Chien Andalou (1929) See more »

Soundtracks

Bring My Love
by Starsailor
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One step ahead of America
7 March 2007 | by (United Kingdom) – See all my reviews

Oldboy takes a hammer and "batters" its American equivalents, leaving them as pulped as a chewed up squid. Park Chan Wook displays what America misses with his ultra-stylish, ultra-violent thriller. Why watch Ben Affleck fail spectacularly to summon any displayable talent, when Min sik Choi serves up a memorable role as the disturbed, vengeful Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully creates a compelling plot that will have you guessing through the entire film, up until the final shocking revelation. The Cinematography expertly done by Jeong-hun Jeong, who also worked on the follow up to this film, Chinjeolhan geumjassi. Everything about this film is done in style and panache and creates a memorable experience, and has many memorable scenes.

Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.

Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.


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