A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in. Written by
According to his customs declaration, Viktor Navorski was born on 11 January 1956, i.e. he is almost six months older than Tom Hanks. See more »
When Thurman runs out in front of the United 747 to Krakozhia, the plane stops just before a white line painted on the tarmac. In a following scene from a different angle, the plane is well past any white lines. It is possible that it isn't even on the same patch of concrete. See more »
United Airlines announcing the arrival of Flight 9435 from Beijing. Customer service representative, please report to gate C42.
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SPOILER: In the closing credits, the names of the production staff and prominent cast are the person's actual signature, rather than the standard block print used in the remainder of the credits. This follows with the secondary plot of Victor trying to get the last signature for the memory of his deceased father. See more »
Waiting can be exciting It can be also entertaining
The film begins with a cool look (green and blue), because Spielberg doesn't think of Immigration as a warm place to be for the few minutes it takes to clear a passenger and get him on his way So all the cool tones are evident until Viktor starts to settle into his new home He is going to be stuck in New York's JFK airport for an unspecified amount of time From this moment we see Viktor stuck, trapped, unable to enter United States and that's the fun of this film
Tom Hanks is really so calm, so likable, so emotional, so funny and so real in what he does Here, he's a very dignified person who is extremely trusting and always full of positive hope You couldn't insult him if you try It's very hard to hurt his feelings He finds the bright side of every angle problem he faces and finds a way for him to live with the situation He has the virtue of patience, and the testament to hard work, perseverance, and humility He loves people, and he experiences the culture in an odd way
Hanks plays a Krakozhian capable gentleman whose name is Viktor Navorski who finds himself without a passport and a visa once both are taken from him by the powers-that-be at the terminal, because his visa no longer counts, since his country is no longer in existence, and his passport is no longer valid
Catherine Zeta-Jones brings vulnerability and insecurity to her unhappy character She plays the gorgeous flight attendant Amalia Warren, a very sensible woman who's always looking for love, trying to find the person that will be her prince She really wears her emotions on her sleeve and is lonely She wants some strong relationship in her life Viktor and Amelia have oceans of things in common and it ends up playing itself out and that's a nice thing to play
The story leaves a lot for reflection, and in some ways, Viktor's stillness allows him to be a mirror for the people working in the airport to meditate on their own lives
"The Terminal" is a charming film It looks beautifully and elegantly, but realistically
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