A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in. Written by
A majority (if not all) of the flights on the departure board were flights operated by members of the Star Alliance. United Airlines is a founding partner of the Star Alliance. See more »
During the celebration of the end of the war at the bar, Amelia arrives, hugs and congratulates him. During their conversation, the camera switches between shots including both their faces and shots from behind Amelia. When the camera is behind Amelia, you can see the shoulder strap of a bag/purse going across her back from left to right, but when you see her from the front their is clearly no strap. See more »
United Airlines announcing the arrival of Flight 9435 from Beijing. Customer service representative, please report to gate C42.
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SPOILER: In the closing credits, the names of the production staff and prominent cast are the person's actual signature, rather than the standard block print used in the remainder of the credits. This follows with the secondary plot of Victor trying to get the last signature for the memory of his deceased father. See more »
It's funny how Steven Spielberg and Tom Hanks, two of Hollywood's most powerful men, who could literally do any movie they want, end up making something like The Terminal. Instead of reaching for new heights of film-making like including the latest in special effects, or new original ways of storytelling and editing, Spielberg goes back to a simpler form. That in itself is surprisingly refreshing. Filmmakers try so hard to be inventive and change the typical form of the classics, that when someone finally does go back to that Capra or Wilder fashion, it ends up seeming original. That's what The Terminal goes for. A movie about characters, not plot. About emotion, not CGI. It's a true heart-felt piece of work. It's funny, it's cute, and it always keeps you interested.
Tom Hanks leads an exceptional cast as Viktor Navorski, a man stranded in JFK airport, not welcome in the U.S. and having no country to come home to. Throughout the experience he makes friends, a love interest, and a rival. He changes all of their lives, of course. That's to be expected from a movie like this. Tom Hanks is totally believable, accent and all. It's a performance well worthy of an Oscar nod.
I loved The Terminal for many reasons, but one big reason is it's simplicity. And more importantly, because it is good at being simple. It doesn't contribute anything new to movies, it doesn't try to. It is what it is. A great, feel-good film. Something that is getting rarer and rarer these days. Sometimes you'll want to see a gritty, wrenching melodrama, but other times you'll want to see The Terminal.
My rating: 10/10
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