| Fotos (Alle 74 | Diashow) |
| Kevin Kline | ... | Cole Porter | |
| Ashley Judd | ... | Linda Porter | |
| Jonathan Pryce | ... | Gabe | |
| Kevin McNally | ... | Gerald Murphy | |
| Sandra Nelson | ... | Sara Murphy | |
| Allan Corduner | ... | Monty Woolley | |
| Peter Polycarpou | ... | Louis B. Mayer | |
| Keith Allen | ... | Irving Berlin | |
| James Wilby | ... | Edward Thomas | |
| Kevin McKidd | ... | Bobby Reed | |
| Richard Dillane | ... | Bill Wrather | |
| Edward Baker-Duly | ... | Boris Kochno | |
| Angie Hill | ... | Ellin Berlin | |
| Harry Ditson | ... | Dr. Moorhead | |
| Tayler Hamilton | ... | Honoria Murphy | |
| Lexie Peel | ... | Patrick Murphy | |
| Greg Sheffield | ... | Boath Murphy | |
| Peter Jessop | ... | Diaghilev | |
| Jeff Harding | ... | Cody | |
| Susannah Fellows | ... | Mrs. L.B. Mayer | |
| Teddy Kempner | ... | Stage Manager | |
| Cole Porter | ... | Musical Performer - "You're The Top" (archive sound) | |
| Robbie Williams | ... | Musical Performer - "It's De-Lovely" | |
| Lemar Obika | ... | Musical Performer - "What Is This Thing Called Love?" (as Lemar) | |
| Elvis Costello | ... | Musical Performer - "Let's Misbehave" | |
| Alanis Morissette | ... | Musical Performer - "Let's Do It, Let's Fall In Love" | |
| John Barrowman | ... | Jack / Musical Performer - "Night and Day" | |
| Caroline O'Connor | ... | Musical Performer - "Anything Goes" | |
| Sheryl Crow | ... | Musical Performer - "Begin the Beguine" | |
| Mick Hucknall | ... | Musical Performer - "I Love You" | |
| Diana Krall | ... | Musical Performer - "Just One of Those Things" | |
| Vivian Green | ... | Musical Performer - "Love For Sale" | |
| Lara Fabian | ... | Musical Performer - "So In Love" | |
| Mario Frangoulis | ... | Musical Performer - "So In Love" | |
| Natalie Cole | ... | Musical Performer - "Ev'ry Time You Say Goodbye" | |
| Julian Cannoneir | ... | Chorus | |
| Elizabeth Cooper Gee | ... | Chorus | |
| Jacob Chapman | ... | Chorus | |
| Cavin Cornwall | ... | Chorus | |
| Matt Dempsey | ... | Chorus | |
| Heather Douglas | ... | Chorus | |
| Jonathan D. Ellis | ... | Chorus | |
| Jane Fowler | ... | Chorus | |
| Jason Gardiner | ... | Chorus | |
| Charlotte Gorton | ... | Chorus | |
| Nic Greenshields | ... | Chorus | |
| Akia Henry | ... | Chorus | |
| Steve Lawton | ... | Chorus | |
| Duncan McVicar | ... | Chorus (as Duncan MacVicar) | |
| Karen McSween | ... | Chorus | |
| Michelle McSween | ... | Chorus | |
| Dale Mercer | ... | Chorus | |
| Samantha Modeste | ... | Chorus | |
| Odette Pendrisat | ... | Chorus | |
| Thern Reynolds | ... | Chorus | |
| Rachel Stanley | ... | Chorus | |
| Oliver Thornton | ... | Chorus | |
| Claire Winsper | ... | Chorus | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Gary Blair | ... | Barnaby (uncredited) | |
| Nicola Dawn | ... | Party Guest (uncredited) | |
| James Fisher | ... | Party Guest (uncredited) | |
| Christine Hewett | ... | (uncredited) | |
| Andrew Langtree | ... | Chorus (uncredited) | |
Regie | |||
| Irwin Winkler | |||
Buch(WGA) | ||
| Jay Cocks | (written by) | |
Produktion | |||
| Simon Channing-Williams | .... | executive producer (as Simon Channing Williams) | |
| Rob Cowan | .... | producer | |
| Gail Egan | .... | executive producer | |
| Georgina Lowe | .... | line producer | |
| Charles Winkler | .... | producer | |
| Irwin Winkler | .... | producer | |
Kamera | |||
| Tony Pierce-Roberts | (director of photography) | ||
Schnitt | |||
| Julie Monroe | |||
Casting | |||
| Nina Gold | |||
Szenenbild | |||
| Eve Stewart | |||
Bauten/Dekorationsbau (art directors) | |||
| John Hill | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| John Bush | |||
Kostüme | |||
| Janty Yates | |||
Maske/Frisuren | |||
| Jacqueline Bhavnani | .... | makeup artist | |
| Felicity Bowring | .... | makeup artist: Ashley Judd | |
| Beth Miller | .... | hair stylist: Ashley Judd | |
| Sarah Monzani | .... | makeup designer | |
| Graham Pownall | .... | hair stylist | |
| Aaron Sherman | .... | prosthetic makeup artist | |
| Maralyn Sherman | .... | prosthetic makeup artist | |
| Simon Thompson | .... | hair designer | |
| Aurélie Elich | .... | makeup artist (uncredited) | |
| Kerry Hormbrey | .... | crowd makeup artist (uncredited) | |
| Sara Raeburn | .... | makeup artist (uncredited) | |
| Joël Seiller | .... | additional hair stylist (uncredited) | |
Produktionsleiter (production managers) | |||
| Danielle Brandon | .... | unit production manager | |
| Michael Solinger | .... | post-production supervisor | |
Regieassistenten | |||
| Lee Grumett | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Josh Robertson | .... | first assistant director | |
| Joy Scott | .... | third assistant director | |
| Nick Shuttleworth | .... | crowd second assistant director | |
| Charles Winkler | .... | second unit director | |
| Phil Clarke | .... | crowd assistant director (uncredited) | |
| Nic Jeune | .... | first assistant director: second unit (uncredited) | |
Ausstattung (Stab) | |||
| Eddie Baker | .... | stand-by props | |
| Alan Briant | .... | props storeman (as Alan D Briant) | |
| Mark Collisson | .... | construction manager | |
| Gary Davies | .... | stand-by stagehand | |
| Gary Fox | .... | stand-by props | |
| Andrew Grant | .... | assistant art director | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | construction coordinator | |
| Leon McCarthy | .... | stand-by carpenter | |
| Richard Mills | .... | property master | |
| Tom Read | .... | stand-by art director | |
| Michael Standish | .... | production buyer | |
| Graham Stickley | .... | props storeman | |
| Ed Walsh | .... | draughtsman | |
| Rhona Wilson | .... | assistant buyer | |
| Steve Deane | .... | construction supervisor (uncredited) | |
| Jonathan Downing | .... | dressing props (uncredited) | |
| Matthew Meadows | .... | storyboard artist (uncredited) | |
| Terry Royce | .... | props (uncredited) | |
| Don Santos | .... | prop man (uncredited) | |
| Howard Weaver | .... | scenic artist (uncredited) | |
Spezialeffekte | |||
| Graham Longhurst | .... | special effects coordinator | |
Visual Effects | |||
| Chris Brown | .... | visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Phil Attfield | .... | visual effects supervisor (uncredited) | |
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design (uncredited) | |
| Robin Beard | .... | lead digital effects artist (uncredited) | |
| Barry Berman | .... | visual effects (uncredited) | |
| Simon Carr | .... | digital compositor (uncredited) | |
| Travis Dutch | .... | scanning and recording (uncredited) | |
| Tom Hocking | .... | digital compositor (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Jason Jue | .... | digital artist (uncredited) | |
| Isaac Layish | .... | digital effects artist (uncredited) | |
| Victoria McDowell | .... | visual effects line producer (uncredited) | |
| Dan McRae | .... | scanning and recording (uncredited) | |
| Tim Mendler | .... | motion control operator (uncredited) | |
| Jeremy Nicolaides | .... | digital artist (uncredited) | |
| Paola Varvaro | .... | digital artist (uncredited) | |
Stunts | |||
| Alex Cox | .... | stunt player | |
| Gerard Naprous | .... | horse stunt coordinator | |
Casting (Stab) | |||
| Rosalie Clayton | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Valérie Schiel | .... | extras casting: Luxembourg (as Valerie Scheil) | |
| Tamara Gillon | .... | casting assistant (uncredited) | |
Kostüm und Garderobe (Stab) | |||
| Cheryl Cravedi | .... | costumer: Ashley Judd | |
| Andrea Cripps | .... | assistant costume designer | |
| Lee Croucher | .... | stand-by costumer | |
| Andrew Hunt | .... | stand-by costumer | |
| Joe Kowalewski | .... | wardrobe assistant (as Josef Kowalewski) | |
| Sunita Singh | .... | stand-by costumer | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | crowd dresser | |
| Sally Davis | .... | costume assistant (uncredited) | |
| Kate Newbold | .... | costume trainee (uncredited) | |
| Katja Wolf | .... | daily wardrobe assistant (uncredited) | |
| Marie Zelenka | .... | stylist (uncredited) | |
Schnitt (Stab) | |||
| Jason Barnoski | .... | post-production assistant | |
| Jennifer Hatton | .... | first assistant editor | |
| Jack Paulson | .... | assistant editor | |
| David Rees | .... | color timer | |
| Elizabeth Barnette | .... | post-production assistant (uncredited) | |
| Mark Wright | .... | negative cutter (uncredited) | |
Musik (Stab) | |||
| David Arch | .... | musician: piano | |
| Becky Bentham | .... | music coordinator: Hot House Music Ltd. | |
| Philip Bodger | .... | music recordist (as Phil Bodger) | |
| Philip Bodger | .... | score music mixer (as Phil Bodger) | |
| Philip Bodger | .... | score recording engineer (as Phil Bodger) | |
| Anne Collis | .... | on-set music contractor | |
| Mitchell Dalton | .... | musician: guitars (as Mitch Dalton) | |
| Alec Dankworth | .... | musician: bass | |
| Richard Edwards | .... | musician: trombone | |
| Stephen Endelman | .... | music arranger | |
| Stephen Endelman | .... | music producer | |
| Andrew Findon | .... | musician: woodwinds (as Andy Findon) | |
| Rebecca Gatrell | .... | music coordinator: Hot House Music Ltd. (as Becca Gatrell) | |
| Gilbert Goldstein | .... | additional music arranger | |
| Isobel Griffiths | .... | music contractor | |
| Christopher Kennedy | .... | music editor | |
| Sonny Kompanek | .... | additional music arranger | |
| Sonny Kompanek | .... | additional music preparer | |
| Gary Norden | .... | vocal coach: Kevin Kline | |
| Jenny O'Grady | .... | chorus mistress | |
| Frank Ricotti | .... | musician: percussion | |
| Ralph Salmins | .... | musician: drums | |
| Ray Swinfield | .... | musician: woodwinds | |
| Jamie Talbot | .... | musician: woodwinds | |
| Phil Todd | .... | musician: woodwinds | |
| Derek Watkins | .... | musician: trumpet | |
| Gavyn Wright | .... | musician: string leader | |
| Robert Ziegler | .... | conductor | |
| Becky Bentham | .... | music supervisor (uncredited) | |
| Simon Changer | .... | score assistant engineer (uncredited) | |
| Tim Starnes | .... | music arranger: piano (uncredited) | |
| Robert Ziegler | .... | musical director (uncredited) | |
Transporte | |||
| Alexandre Brown | .... | transportation coordinator: Luxembourg (as Alex Brown) | |
| Daniel Brown | .... | transportation captain | |
| Mark Crowley | .... | driver: Ashley Judd | |
| Mark Williams | .... | driver: Kevin Kline | |
| Rob Hempenstall | .... | unit driver (uncredited) | |
Restlicher Stab | |||
| Libbie Barr | .... | script supervisor | |
| Claire Broughton | .... | assistant: Gail Egan | |
| Peter Brown | .... | location assistant: Luxembourg | |
| Chorley Bunce | .... | caterer | |
| Ronni Chasen | .... | press representative | |
| Chris Craig | .... | board operator | |
| June Czerwinski | .... | associate: Winkler Films | |
| Mandy Edwards | .... | office production assistant: Scotland | |
| Jo Farrugia | .... | assistant: Irwin Winkler | |
| Gilbert Goldstein | .... | piano coach: Kevin Kline | |
| Selina Gomeau | .... | assistant: Irwin Winkler | |
| David Higgs | .... | base runner | |
| Cathy Jayes | .... | rehearsal pianist | |
| Francesca Jaynes | .... | choreographer | |
| Ian Kilsby | .... | personal security | |
| Neil Lee | .... | location manager | |
| Andrew MacLean | .... | assistant accountant | |
| Sarah McBryde | .... | production coordinator | |
| Justin Miller | .... | assistant accountant | |
| Julie Milstead | .... | associate to producers | |
| Sophie Moss | .... | assistant production coordinator | |
| Leonora Penglase | .... | assistant: Simon Channing Williams | |
| Ian Pollington | .... | on-set location manager | |
| Darren Price | .... | key set production assistant | |
| Maggie Rawlinson | .... | assistant choreographer | |
| Joanne Reichling | .... | production coordinator: Luxembourg | |
| Marco Ruffatti | .... | production assistant | |
| Will Tyler | .... | production accountant | |
| Doug Vale | .... | first aid | |
| Julia Wilson-Dixon | .... | dialect coach: Ashley Judd (as Julia Wilson Dickson) | |
| Henry Woolley | .... | assistant location manager | |
| Danielle Craig | .... | production assistant (uncredited) | |
| Camille Gatin | .... | stand-in: Ms. Judd (uncredited) | |
| Charles Howes | .... | tutor (uncredited) | |
| Jonathan Rutter | .... | publicist (uncredited) | |
| Matthew Sanders | .... | unit publicist (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
Widmungen und Dankeschöns | |||
| Peter L. Felcher | .... | special thanks: The Cole Porter Trust | |
| Robert Kimball | .... | special thanks (as Robert E. Kimball) | |
| Robert H. Montgomery Jr. | .... | special thanks: The Cole Porter Trust, 1923-2000 | |
| Roberta Staats | .... | special thanks: The Cole Porter Trust | |
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| Ray | The Phantom of the Opera | The Aviator | Walk the Line | Frida |
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| Besetzung und Stab | Beteiligte Firmen |
As I think of the many dimensions documentaries have taken recently, from the ersatz 'Fahrenheit' to the authentic 'Metallica,' I am pleased to report the biopic remains whole, with Irwin Winkler's ('Life as a House') 'De-Lovely,' the life in song about Cole Porter and his wife, Linda.
I say 'in song' because barely a moment in not accompanied by Porter's music so recognizable I can cite 'Night and Day,' 'In the Still of the Night,' 'Anything Goes,' 'Let's Misbehave,' and 'True Love' without research help or the least provocation. Kevin Kline plays Porter with 1920's tuxedoed charm embracing the true love of his life, Linda, and the many men who helped him fulfill his need to love everything. Kline's refusal to lip-synch or take singing lessons effectively evokes the voice-challenged Porter and the passionate melancholy of a composer who lived for love.
The difference between this version and the 1946 Cary Grant 'Night and Day' is in the hidden homosexuality of the latter and the overt acceptance in the former. Winkler recreates the moment when Linda acknowledges, accepts, and romanticizes Porter's alternative life. About men she affirms, 'You like them more than I do. Nothing is cruel if it fulfills your promise.' This is fine writing by Jay Cocks ('Age of Innocence') and is her love expressed on a plane only Plato could fully appreciate.
Thus Linda defines a story about love as music, a story attempted in 'Evita' and 'Frida' but never so well expressed as in 'De-Lovely.' Although 'Frida' parallels Frida Kahlo's artful life in her paintings, 'De-Lovely' so arranges Porter's music as to suggest each piece was written for that moment in his life. Judd's portrayal relies on her porcelain beauty, wry smile, and serene wisdom in the service of an unconditional love that cost Linda in embarrassment, extorted money, and time away from Porter.
Songs interpreted by Elvis Costello, Sheryl Crow, and Diana Krall, among others, bring the film into the present with the 'timeless' effect without compromising flawless period depiction of the Jazz Age and Tin Pan Alley. In the end this biopic helped me understand the rewarding and demanding life of Cole Porter, gave me over two hours of glorious song and dance, and made me see again the allure of true love that transcends sex and ego. 'De-Lovely' is 'music from a farther room,' as Eliot's Prufrock would have heard it.