6.3/10
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King Arthur (2004)

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A demystified take on the tale of King Arthur and the Knights of the Round Table.

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1,353 ( 315)

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Cast

Cast overview, first billed only:
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Pat Kinevane ...
Ivano Marescotti ...
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Storyline

Based on a more realistic portrayal of "Arthur" than has ever been presented onscreen. The film will focus on the history and politics of the period during which Arthur ruled -- when the Roman empire collapsed and skirmishes over power broke out in outlying countries -- as opposed to the mystical elements of the tale on which past Arthur films have focused. Written by Scott Summerton

Plot Summary | Plot Synopsis

Taglines:

The Untold True Story That Inspired The Legend See more »


Motion Picture Rating (MPAA)

Rated R for sequences of strong war violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Release Date:

7 July 2004 (USA)  »

Also Known As:

King Arthur: Director's Cut  »

Box Office

Budget:

$120,000,000 (estimated)

Opening Weekend:

$15,193,907 (USA) (9 July 2004)

Gross:

$51,877,963 (USA) (8 October 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

| | | (5.1) (L-R)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Clive Owen got the the role of King Arthur after Russell Crowe, Mel Gibson and Hugh Jackman turned it down, and producer Jerry Bruckheimer vetoed the director's choice of a then comparatively unknown Daniel Craig because he was convinced Owen was going to be the next James Bond. See more »

Goofs

The Pope did not have the power to give land to a people in the fifth century. This was not possible until nearly 400 years later. See more »

Quotes

[first lines]
Lancelot: [voiceover] By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day, the only Sarmatian soldiers left alive were members of the decimated but legendary cavalry. The Romans, impressed by their bravery and horsemanship, spared their lives. In exchange, these ...
[...]
See more »

Crazy Credits

There are no opening credits, not even the production company and studio bumpers, only the title. See more »

Connections

Referenced in The Getaway: Black Monday (2004) See more »

Soundtracks

Amergin's Invocation
Composed by Lisa Gerrard & Patrick Cassidy
Courtesy of Sony/ATV Music Publishing Australia
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Monty Python was more historically accurate
11 August 2004 | by (UK) – See all my reviews

They could also act better and write a decent script. Nothing in this film makes sense:

  • the "britons" who live in Scotland and dress like their predecessors of 4


centuries

  • Pretty much everything about the armour and weapons (far too much to


mention in under 1000 words).

  • In fact everything that tries to pass for history in this


mess

  • The ability of everyone to understand 3 or more languages




  • Britons fighting Saxons in the Borders under a Roman


flag

  • Clive Owen thinking he can act




  • Anyone thinking that script wouldn't make people laugh till it


hurts

  • Roman conscription lasting 15 years and ending with a return to


Rome

  • Low infant mortality rate and model-like mother of 11 healthy


brats(particularly made me laugh)

  • Leaving a well defended fort to fight superior forces in the


open

  • Magical Mystery Fort Doors that close their many-tonned-selves


automatically

  • The phrase "Historians agree"




  • The world's lightest heavy cavalry and most accurate


archers

  • 100s of arrows from 8 bows




  • The cruddy ripoff of Aleksandr Nevsky




  • The many many cruddy ripoffs of Braveheart (a film which despite being


historically laughable is excellent entertainment unlike this one)

And on and on and on and on.....

It's not just that it's poor history it's bad storytelling and makes the film painful to watch even if the script did engender any interest from the audience or the numerous dreadful performances didn't remove any prospect of caring for or about the characters.

1/10 and that's only because of the bit-part guy that put on a funny Somerset accent at one point. He, at least, clearly knew a little bit about the legends and history this farce pretends to represent.

As a final thought - I don't know why Miss Knightley is drawn to bloody awful adaptations of English legends but I wish she'd stop it.


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