40 user 5 critic

Rabbits (2002)

| Short, Drama, Fantasy
In a nameless city deluged by continuous rain, three rabbits live with a fearful mystery.



Learn more

People who liked this also liked... 

DumbLand (TV Mini-Series 2002)
Animation | Short | Comedy
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A series of 5-minute line animations (drawn in the rough style and with the minimalist plots of David Lynch's The Angriest Dog in the World comic strip) featuring an angry and violent Neanderthal, and his family and neighbors.

Stars: David Lynch
Darkened Room (2002)
    1 2 3 4 5 6 7 8 9 10 5.7/10 X  

John's struggle to get out of a locked room with a sinister secret inside.

Director: David Lynch
Stars: Jordan Ladd, Etsuko Shikata, Cerina Vincent
Inland Empire (2006)
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7/10 X  

As an actress starts to adopt the persona of her character in a film, her world starts to become nightmarish and surreal.

Director: David Lynch
Stars: Laura Dern, Jeremy Irons, Justin Theroux
Documentary | Animation | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A collection of visionary director David Lynch's short films from the first 29 years of his career is accompanied by a special introduction to each film by the director himself.

Director: David Lynch
Stars: Jeffe Alperi, Robert Chadwick, Catherine E. Coulson
The Alphabet (1968)
Animation | Short
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.

Director: David Lynch
Stars: Peggy Lynch
Short | Horror
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A young boy plants some strange seeds and they grow into a grandmother.

Director: David Lynch
Stars: Dorothy McGinnis, Richard White, Virginia Maitland
Absurda (2007)
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

A journey into absurdity.

Director: David Lynch
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A collection of deleted scenes from David Lynch's 2006 surrealist horror 'Inland Empire'

Director: David Lynch
Stars: Karolina Gruszka, Peter J. Lucas, William Maier
Boat (Video 2007)
Short | Drama | Horror
    1 2 3 4 5 6 7 8 9 10 6/10 X  

A journey into night.

Director: David Lynch
Stars: David Lynch, Emily Stofle
The 3 Rs (2011)
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

One-minute short film, used as a trailer for the Vienna International Film Festival (Viennale).

Director: David Lynch
Stars: Mindy Ramaker
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Intervalometer Experiments sees Lynch experiment with time lapse photography at three locations.

Director: David Lynch
The Amputee (1974)
Short | Comedy
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

A double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.

Director: David Lynch
Stars: Catherine E. Coulson, David Lynch


Credited cast:
Jane (as Laura Elena Harring)


A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Jane ironing, Suzie sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their "leader". A really Lynch-esque series of episodes. Written by The Man

Plot Summary | Add Synopsis

Parents Guide:





Also Known As:

Króliki  »

Company Credits

Show detailed on  »

Technical Specs




Aspect Ratio:

1.78 : 1
See  »

Did You Know?


Comprised of 9 installments totaling 50 minutes. See more »


Referenced in ... (2007) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Alice Inverted
10 October 2006 | by (Virginia Beach) – See all my reviews

Lynch really elevated my opinion of him here. This is very, very well constructed. It is the highest art.

That means that any "explanation" will be worthless. You can read some other material to discover something of what you will see.

Its unsettling and strange, hypnotic and lyrical. That it is in several "episodes" is all a part of how certain familiar forms are subverted to give us something that has identity and also has a sort of meta-identity defined by deviance from the expected.

My observation will be highly personal. I see this as a sort of "Rosencrantz and Guildenstern" but instead of referencing "Hamlet" engages "Alice in Wonderland." It fits, especially if you are inclined — as I am — to blow Alice into something as world-swallowing as Hamlet. Where Hamlet is all about what it means to sit in the world, Alice works at more refined level, being all about what it means to carry a name in the world.

One is about being and the other about what we see and acknowledge about being. Its this second conceptual space that Lynch inhabits, always has. His "firewalking" TeeVee stuff bends notions of representation and discovery, the amusement being not in what we see, but in the difference between what we expect to see.

Let's look at the entire vocabulary he has toyed with. First, he acknowledges the audience (laugh track), camera (static but in and out of focus), narrative (drawn more overtly by its fragmentation), framing (with very formal, abstract composition) and "acting," which here consists more of pauses and empty spaces than anything we normally associate with acting.

And then there's the bending of the form. We have a demon that appears twice. Its noir drawn tightly, especially since there is a hint that the demon or his avatar as perhaps a "lost dog" is driving the entire situation.

And then we have three "performances," one each by the three characters. These are accompanied by an ignited set, literally ignited. The performances, which each occupy an episode, are pretty transcendent in terms of what we would see in an ordinary drama. In such a case, each would "solo" in such a way that their soul was revealed. Its the challenge of the writer to weave this into events in such a way that we don't see the performer revealing his character overtly. This is different; all pretense is removed. The character enters and opens its heart with no narrative baggage. What the character tells us actually has more information about context than the surrounding context provides.

Ted's Evaluation -- 3 of 3: Worth watching.

17 of 26 people found this review helpful.  Was this review helpful to you?

Contribute to This Page