A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst. Written by
When Yan and SP Wong are waiting at the elevator, the digital floor counter skips the 4th floor. In China and Hong Kong, the number 4 is considered bad luck because it sounds similar to the word 'death'. See more »
When SP Wong was killed, the top of the taxi had been collapsed, but in the next scene, the top of the taxi remained undamaged. See more »
This movie is well-made, stylish and extremely entertaining. However, as stated by the review from a Hong Kong viewer, there is also depth and subtlety rarely found in action/thrillers. It is this depth that makes this movie brilliant. The depth of this movie is best served by the understated yet deeply moving performances of the main characters. Viewers are allowed into the inner changes of these characters and before long, the viewers begin to care about them, be it the "good guy" (Yan) or the "bad guy" (Ming). The rest of cast successfully relate the complicated and exciting plot to the viewers, and all the supporting performances are almost flawless, perhaps with the exception of the female psychologist who seems sadly one-dimensional. I grew up in Hong Kong but has since lived most of my life in Canada. With this duo-cultural background, I have mixed feelings about the Hollywood remaking of this movie. On the one hand, I am happy for the Hollywood recognition of this great movie by remaking it. On the other hand, I would hate to see how badly sabotaged the end result would be. Some things just do not translate. As a minimum, I hope the great director Scorcese will make good use of the major plot line and generate a haute thriller and with the excellent cast, develop some in-depth characterization. The Chinese philosophy and the spirit of the original film is better left undisturbed.
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