In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Chau-Sang Wong
In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho... See full summary »
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst. Written by
When referencing this film as the inspiration for the Best Picture-winning The Departed (2006), the announcer at the 79th Academy Awards mistakenly identified the Hong Kong production as Japanese. See more »
Changes in the time on the clock in the living room when the cop is listening to the CD that's been dropped off for him. See more »
Composed & Arranged by Ronald Ng
Performed by Andy Lau and Tony Chiu Wai Leung (as Tony Leung)
Produced by Ronald Ng and Jacky Chan
O.P. BMG Music Publishing Hong Kong, Ltd./Catchy Music Publishing, Ltd. See more »
This movie is well-made, stylish and extremely entertaining. However, as stated by the review from a Hong Kong viewer, there is also depth and subtlety rarely found in action/thrillers. It is this depth that makes this movie brilliant. The depth of this movie is best served by the understated yet deeply moving performances of the main characters. Viewers are allowed into the inner changes of these characters and before long, the viewers begin to care about them, be it the "good guy" (Yan) or the "bad guy" (Ming). The rest of cast successfully relate the complicated and exciting plot to the viewers, and all the supporting performances are almost flawless, perhaps with the exception of the female psychologist who seems sadly one-dimensional. I grew up in Hong Kong but has since lived most of my life in Canada. With this duo-cultural background, I have mixed feelings about the Hollywood remaking of this movie. On the one hand, I am happy for the Hollywood recognition of this great movie by remaking it. On the other hand, I would hate to see how badly sabotaged the end result would be. Some things just do not translate. As a minimum, I hope the great director Scorcese will make good use of the major plot line and generate a haute thriller and with the excellent cast, develop some in-depth characterization. The Chinese philosophy and the spirit of the original film is better left undisturbed.
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