In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Chau-Sang Wong
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst. Written by
The English title is a play on words mixing Ming's job in the IA, the infernal nature of both characters' double lives, and finally Dante's Inferno, relating to the original Cantonese title. See more »
Changes in the time on the clock in the living room when the cop is listening to the CD that's been dropped off for him. See more »
Let me tell you a story. Two men need an organ transplant, but there's only one organ. So they play a game. They each put a card in their pocket. Whoever can guess the other's card wins the organ.
You know I can see your card.
I see yours as well.
See more »
Composed & Arranged by Ronald Ng
Performed by Andy Lau and Tony Chiu-Wai Leung (as Tony Leung)
Produced by Ronald Ng and Jacky Chan
O.P. BMG Music Publishing Hong Kong, Ltd./Catchy Music Publishing, Ltd. See more »
A deceptively simple idea lies at the heart of this complex thriller: the Hong Kong police and a triad gang both have an informer in each other's organisation: whoever's man picks the enemies' spy first wins the game for his side. Add to that the customary double-agent-doesn't-know-which-side-he-is-on-anymore subplot (doubled, of course), and you have plenty of ingredients for a plot, although it's to the movie's credit that although a little stylised, it never seems false or contrived. Fast-paced and bold, with a generous score, it never insults the viewer's intelligence either, and features just the right level of moral ambiguity. At one level, it's just another thriller, and there's little in the way of wider political or social subtext; but on the other hand, it's a textbook lesson in the art of making this sort of film.
37 of 47 people found this review helpful.
Was this review helpful to you?