6.6/10
929
14 user 18 critic
Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her ... See full summary »

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Cast

Cast overview, first billed only:
...
Viktor
...
Nina
...
Lang
...
Der junge Polizist
...
Die Ermittlerin
Peter Fitz ...
Martin Hinrich
Wilhelm Manske ...
Der Russe
Gertraud Jesserer ...
Grundschullehrerin
...
Sicherheitschef des Russen
Murat Yilmaz ...
Killer des Russen
...
Freundin des Russen
Kevin Ruhland ...
Felix
...
Observierer Kamera
Werner Karle Jr. ...
Observierer Ton (as Werner Karle jun.)
Antonio Di Mauro ...
Polizist in Ninas Wohnung (as Antonio Dimauro)
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Storyline

Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her from an attempted suicide. Nina is attracted to him, but also wants to know who he is. Her pursuit of his identity crosses the investigation of Lang, a brilliant police investigator who tries to inhabit the minds of the victims and the killer. Viktor's employer also wants to kill Viktor and his contact, an aging arms dealer and family friend. Does Viktor have a future? Written by <jhailey@hotmail.com>

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29 April 2004 (Germany)  »

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2.35 : 1
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Did You Know?

Trivia

The first school day photo is a real youth photo of Joachim Król. See more »

Soundtracks

Ah! Non Credea Mirarti
Vincenzo Bellini
from the opera "La Sonnambula"
Arranged by Paolo Pessina
Vocals by Margherita Buschi
Violin Nicola Granillo
Double bass Christian Ciaccio
Pianoforte Paolo Pessina
Recorded by La Fabbrica del Suono, Padova, Italy
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User Reviews

Two Comments, Two Sides of the Story
25 May 2004 | by See all my reviews

I think I have to disagree with the first poster, who said he this movie could have been great if the dialogue had been better.

In my opinion the absolute minimum use of dialogue between the two main characters in this picture, and for Lautlos 'picture' is more true than usual, is one of its most interesting aspects.

The emotions & thought of these two people are intensely displayed by a great combination of camera-work and acting. When the word are spoken the atmosphere already has the viewer closely connected with these two characters. I found myself thinking what the characters themselves realized only seconds later and stated in a very minimalistic way.

Just a beautiful film...


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