Unlucky, clumsy, charming Marseile PD detective Émilien Coutant-Kerbalec must assist worse-than-Clouseau commissioner Gibert guarding a Belgian criminal reputed as dangerous as - and caged ... See full summary »
After returning to civilian life as a Texas rancher, Captain Lance Deakin fends off attacks from former members of his unit as he struggles to uncover the truth of what he did as a soldier ... See full summary »
Belle Williams is a speed demon. Flying through the streets of New York in her tricked-out taxi, she's earned a rep as New York's fastest cabbie. But driving a hack is only a pit stop for her real dream: Belle wants to be a race car champion. And she's well on her way--until she's derailed by overeager cop Andy Washburn, whose undercover skills are matched only by his total ineptitude behind the wheel. Washburn, whose lack of vehicular skills has landed him in the precinct doghouse, is hot on the heels of a gang of beautiful Brazilian bank robbers, led by Vanessa, their cold, calculating--and leggy--leader. To nab the evasive crooks, drivers license-less Washburn convinces Belle to team up with him to pursue Vanessa and crew. Belle has carte blanche to drive at any speed and break any law. The car-less cop and speed-demon cabbie--New York's unlikeliest partners-- begin a high-speed game of cat and mouse with the robbers. That is, if Belle and Washburn don't end up killing each other ... Written by
Sujit R. Varma
WILHELM SCREAM: When the red BMW drives down the sidewalk. See more »
When Washburn crashes the first car, he pounds on the steering wheel. This action triggers inflation of the airbag. The sensor for the airbag is in the front bumper, which was undamaged as the car ran backwards into the store. Thus, pounding on the steering wheel would not fire off the airbag. See more »
You ask me where I'm from? What part am I from? Eeh... What part of Havanna? You know... ah... around the corner of... eum... Castro... Street.
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Outtakes are shown during the closing credits See more »
Crazy in Love
Written by Rich Harrison, Jay Z (as Shawn Carter), Beyoncé Knowles and Eugene Record
Performed by Beyoncé Knowles (as Beyoncé)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
(contains a sample of "Are You My Woman (Tell Me So)"
Performed by The Chi-Lites
Courtesy of Brunswick Record Corporation). See more »
I'm tempted to just write "This movie sucks" and then go see the original again, but that wouldn't be very helpful to you guys. Here's why this movie sucks.
To sum up the movie, I steal from oshram-3 (One of the other comments) "The plot of Taxi follows Detective Washburn (Jimmy Fallon, making his debut as a movie lead) and bike-messenger-turned-cab-driver Belle (Queen Latifah) as they inadvertently get tangled up with one another and have to figure out who is ripping off a series of Manhattan banks and try to catch them. Rounding out the cast (no pun intended) are Jennifer Esposito (you might remember her from Spin City) as Washburn's lieutenant, Marta, and supermodel Gisele Bundchen as the head hot chick."
Luc Besson's action-comedy Taxi(1998) was a great movie, mostly due to decent acting, funny characters and social/cultural references. In this American remake, all that is gone.
The characters in themselves are severely less intricate than in Besson's original, and maybe the best of them all is gone. I am, of course, talking about the utterly insane police captain. Then again, of course the Americans would leave him out, since he's a parody of every single angry police chief in American movies. All that's left is Queen Latifah driving a taxi, and a cop that's just pathetic, and doesn't have that likable quality Frédéric Diefenthal had in the french version.
Also, the political correctness really shines through the gaps in this film. Every single strong character is a woman. The only guy in the entire core group of the movie is the awkward cop/disguise artist. The movie has been carefully constructed so it doesn't lash out at any particular groups in society, and by doing that, you lose the edge.
I see this movie as a blatant attempt to salvage careers and make some money on the fact that Americans don't like subtitles. It's also a classic example of what happens when you let lawyers and politically correct groups scare you out of doing things right.
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