Übersicht
Werbezeile:
She's the one in every family.
Plot:
A wayward daughter invites her dying mother and the rest of her estranged family to her apartment for Thanksgiving dinner.
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Filmpreise:
Nominated for Oscar.
Another 14 wins
&
16 nominations
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Nutzerkommentare:
funny and moving little film
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| Dr. Steve Abraham | .... | special thanks |
| Gary Baker | .... | special thanks |
| Chris Barra | .... | thanks: Xeno Lights |
| Susan Batten | .... | special thanks |
| Kamau Benjamin | .... | special thanks |
| Dr. Carl Berg | .... | special thanks |
| Merri Biechler | .... | special thanks |
| Jane P. Brawley | .... | thanks: deputy commissioner, New York City Mayor's Office of Film, Theatre & Broadcasting |
| Stephen F. Breimer | .... | special thanks |
| Stephanie Broadnax | .... | thanks: The Palisade Interstate Park Commission, Bear Mountain, New York |
| Joannie Burstein | .... | special thanks |
| Diana Burton | .... | special thanks |
| Niamh Butler | .... | special thanks |
| Joseph Calritos | .... | special thanks |
| Andrew Cathcart | .... | thanks: Meow Mix, New York City |
| Justin Christopher | .... | special thanks |
| Ana Cintron | .... | special thanks |
| Myfa Cirinna | .... | thanks: Entertainment Partners Inc. |
| Vin Crapanzano | .... | thanks: St. Thomas Aquinas College |
| Tomas Crespo | .... | thanks: Organic and Natural Food Market |
| Elaine Crowley | .... | thanks: New York City Parks |
| Joe Dapello | .... | special thanks |
| Chris Delosangeles | .... | special thanks |
| Steve Dontanville | .... | special thanks |
| Berrain Eno | .... | thanks: Arthur's Dress Shop |
| Mary Clare Evans | .... | special thanks |
| Anthony Famigietti | .... | special thanks |
| Brian Fiarello | .... | thanks: Krispy Creme of East Meadow, New York |
| Van Fleet | .... | thanks: Arthur's Dress Shop |
| Marc H. Glick | .... | special thanks |
| Wendy Goidell | .... | special thanks |
| Claudia Gonson | .... | special thanks |
| Kenny Goodman | .... | special thanks |
| Richard Greenberg | .... | special thanks |
| Desmond Guthrie | .... | special thanks |
| Frankie Hailey | .... | thanks: The Salvation Army |
| Carole Hedges | .... | in memory of |
| Laurel Hedges | .... | special thanks |
| Lucas Hedges | .... | special thanks |
| Rev. Robert B. Hedges | .... | special thanks |
| Simon Hedges | .... | special thanks |
| Karl Heiselman | .... | special thanks |
| Belinda Houchens | .... | thanks: Kings Korner Gifts Scottsburg, Indiana |
| Brandt Joel | .... | special thanks |
| Randy Johnson | .... | thanks: Randy's Garage |
| Susan King | .... | special thanks |
| Peter Krimitsos | .... | thanks: Blauvelt Coach Diner |
| Scott Laule | .... | special thanks |
| Michael Leslie | .... | special thanks |
| Jill Lichtig | .... | special thanks |
| Rich Lichtig | .... | special thanks |
| Ken Lipper | .... | special thanks |
| Austin Lopez | .... | special thanks |
| Derrick Loris | .... | special thanks |
| Tod A. Maitland | .... | special thanks |
| Jaime Marks | .... | thanks: The Puck Building |
| Ryan McMahon | .... | special thanks |
| Douglas McWilliams | .... | special thanks |
| Lisa McWilliams | .... | special thanks |
| Megan McWilliams | .... | special thanks |
| Tory Metzger | .... | special thanks |
| Ruth Moore | .... | special thanks |
| Rev. Harold W. Morris Sr. | .... | thanks: Willis Avenue United Methodist Church |
| Bruce Page | .... | thanks: Greenbush Presbyterian Church |
| Mary-Louise Parker | .... | special thanks |
| Tim Patmont | .... | thanks: Patmont Motor Works |
| Adrienne Patsos | .... | thanks: Barbizon Lighting Company |
| Michael Peretzian | .... | special thanks |
| Scott H. Ramsey | .... | thanks: Xeno Lights (as Scott Ramsey) |
| Bob Ricca | .... | special thanks |
| Ann Roth | .... | special thanks |
| Carin Sage | .... | special thanks |
| Kirsten Schatz | .... | special thanks |
| Ira Schreck | .... | special thanks |
| Larry Schwartz | .... | thanks: The Puck Building |
| Eric Scott | .... | special thanks |
| Mike Scott | .... | special thanks |
| Pat Scott | .... | thanks: commissioner, New York City Mayor's Office of Film, Theatre & Broadcasting (as Patricia Reed Scott) |
| Major Lawrence Shaffer | .... | thanks: The Salvation Army |
| Raymond Ted Shelton | .... | special thanks (as Raymond T. Shelton) |
| Eric Shonz | .... | thanks: Entertainment Partners Inc. |
| David Shuchat | .... | special thanks |
| Sydney Sidner | .... | special thanks |
| Alin Splichel | .... | special thanks |
| Erwin Stoff | .... | special thanks |
| John A. Narcissa Titman | .... | special thanks |
| Leslie Topping | .... | special thanks |
| Brooke Webster | .... | thanks: Meow Mix, New York City |
| Sally Willcox | .... | special thanks |
| Jim Zachar | .... | special thanks |
| |
möglicherweise kompletter Stab
- 280: design titles
- 701 Sound post-production sound services
- AON/Albert G. Ruben Insurance Services production insurance (as AON/Albert G. Ruben)
- Action Camera Cars thanks
- Amana thanks
- Aperture Magazine thanks
- Arthur's Dress Shop thanks
- Barbizon Lighting Company thanks
- Blauvelt Coach Diner thanks
- Bumble & Bumble thanks
- Butterball Turkeys thanks
- CSC lighting supplied by
- Camera Service Center thanks
- Cinetic Media financing and distribution advisory services
- Coca-Cola Company, The thanks
- Color Wheel thanks
- Entertainment Partners payroll services
- Entertainment Partners thanks
- Greenbush Presbyterian Church thanks
- Kiehl's Since 1851 thanks (as Kiehl's)
- Kings Korner Gifts Scottsburg, Indiana thanks
- Kodak thanks
- Krispy Kreme of East Meadow, New York thanks
- MAC Cosmetics makeup provided by
- Magic Lantern public relations
- Meow Mix thanks
- Metro Concepts Music thanks
- Movie Time Cars thanks
- Moving Images Inc. color correction
- New Jersey Film Commission thanks
- New York City Mayor's Office of Film, Theater & Broadcasting, The thanks
- New York City Parks Department thanks (as NYC Parks)
- Nonesuch Records soundtrack published by (uncredited)
- Notre Dame Church thanks
- Ocean Spray Company thanks
- Oddball Film and Video footage: Chinese Dance television footage courtesy of
- Orbit Digital avid services provided by
- Organic and Natural Food Market thanks
- Palisades Interstate Park Commission, The, Bear Mountain, New York thanks
- Patmont Motor Works thanks
- Puck Building, The thanks
- Randy's Garage thanks
- Salvation Army thanks
- Screen Actors Guild (SAG) thanks
- Shooting Stars Catering catering
- Sloss Law Office production legal
- Sound One Corporation adr
- Sound One Corporation post-production sound mixing
- St. Thomas Aquinas College thanks
- Suffolk Realty Corporation thanks
- Swiss Effects tape to film transfer
- Town of Orangetown, New York thanks
- Township of West Caldwell, New Jersey thanks
- Willis Avenue United Methodist Church thanks
- Xeno Lights Inc. thanks (as Xeno Lights)
Weitere Details
Alternativ:
Pieces of April - Ein Tag mit April Burns (Österreich) (Deutschland) [de]
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Rated PG-13 for language, sensuality, drug content and images of nudity.
Länge:
80 Min
Seitenverhältnis:
1.85 : 1
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MOVIEmeter: 
10% since last week
why?
Fun-Ecke
Dies und das:
Although the film is dedicated to
Peter Hedges' mother, who died of cancer, the only true aspect he incorporated is the line where Joy talks about the fictional singer "Smack Daddy". The line is almost word for word what Peter's mother told him while in the hospital, the only exception being that she was talking about
Barry White.
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Pannen:
Audio-Visuelle Asynchronität: The camera Timmy is using is a modern Nikon autofocus SLR which has an electrically controlled self-timer that doesn't make any noise during operation. When April's mother, dad, grandmother and sister stop at the Christmas shop and at the very end of the movie the sound of an old manual self-timer is inserted in the sound track.
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Dialogzitate:
April Burns:
Once, there was this day... this one day when... everyone realized they needed each other.
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Soundtrack:
Baby Won't You Tell Me
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Written and directed by Peter Hedges, `Pieces of April' is a droll little comedy with deadly serious overtones. April is the black sheep of the Burns family, the one child of whom her mother has no fond memories. Although from what we see of her, April seems to be a pretty decent young lady, it is obvious that her parents and her brother and sister harbor deep resentments towards her (her earlier involvement with drugs and drug dealers seems to be the primary cause of bitterness). Well, it's Thanksgiving Day and April is attempting to mend some bridges by hosting this year's dinner at her cramped New York City apartment. April is terrified of failure and her family members have little faith that she will be able to pull the event off. Complicating matters even further is the fact that Joy, April's mother, is suffering from terminal cancer.
As a narrative, the film basically runs along two parallel tracks. One involves April and her frantic attempts to get her dinner cooked despite the fact that her gas oven has suddenly stopped working. This forces her to go up and down the hallway of her apartment building throwing herself on the mercy of her colorfully eccentric neighbors, some of whom offer their assistance and some of whom don't. Hedges mines his richest vein of humor in this section, capturing the offbeat nature of both the people and the situation. The other plotline - involving the family's reluctant trek from suburbia into the city - naturally carries with it far more serious overtones, dealing as it does with death, recrimination, family dysfunction and despair. But even here, Hedges is able to inject some moments of wicked black humor into the proceedings.
Oddly enough, of all the characters, April is one of the least fully developed in the film. She remains basically a passive observer and most of what we learn about her comes from comments made by various family members. We have to take it on faith that she is such a loser and a troublemaker because we see very little evidence of it with out own eyes. Certainly the most intriguing character in the story is the ironically named Joy, ironic because, even though her terminally ill status should elicit sympathy from the audience, her often-nasty disposition makes it difficult for us to like her. This is Hedges' boldest touch, this refusal to sugarcoat or sentimentalize a person just because life and the fates have been unkind to her. Also quite fascinating is the character of Beth, April's younger sister. We see how Beth thrives on the positive attention she receives simply by being the `good' daughter of the family, and how she jealously and ever-so-sweetly guards her own position while subtly sabotaging any effort on the part of April to make amends and to find her way back into the fold. It's a fascinating portrayal of sibling rivalry carried to destructive proportions.
`Pieces of April' features wonderful performances by Katie Holmes as April, Oliver Platt as her father, Alison Pill as her sister, and Derek Luke (from `Antwone Fisher') as her boyfriend. Particular praise should go to Lillias White, as the neighbor who supplies April with a stove at her greatest hour of need, and to Patricia Clarkson as Joy, who achieves the Herculean task of making her pain-wracked character both abrasive and sympathetic at the same time. It's an award-worthy performance.