A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that seems to come from nowhere. The security guards that search ... See full summary »
A series of 5-minute line animations (drawn in the rough style and with the minimalist plots of David Lynch's The Angriest Dog in the World comic strip) featuring an angry and violent Neanderthal, and his family and neighbors.
The performer of Twin Peaks theme Julee Cruise's experimental concert film, which opens with a short intro where a man breaks up with his girl over the phone, which devastates her. The concert is set in her nightmarish subconscious mind.
Hello, this little film is interesting especially for an artist, film-maker or music creator or a visual artist, for:
One can feel and examine David's touch/style straight out of a short piece of relative simplicity.
You can see the rhythmic spacing of the shots, the pans and the sound elements.
Even as simple film, this creation is multy-layer. For example, there are some sounds that drone all along, while others appear (though subtle), at certain points to support certain shots.
One can see also several types of pans: some go up and down in a gentle back-forth way. There is diagonal pan. Zooms also go back and forth sometimes.
The lightning and the composition/disposition of elements in the space is, as usual and obviously, work of a painer/artist. This can be felt even in this crappy room. This is to say: one can make exquisite art already by the simple art of placing the look/view and composing the scene. Then comes the forcelines of the visuals: like digonales, parallels, etc. The light's degradées and the colours, although without too much research for textures as in big productions, are fine too. This is an artist's sketch of a sort...
All this is not calculated but done with inner feeling and this feel gives the David's touch/feel to it, as with any true artist.
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