| Paul Reiser | ... | Dr. Jerry Lipman | |
| Amber Rose Sealey | ... | Ellen (Patient) | |
| Lachele Carl | ... | Sharna | |
| George Wendt | ... | Howard | |
| Catherine Porter | ... | Party Girl | |
| Todd Boyce | ... | Oncologist | |
| Olympia Dukakis | ... | Esther Lipman | |
| Nicola Barnfield | ... | Gwen | |
| Mary Cunningham | ... | Mrs. Brailsford | |
| Julie Walters | ... | Sheila Fitzpatrick | |
| Amy Robbins | ... | Maureen | |
| Gregory Fossard | ... | Antony | |
| Rowan Humphries | ... | Emma | |
| Tony Maudsley | ... | Frank | |
| Suzanne Hitchmough | ... | Mavis | |
| Georgina Smith | ... | Auntie Vi | |
| Ricky Tomlinson | ... | Uncle Alfred | |
| Ian Puleston-Davies | ... | Derek | |
| Christopher Wright | ... | UK Oncologist | |
| Marcel Vormawah-Jones | ... | Hostel Boy | |
| Lee Gilbert | ... | Hostel Boy | |
| Kenny Thompson | ... | Lenny | |
| Terry Gilbert | ... | Reggie | |
| David Heath | ... | Tony | |
| Stephanie Roscoe | ... | First Neighbor | |
| Marie Higham | ... | Second Neighbor | |
| Gareth Turtle | ... | Bellboy | |
| Sarah Baxendale | ... | Attending Nurse | |
| Tim Kazurinsky | ... | Attending Nurse | |
| Mark Lawrence | ... | Orderly |
Regie | |||
| Paul Seed | |||
Buch(WGA) | ||
| Tim Kazurinsky | (written by) | |
Produktion | |||
| Bob Mills | .... | producer | |
| Jennie Osborn | .... | associate producer | |
| George Paaswell | .... | line producer: New York | |
| Jeff Pope | .... | producer | |
| Antony Root | .... | executive producer | |
| Monica Foster | .... | executive producer (uncredited) | |
Originalmusik | |||
| Rupert Gregson-Williams | |||
Kamera | |||
| Lawrence Jones | (director of photography) | ||
Schnitt | |||
| Dave King | |||
Casting | |||
| Corinne Rodriguez | |||
| Michelle Smith | |||
Szenenbild | |||
| Chris Truelove | |||
Bauten/Dekorationsbau (art directors) | |||
| Margaret Coombes | |||
| Ashley Wilkinson | (as Ash Wilkinson) | ||
Kostüme | |||
| Frances Tempest | |||
Maske/Frisuren | |||
| Beverly Binda | .... | makeup artist | |
| Daniel Phillips | .... | makeup designer | |
| Lesley Smith | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Susy Liddell | .... | head of production | |
| Craig McNeil | .... | head of production: USA | |
| Liz Pearson | .... | post-production supervisor | |
Regieassistenten | |||
| Elena Gabrilatsou | .... | second assistant director | |
| Simon Noone | .... | third assistant director | |
| Kevin Westley | .... | first assistant director | |
Ausstattung (Stab) | |||
| Colin Atack | .... | carpenter | |
| Simon Coverdale | .... | carpenter | |
| Neil Glyn | .... | stand-by props | |
| David Livesey | .... | production buyer (as Dave Livsey) | |
| Nigel Lomas | .... | scenic artist | |
| Geoff Nulty | .... | stand-by props | |
| Alan Scholes | .... | set dresser | |
| Linda Sherwood-Page | .... | graphic designer | |
| Roy Vivash | .... | set dresser | |
| Paul Ward | .... | construction manager | |
Ton Stab | |||
| Ben Brookes | .... | boom operator | |
| Jamie Caple | .... | sound editor | |
| Melissa Lake | .... | foley artist | |
| Marc Lawes | .... | sound editor | |
| Billy Mahoney | .... | dubbing mixer | |
| Claire Mahoney | .... | foley artist | |
| Michelle Mascol | .... | foley mixer (as Michelle Mascoll) | |
| Darren McQuade | .... | adr mixer | |
| Michael Miller | .... | adr mixer: US | |
| Nigel Squibbs | .... | assistant dubbing mixer | |
| Nick Steer | .... | sound mixer | |
| Jason Swanscott | .... | foley artist | |
Stunts | |||
| Tom Lucy | .... | stunt coordinator | |
Kamera und Elektrik (Stab) | |||
| Sylvain D'Hautcourt | .... | assistant camera: New York | |
| Allan Hughes | .... | dolly grip | |
| Chris Hutchinson | .... | focus puller | |
| Joe Maples | .... | clapper loader | |
| David Ratcliffe | .... | gaffer (as Dave Ratcliffe) | |
Kostüm und Garderobe (Stab) | |||
| Julia Francis | .... | costume assistant | |
| Shirley Nevin | .... | costume supervisor | |
Schnitt (Stab) | |||
| Aidan Farrell | .... | colorist | |
| Dave Reece | .... | color timer | |
| Lucy Smith | .... | assistant film editor | |
| Terry Winsor | .... | post-production consultant | |
Restlicher Stab | |||
| Marianna Abbotts | .... | researcher | |
| Mick Graham | .... | location manager | |
| Sue Hills | .... | script supervisor | |
| David Irving | .... | production accountant | |
| Nick Jones | .... | location assistant | |
| Joe Kelly | .... | location manager: New York | |
| Mariette Masters | .... | unit publicist | |
| Milly Preece | .... | production coordinator | |
| Marcia Tankle | .... | assistant production coordinator | |
| Sarah Turner | .... | assistant to producer | |
| Phil Hunter | .... | assistant production accountant (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| ending? spoilers | knofou |
| Amy Robbins | mnmuskie552 |
| English DVD release planned? | gmccloud88 |
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| What a Girl Wants | The Thomas Crown Affair | The Basketball Diaries | Transamerica | A Fish Called Wanda |
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| Besetzung und Stab | Beteiligte Firmen | IMDb Drama section |
| IMDb UK section | Add this title to MyMovies |
The cable version of this dramedy ( drama/comedy) is "Strange Relations" but they could have called it "Strange Bedfellows."
It's such a quirky, unique piece of work. It defies much description, and the plot summaries above tell the tale.
The acting is surprising good.
For once, Paul Reiser is not exactly playing Paul Reiser.
Julie Walters is phenomenal, as always.
Ann Robbins (a cousin of Paul McCartney, and sister to Brit actress Kate Robbins) is excellent, and some might remember her from "Casualty".
The setting is primarily Liverpool, and it's both an unflinching and romantic view of the city, in my humble opinion.
All in all, this is worth 2 hours of your time, and if you spend 120 minutes with it on cable - it won't be time wasted.