Far from Heaven (2002)

Regisseur:

Todd Haynes

Drehbuchautor (WGA):

Todd Haynes (written by)

Premierendatum:

22. November 2002 (USA)

Genre:

Drama | Romanze

Werbezeile:

What imprisons desires of the heart?

Plot:

In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.

Plot Keywords:

Barefoot | Suburbia | Autumn | Bright Color | First Gay Sexual Experience

Filmpreise:

Nominated for 4 Oscars. Another 73 wins & 32 nominations

Nutzerkommentare:

Very Close to Heaven

Besetzung

Julianne Moore	...	Cathy Whitaker
Dennis Quaid	...	Frank Whitaker
Dennis Haysbert	...	Raymond Deagan
Patricia Clarkson	...	Eleanor Fine
Viola Davis	...	Sybil
James Rebhorn	...	Dr. Bowman
Bette Henritze	...	Mrs. Leacock
Michael Gaston	...	Stan Fine
Ryan Ward	...	David Whitaker
Lindsay Andretta	...	Janice Whitaker
Jordan Puryear	...	Sarah Deagan
Kyle Timothy Smith	...	Billy Hutchinson (as Kyle Smith)
Celia Weston	...	Mona Lauder
Barbara Garrick	...	Doreen
Olivia Birkelund	...	Nancy

Alternativ:

Loin du paradis (France)
Himmel so fern, Dem (Österreich) (Deutschland) (Switzerland: German title) [de]

MPAA:

Rated PG-13 for mature thematic elements, sexual content, brief violence and language.

Länge:

107 Min

Produktionsland:

France | USA

Sprache:

Englisch

Farbe:

Farbe

Seitenverhältnis:

1.85 : 1

Tonverfahren:

Dolby Digital

Altersfreigabe:

Portugal:M/12 | Argentina:13 | Australia:M | Brazil:14 | Canada:PG | Chile:14 | Finland:K-7 | France:U | Germany:6 | Hong Kong:IIA | Norway:11 | Peru:14 | Singapore:M18 (re-rating) | Singapore:NC-16 (original rating) | South Korea:12 | Spain:7 | Sweden:Btl | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12A | USA:PG-13 (certificate #39061) | Netherlands:12

Drehorte:

Bayonne, New Jersey, USA

Firma:

Clear Blue Sky Productions

Dies und das:

Dennis Haysbert was shuttling back and forth from the east coast to Los Angeles during the production of this movie, because of his commitment to TV show "24" (2001), that was filming at the same time.

Pannen:

Anachronismus: Ramped street curbs (dropped curbs) did not become common until long after the 1950s.

Dialogzitate:

Eleanor Fine: Call me old fashioned, I just like all the men I'm around to be all men.

Bezüge zu anderen Titeln:

Ausschnittsweise enthalten in "Anatomy of a Scene: Far from Heaven" (????)

Soundtrack:

Eagan's Jukebox

Very Close to Heaven

Todd Haynes' Far From Heaven, a homage to the 1950s melodramas of Douglas Sirk, is an exquisitely crafted film of beauty and grace. The world that Haynes creates is so meticulously detailed that one almost forgets that the movie isn't fifty years old.

Julianne Moore deserves an Academy Award for her portrayal of Cathy Whitaker, a homemaker whose idyllic life begins to disintegrate when she learns that her husband is gay. Moore's Cathy is a delicate woman who would like to be courageous, but can't be because of the world that she is trapped in. As her innocence begins to die, she realizes how empty and superficial her life is. When she begins a cautious romance with her black gardener (Dennis Haysbert) she begins to see the racism and hypocrisy that forms the underbelly of a seemingly perfect world. At the end of the film Cathy has no illusions, and realizes that the life that she thought was perfect is actually a never-ending hell.

Dennis Quaid is equally stunning as Cathy's tortured husband Frank. After Cathy discovers his homosexuality, the two are forced to grapple with a truth that neither of them can comprehend. Frank goes to a doctor for "treatment," and his confession is heartbreaking. He says that he "can't let this thing, this sickness, destroy my life. I'm going to beat this thing." We look at Frank and pity him because we realize that such a feat is impossible, and unnecessary, but Frank does not possess that knowledge. Frank begins to drink more, and when he finally breaks down and tells Cathy that he has fallen in love with another man, all of the anger, shame, and joy comes pouring out of him all at once. It is a supremely moving moment, and the best performance of Quaid has ever given.

As the marriage between Cathy and Frank begins to unravel, the two also begin to fight. All of Cathy and Frank's arguments and confessions take place at night, bathed in shadows. The truth has no place in this bright, artificial world, and it must stay hidden at all costs. One night, when Frank tries to make love to Cathy and can't, Cathy tries to placate him, saying that he is "all man" to her. At that remark Frank hits her, and for a moment the audience does not breathe. Cathy then asks quietly for her husband to get her some ice. Cathy is all restraints, and it is only with her kind gardener that she has a chance to break free. The scenes between Moore and Haysbert crackle with erotic energy because everything remains unsaid. When Cathy finally asks him to dance with her, it is a moment when we realize what human beings are capable of being together.

The fourth example of stellar acting comes from Patricia Clarkson as Cathy's best friend Eleanor. Eleanor is a bitter, gossipy, cold-hearted woman, and when she tells Cathy "I am your best friend," you want to scream to Cathy not to believe her. Clarkson makes the most of her rather limited screen time, and turns in a fascinatingly layered performance.

Far From Heaven may very well be the best picture of the year. In creating an artificial world, Todd Haynes has managed to lay bare the human soul in a way that has never been done before. It is a moving and important motion picture, populated with some of the most nuanced acting I have ever seen. Cathy and Frank Whitiker may be far from heaven, but the film comes about as close to heaven as is possible.