With the aid from a New York City policeman, a top immigrant cop tries to stop drug-trafficking and corruption by immigrant Chinese Triads, but things get complicated when the Triads try to bribe the policeman.
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by
When in the restaurant, Regina and "Alex" kiss, her head is tilted to her right and his to his right, a split second later, her head is tilted to her left and his to his left, they did not have enough time to change. See more »
Reggie, I hate that you're caught up in this. But at the same time I'm glad, because it means we've met.
See more »
Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »
REVIEW: The Truth About Charlie, for IMDB, July 13, 2004
As "rosscinema" says in a previous post, "Why did they bother?" Well, they bothered for the same reason virtually all Hollywood films are made: to make **MONEY**, lots of MONEY! No one in their right mind would attempt to duplicate two so magic stars as Cary Grant and Audrey Hepburn from the original "Charade", but some studio type thought they could cost in on the deserved reputation of the original for excellence, and make a bundle before the critics and the public got to see what a stinker this would-be remake is. Mark Wahlberg may have a certain presence, but a Cary Grant his is NOT and never will be; and that woman taking Hepburn's part was simply pathetic, what with her little moues of pseudo-British mouthings. Audrey, who was the quintessence of delicate dignity and charm, would spin in her grave, if she could. And with the change of dating to reflect, not the Second World War, but post-Vietnam, the entire tenor of the original was changed from a charming 'escapade-avec-larceny', to a mad chase with the modern dictum of 'diversity' with a cast more suited to a tract on multiculturalism, than anything having to do with telling a coherent story! The 'stamps' were well explained in the original, but here they are a throwaway plot device that more confuses than illuminates. And 'la belle Paris', mon Dieu, how it is ignored and abused in this tawdry effort; what was charming even in the face of murder and crime in the original, is merely seedy here. There is no magic between the stars as in "Charade", just some groping. And where was the duplicate of the crafty Walter Matthau character? Tim Robbins is a good actor, but here he is no replacement for the Mr. Dyle. And that dismal woman who is the police inspector is merely awful in this tiresome flick. If you have never seen "Charade" you must not let this failure make you think the original is as bad, for you would be denying yourself one of the finest delights of the modern screen, and the sight of two of its greatest luminaries, Grant and Hepburn, in very good form!
69 of 93 people found this review helpful.
Was this review helpful to you?