KAUFEN ON THE EDGE
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On the Edge (2001) (TV)
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| Fotos (Alle 1 | Diashow) |
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Übersicht
Premierendatum:
28. Juni 2001 (USA) mehrPlot:
add synopsisNutzerkommentare:
At least in three out of four! mehrBesetzung
(Hauptdarsteller) | John Goodman | ... | The Dean (segment "Happy Birthday") |
 | Sydney Tamiia Poitier | ... | Hannah (segment "Happy Birthday") |
 | Beverly D'Angelo | ... | Bag Lady (segment "Happy Birthday") |
 | Christopher Lloyd | ... | Attorney Bum (segment "Happy Birthday") |
 | David Hyde Pierce | ... | Barney (segment "Happy Birthday") |
 | Caroline Rhea | ... | Monica (segment "Happy Birthday") |
 | Jenica Bergere | ... | Sally (segment "Happy Birthday") |
 | Ken Hudson Campbell | ... | Security Guard (segment "Happy Birthday") (as Ken Campbell) |
 | Roman Danylo | ... | Donald (segment "Happy Birthday") |
| Kimiko Gelman | ... | May Lee Ha (segment "Happy Birthday") |
| Jean Kasem | ... | Nurse (segment "Happy Birthday") |
 | Taylor Negron | ... | Policeman (segment "Happy Birthday") |
| Travis Wester | ... | Chute Boy (segment "Happy Birthday") |
 | Dondre Whitfield | ... | Man in Elevator (segment "Happy Birthday") |
 | Marissa Jaret Winokur | ... | Dean's Secretary (segment "Happy Birthday") |
Weitere Details
MPAA:
Rated R for language and some sexuality.Parents Guide:
Add content advisory for parentsLänge:
USA:95 MinProduktionsland:
USASprache:
EnglischFarbe:
FarbeDrehorte:
Los Angeles, California, USAMOVIEmeter: 
7% since last week
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Not a feature, but three short stories loosely connected by a fourth. All share a common theme of examining relationships, but these are not "normal" relationships. Males are typically portrayed as angst-ridden, overly controlling stereotypes, in the context of society, business, or science, gone wrong, while it is a woman who becomes the healer, bringing them back to a deeper appreciation of relationships and social values. But this is the "Outer Limits" take on the yin-yang debate, and the stories-within-a-story tend to have a Twilight Zone quality.
Actually, each of the sub-stories is good enough to stand on its own, and none of them benefits from being connected to the forth. The fourth one tries to "set us up" for them with all the subtlety and eloquence of near "Mystery Science Theatre" hokum, which tends to be more distracting than helpful. Its characters are cartoonish and its storyline an obvious contrivance. We learn nothing from the connecting story to justify its inclusion, and hence we are left "on the edge" of missing the point of the much better stories it attempts to link together.