"The IMDb Show" Thanksgiving special: Alan Tudyk ranks his top five droids of all time, we track down the cast of Roman J. Israel, Esq., and we share our favorite Thanksgiving TV episodes with memorable sitcom families.
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
Donnie Darko doesn't get along too well with his family, his teachers and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank - a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events. Donnie's mental illness, if such it is, may never allow him to find out for sure. Written by
The song that plays as Donnie is riding his bike home in the theatrical version is "The Killing Moon" by Echo & The Bunnymen. As Gretchen waits for the school bus, a Volkswagen Rabbit quickly passes in front of her. When Elizabeth Darko (Maggie Gyllenhaal) is sleeping on the recliner, there is a stuffed rabbit next to her. As Donnie reaches for the car keys, there is a Polaroid picture of him and his sister in Halloween costumes on the desk. Donnie is dressed as a rabbit. When Donnie is talking to his sister after his mom leaves near the end, a "jack-o'-lantern" bunny is seen on the table. Frank, the rabbit, often appears near a water source (sprinklers, water main, faucet). See more »
When Donnie finds the 1911-style pistol in the closet the hammer is not cocked and the safety is on. It is impossible to engage the safety on a 1911-style unless the hammer is cocked. And there is a screw or pin visible in the rear left side of the slide which does not exist in a real 1911. See more »
"Proud to Be Loud" Performed by The Dead Green Mummies -- this song is actually performed by the band Pantera. (The Dead Green Mummies do not exist.) Pantera has all but disowned their first four albums, this song is track 5 on the fourth of those albums, "Power Metal." The band presumably did not want to be credited with the song (as they don't consider any of their pre-1990 material part of their discography) and made up the name The Dead Green Mummies. See more »
the dreams in which I'm dying are the best I've ever had
"Harvey" meets "The Mothman Prophecies," as a troubled teen starts hallucinating a horrific 6-foot-tall bunny rabbit that brings him dark forebodings about death and disaster in the very near future. A streak of "Heathers" is mixed in as well, with trenchant satirical observations of high-school life in the late '80s (story set in Oct. 1988), involving a priggish teacher, a self-help guru (Patrick Swayze!), and a put-upon fat girl at the fringes of the herd. Finally, a whiff of "Back to the Future," in the form of a local eccentric who just may have discovered the secret of time travel, but a secret that has more to do with spirituality than technology.
A lot goes on here. There's a meditation on the possible overlap between madness and the ability to perceive the divine. There's a demonstration of why, in the Bible, angelic messengers (if that's what "Frank" can be taken to be) are often so terrifying that they have to start by saying "Fear not." There's an enlistment of what martial artists refer to as the "ki" (or personal energy, emanating from a person's midsection) in the type of time travel depicted here (the term "ki" is never used in the flick, but the term "path," another word for Tao or "Way," is). Quantum physics theory about wormholes is tied to the Fortean phenomenon of things falling unexplained from the sky, in a way that's more pivotal, and therefore more interesting, than the gratuitous rain of frogs in "Magnolia."
Time travel paradoxes and ironies enter the picture as well. One character (no spoiler!), whose life is saved by Donnie's ultimate trip back in time, wouldn't have died in the first place if he hadn't dragged her along to the opening of the wormhole. Another character (again, no spoiler!), whose truly terrible secret comes to light in the wake of an arson investigation, must go unexposed as a result of that same time reversal, since the arson now won't happen. Surely that's no oversight on the part of the screenwriter; it must be an acknowledgment of the choices and trade-offs in life, as well as of a confidence that no such terrible secret can remain hidden forever.
Somehow this pastiche works, largely on the strength of good performances. Jake Gyllenhaal is appropriately moody and, also appropriately, not always likeable in the title role. Drew Barrymore, who executive produced, appears as a frustrated first-year teacher. The movie's often dreamlike atmosphere is enhanced by the cinematography, the subdued but effective special effects, and the choice of the music on the soundtrack, which includes '80's pop tunes, of course, and a haunting original song (over the end credits) titled "Mad World."
Not for all tastes, but better, stranger, and more complex than I expected.
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