Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.
There are five survivors in a futuristic library. Bam is their supreme dictator, and has the others interrogated and tortured, believing them to have said where. What Bam means is unclear, but he distrusts all.
A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. ... See full summary »
For long periods of this play/film. Krapp (John Hurt) is saying nothing but his voice is heard nonetheless coming from the old reel-to-reel tapes that he plays back on his tape recorder. At times he seems incapable of remembering properly the events recounted by his younger voice on the tape, highlighting the relationship between memory and recording media.
Krapp at times takes pleasure and almost relives the memories on tape and at other times looses his temper as he disagrees with his former self or becomes impatient with the pace of his musings.
He sometimes seems surprised or extremely interested at the recordings but one is never sure whether his fascination is with a story that he no longer remembers or with his former telling of that story, which he might no longer see in the same way.
As a piece of theatre the contrast between live speech and recorded speech is more pronounced. On film it is a contrivance between the voice recorded on film and the voice recorded on tape recorded on film.
Great stuff none-the-less!
10 of 16 people found this review helpful.
Was this review helpful to you?
| Report this