| Fotos (Alle 50 | Diashow) | Videos |
| Fri. July 25 | 3:00 AM | TNT |
| Cate Blanchett | ... | Annabelle 'Annie' Wilson | |
| Giovanni Ribisi | ... | Buddy Cole | |
| Keanu Reeves | ... | Donnie Barksdale | |
| Katie Holmes | ... | Jessica King | |
| Greg Kinnear | ... | Wayne Collins | |
| Hilary Swank | ... | Valerie Barksdale | |
| Michael Jeter | ... | Gerald Weems | |
| Kim Dickens | ... | Linda | |
| Gary Cole | ... | David Duncan | |
| Rosemary Harris | ... | Annie's Granny | |
| J.K. Simmons | ... | Sheriff Pearl Johnson | |
| Chelcie Ross | ... | Kenneth King | |
| John Beasley | ... | Albert Hawkins | |
| Lynnsee Provence | ... | Mike Wilson | |
| Hunter McGilvray | ... | Miller Wilson | |
| Nathan Lee Lewis | ... | Cornelius (as Nathan Lewis) | |
| Benjamin Peacock | ... | Tommy | |
| Clay James | ... | Stanley | |
| David Brannen | ... | Ben Wilson | |
| Russ Comegys | ... | Ben Sr. (as Russell Durham Comegys) | |
| Janell McLeod | ... | Mrs. Francis | |
| Robby Preddy | ... | Lady #2 | |
| Lucky Lawrence | ... | Member of The Souvenirs Band / Handsome Man at Bar | |
| Mo | ... | Member of The Souvenirs Band | |
| Boots Kutz | ... | Member of The Souvenirs Band | |
| Buck Edwards | ... | Member of The Souvenirs Band | |
| D.J. Pawlak | ... | Member of The Souvenirs Band | |
| Kipp Chambers | ... | Boy at Dance | |
| Dallas Johnson | ... | Dallas | |
| Stuart Greer | ... | Officer Huggins | |
| Jeff Bragg | ... | Jed Barksdale | |
| Danny Elfman | ... | Tommy Lee Ballard | |
| S.D. Stephens | ... | Deputy on Shore | |
| Samuel E. Parlin Jr. | ... | Deputy in Boat | |
| Ed Reddick | ... | Judge | |
| Rebecca Koon | ... | Buddy's Mother | |
| Erik Cord | ... | Buddy's Father | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Cameron Beach | ... | Enforcer for the Barksdales (uncredited) | |
| Sam Edens | ... | Member of Barksdale Clan (uncredited) | |
| Earl Maddox | ... | Barksdale (uncredited) | |
| Ray Wineteer | ... | Juror (uncredited) | |
| Yvetta Young | ... | Family Friend (uncredited) | |
Regie | |||
| Sam Raimi | |||
Buch(WGA) | ||
| Billy Bob Thornton | (written by) & | |
| Tom Epperson | (written by) | |
Produktion | |||
| Grant Curtis | .... | associate producer | |
| Sean Daniel | .... | executive producer | |
| Gregory Goodman | .... | executive producer | |
| James Jacks | .... | producer | |
| Gary Lucchesi | .... | producer | |
| Tom Rosenberg | .... | producer | |
| Ted Tannebaum | .... | executive producer | |
| Robert G. Tapert | .... | executive producer (as Rob Tapert) | |
| Richard S. Wright | .... | co-producer | |
Originalmusik | |||
| Christopher Young | |||
Kamera | |||
| Jamie Anderson | (director of photography) | ||
Schnitt | |||
| Arthur Coburn | |||
| Bob Murawski | |||
Casting | |||
| Deborah Aquila | |||
Szenenbild | |||
| Neil Spisak | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Marthe Pineau | |||
Kostüme | |||
| Julie Weiss | |||
Maske/Frisuren | |||
| Kelley Raye Gore | .... | assistant makeup artist (as Kelley Gore Jefferson) | |
| Emanuel Millar | .... | hair styling designer (as Manny Millar) | |
| Morag Ross | .... | makeup artist: Ms. Blanchett | |
| Morag Ross | .... | supervising makeup artist | |
| Monty Schuth | .... | assistant hair stylist | |
| Jeff Goodwin | .... | special makeup effects artist (uncredited) | |
| Chris Varosky | .... | makeup artist (uncredited) | |
Produktionsleiter (production managers) | |||
| Mary Courtney | .... | production supervisor (as Mary J. Courtney) | |
| Gregory Goodman | .... | unit production manager | |
| James McQuaide | .... | post-production supervisor | |
| Richard S. Wright | .... | unit production manager (uncredited) | |
Regieassistenten | |||
| Stacey Beneville | .... | second second assistant director | |
| Bac DeLorme | .... | second assistant director (as Bac Delorme) | |
| Eric Heffron | .... | first assistant director | |
| Kurt Uebersax | .... | dga trainee | |
Ausstattung (Stab) | |||
| C. Scott Baker | .... | assistant art director | |
| David Becton | .... | greensperson | |
| Erin Fite | .... | art department coordinator | |
| Patrick Fuhrman | .... | set dresser | |
| Gloria Ann 'Twinkle' Groover | .... | greensperson | |
| Stephanie Kern | .... | paint foreperson | |
| Andy Krish | .... | lead person | |
| Martin Lasowitz | .... | property master | |
| Scott A. Lawson | .... | set dresser (as Scott Lawson) | |
| Rebecca Leonard | .... | paint foreperson | |
| Jeffrey Lynch | .... | conceptual artist | |
| Jeffrey Lynch | .... | storyboard artist | |
| Thomas Michael Ryan | .... | general foreperson (as Michael Ryan) | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Martin Smith | .... | greensperson | |
| David Stephan | .... | storyboard artist | |
| Drew Sywanyk | .... | on-set dresser | |
| Jess Tucker | .... | set dressing buyer | |
| Angie Woodard | .... | property assistant | |
| Michael Zadresny | .... | assistant property master (as Mike Zadrosny) | |
| Susan Dennis | .... | assistant property buyer (uncredited) | |
| J. Luther Jones III | .... | carpenter (uncredited) | |
Ton Stab | |||
| Mark Allen | .... | sound effects editor | |
| Robert Batha | .... | first assistant sound editor | |
| Kelly Cabral | .... | supervising sound editor | |
| C. Douglas Cameron | .... | boom operator | |
| Kerry Ann Carmean | .... | sound effects editor (as Kerry Carmean) | |
| Mark Choi | .... | adr editor (as Mark Hushik Choi) | |
| Valerie Davidson | .... | foley editor | |
| Robert Fernandez | .... | sound mixing engineer | |
| Robert Fernandez | .... | sound recording engineer | |
| Paul Flinchbaugh | .... | assistant sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Kimaree Long | .... | dialogue editor | |
| Gerard K. Marino | .... | additional sound recordist | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Ed Novick | .... | production sound mixer | |
| Kelly Oxford | .... | adr editor | |
| Andy Potvin | .... | stereo sound consultant: Dolby | |
| Michael Rayle | .... | cable person | |
| Brad Sherman | .... | sound re-recording mixer | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa S. Hofmann) | |
| Steve Smith | .... | assistant sound engineer | |
| Lauren Stephens | .... | dialogue editor | |
| Jon Title | .... | supervising sound editor | |
| Drew Webster | .... | digital sound mix technician | |
| Jeffrey Wilhoit | .... | foley artist (as Jeff Wilhoit) | |
| Greg Zimmerman | .... | foley recordist | |
| Brian Basham | .... | adr recordist (uncredited) | |
| Kimaree Long | .... | adr editor (uncredited) | |
| Jeff Toyne | .... | additional sound recordist (uncredited) | |
Spezialeffekte | |||
| Michelle Crawford | .... | special effects laborer | |
| Vern Hyde | .... | special effects coordinator | |
| Scott Mobley | .... | special effects technician | |
| Lisa Reynolds | .... | special effects foreperson | |
Visual Effects | |||
| Kelly G. Crawford | .... | editor: Illusion Arts Inc. | |
| Peter Donen | .... | visual effects supervisor | |
| Syd Dutton | .... | visual effects supervisor: Illusion Arts Inc. | |
| David Dwiggins | .... | effects photography supervisor | |
| Fumi Mashimo | .... | animator: Illusion Arts Inc. (as Fumi Mashimo) | |
| Kelvin McIlwain | .... | matte artist: Illusion Arts Inc. | |
| Kenneth Nakada | .... | matte artist: Illusion Arts Inc. | |
| Henric Nieminen | .... | effects photography coordinatior (as Heinric Niemenin) | |
| Catherine Sudolcan | .... | producer: Illusion Arts | |
| Bill Taylor | .... | visual effects: Illusion Arts Inc. | |
| Mike Wassel | .... | matte artist: Illusion Arts Inc. (as Michael Wassel) | |
| David S. Williams Jr. | .... | lead compositor: Illusion Arts Inc. | |
| Chris Crowell | .... | digital compositor (uncredited) | |
| Ken Dackermann | .... | digital compositor (uncredited) | |
| Jim Pearson | .... | underwater coordinator (uncredited) | |
Stunts | |||
| Gregory Brunkalla | .... | stunts | |
| James M. Churchman | .... | stunts (as Jim Churchman) | |
| Kathy Dicker | .... | stunts | |
| Christina Ritzi | .... | stunts | |
| Steve Ritzi | .... | stunts | |
| Ramsey Scott | .... | stunts | |
| Brandon Sebek | .... | stunts | |
| Mark Stefanich | .... | stunt coordinator | |
| Chad Stahelski | .... | stunts (uncredited) | |
Casting (Stab) | |||
| Leigh French | .... | voice casting | |
| Shay Griffin | .... | location casting (as Shay Bentley-Griffin) | |
| Dianne Lynn | .... | location casting | |
| Melissa Maxfield | .... | location casting | |
| Kelly O'Brien | .... | casting assistant | |
| Cristi Rickey | .... | extras casting coordinator | |
| Mary Tricia Wood | .... | casting associate (as Tricia Wood) | |
| Chad Darnell | .... | location casting assistant (uncredited) | |
| David Pollison | .... | casting associate (uncredited) | |
Kostüm und Garderobe (Stab) | |||
| Layne Brightwell | .... | supervising costumer (as Layne Brightwell-Werner) | |
| Dorothy Masters | .... | costumer | |
| Dorothy Masters | .... | seamstress | |
| Wendy Moynihan | .... | costumer | |
| Hope Slepak | .... | costume supervisor (as Hope B. Slepak) | |
| Sanford Slepak | .... | assistant costume designer (as Sandy Slepak) | |
Schnitt (Stab) | |||
| Winnie Cheng | .... | post-production coordinator | |
| Catherine L. Cusimano | .... | assistant editor (as Catherine Cusimano) | |
| Paul Hart | .... | first assistant editor | |
| Phil Hetos | .... | color timer | |
| Peter Kwong | .... | apprentice editor | |
| Michael Rafferty | .... | first assistant editor (as Mike Rafferty) | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Ewa Zbroniec | .... | assistant editor | |
| Harry Muller | .... | color timer (uncredited) | |
Musik (Stab) | |||
| Robert Fernandez | .... | scoring mixer | |
| Andrew Hausmann | .... | score coordinator | |
| Tanya Noel Hill | .... | music editor | |
| Chris Innis | .... | music editor | |
| Simon James | .... | music contractor | |
| Derrick Lefebvre | .... | score coordinator | |
| Christopher S. Parker | .... | music coordinator | |
| Robert Puff | .... | music preparation | |
| Jasper Randall | .... | scoring coordinator | |
| Adam Stern | .... | conductor | |
| Paul S. Henning | .... | orchestrator (uncredited) | |
| Bill Liston | .... | orchestrator (uncredited) | |
| Flavio Motalla | .... | score producer (uncredited) | |
Transporte | |||
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation captain | |
| Robert Ballentine | .... | transportation (uncredited) | |
| Christie Chaplin | .... | driver (uncredited) | |
| Chuck Graydon | .... | driver (uncredited) | |
Widmungen und Dankeschöns | |||
| Peter Afterman | .... | thanks | |
| Robert L. Benun | .... | thanks | |
| Sue Binder | .... | thanks | |
| Andrew Boyd | .... | thanks | |
| Christine Buckley | .... | thanks | |
| Robert Burke | .... | thanks | |
| John Edward | .... | thanks | |
| Jim Goodkind | .... | thanks | |
| Virginia Longmuir | .... | thanks | |
| Klein Mayes | .... | thanks | |
| David Pollison | .... | thanks | |
| Dr. W.R. Portee | .... | thanks | |
| Jay M. Self | .... | thanks: Savannah Film Commission (as Jay Self) | |
| Rhooby Sue | .... | thanks | |
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Sam Raimi has a bit of folklore to him, at least in t horror movie circles. His story with Evil Dead is one that tells us that if you really believe in what you are doing and have an undeniable passion for it, you can succeed with an indie. Evil Dead was that film for Raimi. Now that he has bigger budgets and better casts, one could expect him to fail, but with terrific films like A Simple Plan and now this one, he proves that he does possess a gift as a film maker. The Gift takes him back to his roots as a horror director and he doesn't disappoint. The Gift is a tight, tense film with some questionable weakly written court room scenes, but take that away and you have a very effective thriller.
The Gift has an all star ensemble cast that takes everything they are given and shines with it. Cate Blanchet is awesome to watch as the small town clairvoyant that some people look upon with utter reverance and others disregard as nothing more than a Satan worshipper. Keanu Reeves is very effective as a wife abusing husband and Hilary Swank, Katie Holmes, Greg Kinnear, Giovanni Ribisi and Gary Cole are all very good in their roles. I especially liked Reeves as the wicked wife beater. I grew to hate his character and not just because he was a wife beater, but because he was such a smug, "I'm above the law" wife beater. I like seeing the smaller and perhaps more challenging roles Reeves is taking in between his billion dollar turn as Neo.
When a local town aristocratic beauty disappears, all fingers point towards Reeves as the murderer. He was having an affair with the girl, he has a violent temper, and he has scratch marks all over him from her and most importantly she was found dead in his swamp on his property. That is pretty compelling evidence against him. Also, Annie, the clairvoyant had visions about her whereabouts being located on his property. But soon after his impending incarceration, Annie begins to have other thoughts. She thinks the wrong man has been put away and now she fears that the real killer is going to come after her.
What The Gift benefits from, besides great performances, is tight direction. Raimi shows us here why it is that he got his start as a horror director. There are at least half a dozen scenes that are tense and frightening. When Annie is having her visions of death and sees dead women in trees and in bathtubs and such, there are collective gasps of fear in the audience. And when she is visited by ghosts or visions of people, you feel the heart race a little faster. This is not to say that the film is flawless because it's not. The flaws come from the writing of the court case where there is so much heresay and such that any good lawyer would have jumped all over the defense's case. When a man is being tried for murder and your defense is questioning how you came to know where the body was, they are two different issues. Why does it matter if an elephant told you where the body was or if you happened to fish it out of the pond with a crane. The point is that the body was there and it was on the accused's property and the accused had scratch marks on his arm from the deceased. That in my book is a pretty simple case. I was disappointed with how Thorton wrote the court room scenes but that is about all I was disappointed with.
The Gift is not one of the best horror films I've ever seen, but it is an enjoyable one and if I had to compare it to another similar one to it, I would have to say that this was better than What Lies Beneath. I think Zemekis is a great director but Raimi just has that certain intangible quality about him. He can make suspense out of something when perhaps there is none there. This is worth seeing and if you are a horror fan or just like a few thrills in your film, this'll keep you entertained.
8 out of 10- a good creepy horror film with a few genuine scares and a plethora of great performances.