Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time. Written by
Stephen Tobolowsky has stated that during his audition for Sammy, he had mentioned to Christopher Nolan that he had experienced amnesia personally. A few years earlier, he was given an experimental pain killer that induced amnesia for a surgery he had undergone. Tobolowsky said it may have helped him get the part, because no other actor would likely have had his first-hand experience. See more »
When Natalie shows Leonard the picture of herself with Jimmy, she is smiling (in addition to Jimmy having a mustache). Later, when he gets out of bed and views it again, she is no longer smiling, and Jimmy's mustache is gone. Finally, in the close-up of Leonard writing the note on the back of the Polaroid he took of her, the picture has reverted to its original state. This is probably deliberate to make us feel we have Leonard's condition. See more »
So where are you? You're in some motel room. You just - you just wake up and you're in - in a motel room. There's the key. It feels like maybe it's just the first time you've been there, but perhaps you've been there for a week, three months. It's - it's kind of hard to say. I don't - I don't know. It's just an anonymous room.
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Incredible, riveting and powerful. What else could I say? This movie has all of the qualities of classic film noir as well as the magnitude of an original, unique concept that has been tried and tired before but works here.
Guy Pearce has been underrated for years (just think back now to Priscilla and can you believe this is the same guy) and finally might get the recognition here that was at least well-deserved of him back for LA Confidential. Powerful perfomances, well developed story with suspensful buildup of what our main character pieces together little by little makes this a must see.
Easily in my top 100 of all time.
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