| Jonathan Ross | ... | Himself - Presenter (73 Folgen, 1999-2008) |
Regisseure der Serie | |||
| Howard Brenner | (2 Folgen, 2008) | ||
| David Council | (unbekannte Anzahl Folgen, 1999-2000) | ||
| Lara Hannay | (unbekannte Anzahl Folgen, 2000) | ||
| Liz Hartford | (unbekannte Anzahl Folgen) | ||
| Michael Samuels | (unbekannte Anzahl Folgen) | ||
Series Produced by | |||
| Jane Rees | .... | local producer (73 Folgen, 2000-2008) | |
| Howard Brenner | .... | assistant producer (2 Folgen, 2006-2007) | |
| Allan Campbell | .... | series producer (unbekannte Anzahl Folgen, 1999) | |
| Phil Cairney | .... | assistant producer (unbekannte Anzahl Folgen, 2004) | |
| Rocio Cano | .... | assistant producer (unbekannte Anzahl Folgen, 2004) | |
| Phil Clark | .... | assistant producer (unbekannte Anzahl Folgen, 2004) | |
| Marcus Harben | .... | assistant producer (unbekannte Anzahl Folgen, 2004) | |
| Hans Petch | .... | assistant producer / producer (unbekannte Anzahl Folgen, 2004) | |
| Tom Webber | .... | series producer (unbekannte Anzahl Folgen, 2004) | |
| Susan Kemp | .... | producer (unbekannte Anzahl Folgen) | |
| May Miller | .... | executive producer (unbekannte Anzahl Folgen) | |
| Bruce Thompson | .... | producer (unbekannte Anzahl Folgen) | |
Series Cinematography by | |||
| Steve Plant | (unbekannte Anzahl Folgen, 2004) | ||
| David Swan | (unbekannte Anzahl Folgen, 2004) | ||
| Mark Molesworth | (unbekannte Anzahl Folgen) | ||
Series Film Editing by | |||
| David Jackson | (unbekannte Anzahl Folgen, 2004) | ||
| Graham Murray | (unbekannte Anzahl Folgen, 2004) | ||
| Andy Richards | (unbekannte Anzahl Folgen) | ||
| Yvonne Wootton | (unbekannte Anzahl Folgen) | ||
Series Production Design by | |||
| Paul Sudlow | (unbekannte Anzahl Folgen, 2004) | ||
Series Makeup Department | |||
| Philippa Hall | .... | makeup artist (unbekannte Anzahl Folgen, 2004) | |
Series Production Management | |||
| Marian Lacey | .... | production manager (unbekannte Anzahl Folgen, 2004) | |
Series Art Department | |||
| Tim Varlow | .... | graphic designer (unbekannte Anzahl Folgen) | |
Series Sound Department | |||
| Duncan Borrowman | .... | sound recordist (1 Folge, 1999) | |
| Donna Bertaccini | .... | sound mixer (unbekannte Anzahl Folgen, 1983-1989) | |
| Martyn Clift | .... | sound (unbekannte Anzahl Folgen, 2004) | |
| Andy Glendinning | .... | sound (unbekannte Anzahl Folgen, 2004) | |
Series Camera and Electrical Department | |||
| James Campbell | .... | lighting designer (unbekannte Anzahl Folgen, 2004) | |
Series Music Department | |||
| Billy Taylor | .... | composer: theme "I Wish I Knew How It Would Feel to Be Free" (unbekannte Anzahl Folgen) | |
Series Other crew | |||
| Gavin Ricketts | .... | researcher (unbekannte Anzahl Folgen, 1999-2001) | |
| Virginia Billcliff | .... | production assistant (unbekannte Anzahl Folgen, 1999) | |
| Angela Combeer | .... | production assistant (unbekannte Anzahl Folgen, 1999) | |
| Rocio Cano | .... | researcher (unbekannte Anzahl Folgen, 2001-2004) | |
| Seren Irvine | .... | researcher (unbekannte Anzahl Folgen, 2004) | |
| Olivia Rodger | .... | production coordinator (unbekannte Anzahl Folgen, 2004) | |
Series Thanks | |||
| Moira Shearer | .... | dedicatee (1 Folge, 2006) | |
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| 007: The Return | James Bond: Shaken and Stirred | Bond 1973: The Lost Documentary | "On Location with 'Robbery Under Arms'" | And the Word Was Bond |
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| Übersicht der einzelnen Folgen | Besetzung und Stab | Beteiligte Firmen |
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Film used to be the best program on TV if you wanted to find out about what movies were at the pictures, It didn't even matter if you didn't want to go to seem them because it was presented in such a nice relaxed way with host Barry Norman sitting in his chair, realizing that the show was going to be on about 11:30, Monday night, he made sure the pace of the show resembled this. Since he left/got fired in 1999 and Jonathan Ross took over, the show has sadly gone downhill and has become more like a chat show rather than a movie review program. It seems that each week he has someone on there trying to plug their God awful film and it works, if you do give an interview to Mr. Ross he will then, with out fail give the film that his interviewee was in a glowing review and recommend it to the viewers.
Because of this he has often flogged a few turkeys, like when he said 50 cents movie 'Get Rich or Die Trying' was a good movie and should be seen, while only 2 minutes earlier he was criticizing the other well-worth seeing movies. This was no coincidence that he had 50 Cent on his chat show that week, anyone who has seen Friday Night With knows that he will never EVER say a bad thing about an actor or their movie, even if the actor/actress admits that they was in a box office bomb. He will often boost their ego with the phrase "Ok, the movie wasn't that good but I thought that you was great in it." I don't have any problem with his sucking up as I don't watch his dreadful chat show anyway, but I do watch Film because of how much of a good job Barry Norman did with the show, like visiting a grave yard so to speak just to show my respects.
Another thing that I liked about Barry Norman was how he wasn't afraid to review the lesser known film of that week, even if you didn't agree with what he said he did at least show you something different, and then let you make the choice not to watch it. Ross only seems to go with films that have won awards, been nominated or got good/bad reviews from other critics. I remember seeing him review an African made film (The Title Slips My Mind Sorry) about a boy who steals a woman's car and then finds that her baby is in the back, leaving him to look after it. The movie has subtitles and didn't really fit in with the films that he reviewed normally, i.e. The Romantic Comedy or The Action Blockbusters. That is probably why it still sticks in my mind that he reviewed it, until about three days later, when I found out that it have won or been nominated for countless awards, including a BAFTA.
The last point I want to make was how much in this show Jonathan Ross complains about the state of British movies and their lack of funding, which is kind of a slap in the face when it was leaked to the press about how much his three year contract with the BBC (One of Britons film makers) is costing the licence payer. I can't remember how much it was but it was so high that they didn't want anyone to find out as they were worried that they (The BBC) would be accused of wasting money on one person who does about 5 jobs, when it would be cheaper to hire 5 individual people and have more that enough to make a good British movie. Since this information came public he has stopped moaning about the state of the British film industries funding and started about the amateur way they are made.
The strangest thing about Ross is that it was found out that he doesn't see all the films that he reviews??? Why do they have someone who hasn't got the passion about films to go and see them?