| Fotos (Alle 93 | Diashow) | Videos |
Regie | |||
| Brian Helgeland | |||
Buch(WGA) | ||
| Brian Helgeland | (written by) | |
Produktion | |||
| Todd Black | .... | producer | |
| Brian Helgeland | .... | producer | |
| Tim Van Rellim | .... | producer | |
Originalmusik | |||
| Carter Burwell | |||
Kamera | |||
| Richard Greatrex | |||
Schnitt | |||
| Kevin Stitt | |||
Casting | |||
| Jessica Horáthová | |||
| Francine Maisler | |||
| Gilly Poole | |||
Szenenbild | |||
| Tony Burrough | |||
Bauten/Dekorationsbau (art directors) | |||
| Grant Armstrong | |||
| John Hill | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Dominic Smithers | |||
| Jiri Zucek | |||
Kostüme | |||
| Caroline Harris | |||
Maske/Frisuren | |||
| Fae Hammond | .... | makeup supervisor | |
| Julianna Mendes-Ebden | .... | makeup artist | |
| Pebbles | .... | key hair stylist | |
| Pebbles | .... | key makeup artist | |
| Milan Vlcek | .... | makeup artist | |
| Eva Vytlelová | .... | makeup artist | |
Ausstattung (Stab) | |||
| Corina Burrough | .... | production buyer | |
| Noel Cowell | .... | property master | |
| Tomas Hais | .... | set dresser | |
| Pavel Hemmy | .... | property master | |
| Klara Holubova | .... | assistant property master | |
| Mark Kebby | .... | set designer | |
| Tomas Lehovec | .... | stand-by props | |
| Dan Michl | .... | props | |
| Stefan Mily | .... | set dresser | |
| Sam Stokes | .... | stand-by art director | |
| Dan Sweetman | .... | storyboard artist | |
| Pavel Tatar | .... | draftsman | |
| Jan Vohlídal | .... | set designer | |
| Václav Vohlídal | .... | set designer | |
Spezialeffekte | |||
| Terry Glass | .... | special effects coordinator | |
| Dana H. Suddath | .... | special effects coordinator | |
| Jirí Vater | .... | special effects technician | |
| Paul Whybrow | .... | special effects supervisor: second unit | |
| Mark Meddings | .... | special effects foreman (uncredited) | |
Visual Effects | |||
| Marilyn Anderson | .... | technical assistant manager | |
| Nicholas Atkinson | .... | visual effects editor | |
| Mark Bakowski | .... | digital compositor | |
| Lloyd Lee Barnett | .... | digital compositor | |
| Philip Borg | .... | digital artist | |
| Dawn Bowery | .... | digital compositor | |
| Tim Burke | .... | visual effects supervisor | |
| Angus Cameron | .... | digital effects supervisor: Millfilm, Shepperton | |
| Virginie Degorgue | .... | model maker | |
| Rob Delicata | .... | producer: model unit | |
| Dave Early | .... | digital matte painter (as David Early) | |
| Paul Edwards | .... | visual effects producer: Mill Film | |
| Lillan Gahlin | .... | digital compositor: Mill Film | |
| José Granell | .... | model unit supervisor | |
| Charley Henley | .... | digital artist | |
| Adam Howarth | .... | model construction manager | |
| Antony Hunt | .... | visual effects executive producer: Mill Film | |
| Michael Illingworth | .... | digital compositor | |
| Derek Ledbetter | .... | visual effects | |
| Paul Oakley | .... | technical assistant | |
| Simon Payne | .... | digital artist | |
| Chris Shaw | .... | motion control CGI interface | |
| Nigel Stone | .... | director of photography: model unit | |
| Kitty Veevers | .... | digital compositor | |
| Damien Cheetham | .... | post production engineer: Mill Film (uncredited) | |
| Joey Harris | .... | technical assistant (uncredited) | |
| Craig Rowe | .... | technical assistant: MillFilm (uncredited) | |
Stunts | |||
| Patrice Cossoneau | .... | stunts | |
| Antonin Dave | .... | stunts | |
| Thomas DuPont | .... | stunts | |
| Cedric Gary | .... | stunts | |
| Allan Graf | .... | stunt coordinator | |
| Michal Grün | .... | stunts (as Michael Grun) | |
| Jiri Horky | .... | stunt rigger | |
| Martin Hub | .... | stunt coordinator: Czech Republic | |
| Dusan Hyska | .... | stunt rigger | |
| Roman Jankovic | .... | stunts | |
| Filip Kadlec | .... | stunts | |
| Jindrich Klaus | .... | stunt rigger | |
| Ales Kosnar | .... | stunts (as Ales Krosnar) | |
| Michael Sandala | .... | stunts | |
| Dennis Scott | .... | stunts (as Dennis R. Scott) | |
| Mike Watson | .... | stunts | |
| Paul Weston | .... | sword fight choreographer | |
| Webster Whinery | .... | stunts | |
| Pavel Cajzl | .... | stunt double (uncredited) | |
| Dimo Liptkovsky | .... | stunts (uncredited) | |
| Gareth Milne | .... | assistant stunt coordinator (uncredited) | |
| Jan Petrina | .... | stunts (uncredited) | |
| Paul Weston | .... | stunt coordinator (uncredited) | |
| Pete White | .... | horse stunt coordinator (uncredited) | |
| Nick Wilkinson | .... | assistant stunt coordinator (uncredited) | |
Casting (Stab) | |||
| Peter Kalin | .... | associate casting: in-house | |
| Nancy Safran | .... | casting assistant | |
Kostüm und Garderobe (Stab) | |||
| Tim Aslam | .... | assistant wardrobe supervisor | |
| Alma Barbieri | .... | workshop tailor | |
| Simon Brindle | .... | special costumes | |
| Katherine Burchill | .... | assistant costume designer | |
| Corina Burrough | .... | equine dresser | |
| Georgina Gunner | .... | wardrobe mistress | |
| Tereza Horakova | .... | interpreter: wardrobe department | |
| Alice Kheilova | .... | costume interpreter | |
| Marco Magno | .... | wardrobe assistant | |
| Marco Scotti | .... | wardrobe supervisor | |
| Iveta Trmalova | .... | wardrobe mistress | |
Schnitt (Stab) | |||
| Steven A. Calabro | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Peter McNulty | .... | first assistant editor | |
| Andrea Pugner | .... | assistant editor | |
| Eric Rigney | .... | avid technician | |
Musik (Stab) | |||
| Robb Boyd | .... | assistant music editor | |
| Sonny Kompanek | .... | orchestrator | |
| Dean Parker | .... | music assistant | |
| Adam Milo Smalley | .... | music editor | |
| Roger Taylor | .... | musician (as Queen) | |
Transporte | |||
| Silvie Janculová | .... | transportation captain | |
Restlicher Stab | |||
| Stanley Brossette | .... | unit publicist | |
| Tami Cassell | .... | adr loop group | |
| Hana Duplinska | .... | assistant: Mr. Helgeland | |
| Boban Dvorak | .... | assistant to director: second unit | |
| Daniel S. Frisch | .... | production accountant | |
| Romana Hajkova | .... | assistant horse master (as Romana Havkova) | |
| Caroline Harris | .... | armor designer | |
| Stuart Hopps | .... | choreographer | |
| Veronika Horka | .... | production coordinator | |
| Peter Hric | .... | horse master (as Andy Hric) | |
| Lance Johnson | .... | office intern | |
| Lenka Kadlecova | .... | production secretary | |
| Samantha Knox-Johnston | .... | travel coordinator | |
| Jiri Krejcir | .... | location manager | |
| Tina Marie Montoya | .... | assistant: Mr. Van Rellim | |
| Pavel Myslik | .... | assistant horse master | |
| Anneliese O'Callaghan | .... | production coordinator | |
| Jan Rehanzl | .... | set production assistant | |
| Kathy Rowe | .... | assistant: Mr. Black | |
| Burton Sharp | .... | adr group coordinator | |
| Katerina Silna | .... | assistant production coordinator | |
| Laura Summer | .... | adr voice group | |
| Jiri Tichacek | .... | assistant accountant | |
| David Torn | .... | solo guitar & textures | |
| Vittorio Torrieri | .... | workshop tailor | |
| Vera Trousilová | .... | payroll accountant: Czech Republic | |
| John Uribe | .... | first assistant accountant | |
| Peter White | .... | horse master | |
| Beverly Winston | .... | script supervisor | |
| Pamela Clay | .... | adr voice (uncredited) | |
| Yasmine El-Ghamrawy | .... | technical assistant (uncredited) | |
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| Excalibur | The Mask of Zorro | Balls of Fury | The Flame and the Arrow | Star Wars: Episode I - The Phantom Menace |
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The first time I saw A Knight's Tale (on cable, missed it in theater), I had the same reaction as many of you - Queen? David Bowie? In a movie set in the middle ages?
But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.
The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).
The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.
Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.
Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.
I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!