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A Knight's Tale
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A Knight's Tale (2001)

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Nutzer-Bewertung: 6.5/10 (31,630 Bewertungen)
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Übersicht

Regisseur:
Brian Helgeland
Drehbuchautor (WGA):
Brian Helgeland (written by)
Premierendatum:
11. Mai 2001 (USA) mehr Trailer ansehen
Werbezeile:
From peasant to knight; one man can change his stars mehr
Plot:
After his master dies, a peasant squire, fueled by his desire for food and glory, creates a new identity for himself as a knight. full summary | full synopsis (warning! may contain spoilers)
Filmpreise:
4 wins & 10 nominations mehr
Nutzerkommentare:
The one truly satisfying film of 2001 mehr

Besetzung

 (Hauptdarsteller)
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Weitere Details

Alternativ:
Ritter aus Leidenschaft (Deutschland) [de]
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MPAA:
Rated PG-13 for action violence, some nudity and brief sex-related dialogue.
Länge:
132 Min | 144 Min (extended version)
Produktionsland:
USA
Sprache:
Englisch
Farbe:
Farbe (DeLuxe)
Seitenverhältnis:
2.35 : 1 mehr
Tonverfahren:
SDDS (8 channels) | DTS | Dolby Digital
MOVIEmeter: ?
V 17% since last week why?

Fun-Ecke

Dies und das:
Some of the extras were homeless people from Prague. mehr
Pannen:
Crew oder Equipment sichtbar: As Wiliam is testing his new armor for the first time, he gets a beam thrown to his chest. In this stunt a stand-in is used. You can see the color of his hair change from blond to brown. mehr
Dialogzitate:
[first lines]
William: Should we help him?
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Bezüge zu anderen Titeln:
Ausschnittsweise enthalten in "A Current Affair: Heath Ledger Special" (2008) mehr
Soundtrack:
Further On Up the Road mehr

Häufig gestellte Fragen (FAQ)

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67 out of 85 people found the following comment useful:-
The one truly satisfying film of 2001, 27 December 2001
Author: coolman_35m (coolman_35m@yahoo.com) von Hanover, PA, USA

In the year of the lackluster blockbuster (ie Pearl Harbor) and horribly disappointing hype-fests (ie Planet of the Apes) Brian Helgeland's "A Knight's Tale" shines bright. What makes the film so amazing is that the story isn't particularly fresh, the lead characters aren't particularly original, and the "special effects" aren't particularly special, yet Helgeland delivers a romping action comedy that delivers on all fronts. This is fusion-theater at it's best. The audience is believeably transported to the 14th century despite myriad references to the modern world. We're assaulted by the action and drama, yet cradled by the humor and emotion. Most importantly, at no point in the film are we brought back to reality; the characters are that charming and believeable. Even the villain has certain endearing qualities. Not enough that we don't still want to see him kicked swiftly in the groin, but we aren't totally put off by him, either. Think Travolta in Swordfish, or Pacino in Scarface. The men we love to hate.

It's difficult to lay a finger on what most gives this film its weight. I'm tempted to say it's the cast, because it's a collection of relative unknowns who manage to take their characters and completely make them their own. Bettany's Chaucer is wickedly impressive, Tudyk's Wat is a scream, Addy's Roland is almost squeezable, and Sewell's Adhemar is completely vile. The only "star" in the film is the little-known Heath Ledger, who brings a time-worn character to the screen with some kind of fresh perspective that has us cheering from the moment we're introduced to him. There are no Travoltas or Pacinos, and amazingly enough this film is all the better for it.

Throughout the screenplay Brian Helgeland, who not only directed but wrote and produced, gives us humor, sentiment and adrenaline in just the right measure. The lead characters really aren't new, but they are somehow fresh. And the supporting characters, while assembled according to formula, aren't formulaic in any way. Their emotion, approach and sensibilities are quite unique. Even the most predictable minor character (Edward the Black Prince) is oddly touching and powerful, despite the fact we know exactly what we're going to get with him.

The music is vibrant, and its usage is terribly original. The cinematography is at times lacking (the lighting is off quite badly at points, as the "Stocks" outtake presented on the DVD will make clear), but even my jaundiced and jaded eye honestly didn't notice until the third viewing of the film. Honestly, I was too riveted to pick up on it. I was IN the 14th century. What did I know from lighting?

Costuming is first-rate, the dialogue is precious, and though some of the humor is forced, by the time we get to those parts we're already too entranced by the rolicking good nature of the film to even care.

In short, this is a low-budget, minimal star-power action adventure comedy romance that borrows all the best elements of The Three Musketeers (BOTH major versions), The Karate Kid (of which I am much reminded) and An Officer and a Gentleman. It is quite a feat. The highest mark of respect I can give a film is to actually purchase it (it goes against my grain to own a movie when there's a Blockbuster on every corner), but I had "A Knight's Tale" in my collection the day it was released...and this after having paid to see it three times in the theater!

Yes, it's been a disappointing year for Hollywood. But "A Knight's Tale" proves that all is not lost. Rent it, buy it or steal it, but SEE it!

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Watching Heath's movies- tribute, or too painful? crazydancer1292
modern music? cafejava
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Chaucer's wife... HolloBath
YOUNG WILLIAM THATCHER ro-zanna
Stop taking it so seriously. ginger_sling
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