A lonely, but talented teacher enjoys a flirtation with her married principal, who returns her affections but is hampered by his high-strung wife. He is also hampered by a deadbeat son, who...
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A lonely, but talented teacher enjoys a flirtation with her married principal, who returns her affections but is hampered by his high-strung wife. He is also hampered by a deadbeat son, who supposedly is becoming a filmmaker. The teacher also has a clueless daughter, who is an aspiring actress. Filmmaker and actress manage to get together, while the teacher and principal can steal their own fleeting moments and a quick kiss during an eclipse. Written by
John Sacksteder <firstname.lastname@example.org>
Judy Berlin was the name of one of Eric Mendelshon's classmates. See more »
The film takes place while a solar eclipse is in progress. The sky goes so dark that the streetlights come on. Much of the story continues through this "dark time". A real eclipse has this totality and darkness for about two minutes, tops! The total eclipse in "Judy Berlin" just goes on way too long. See more »
This is the neglected gem of last year, and in my estimation the best film
of the year.
Think of it as a middle-class Ice Storm, but while the upper-class
suburbanites of Ice Storm were too distant and unreal to care about, the
middle-class lives depicted in Judy Berlin are very real and both
heart-breakingly sad and genuinely funny (without caricature or directorial
mocking). I've often heard the phrase laughing through tears, but never
experienced it until seeing this film.
The performances are without exception incisive and dead-on. Of particular
note: the counterpoint of Aaron Harnick's sad, lost David and the open-faced
lifeforce that is Edie Falco's Judy; Barbara Barrie's portrait of a loving
schoolteacher -- with an edge; Bob Dishy's sullen and conflicted Arthur,
among the most subtle work in this usually comic actor's long career; and
Madelyn Kahn in her final film role, touching and hilarious (as always) as a
housewife on the verge of a nervous breakdown. Her scene when she encounters
her psychiatrist while aimlessly wandering the streets during the eclipse,
and manages to offer him words of comfort, is the film's defining moment --
a film of beautifully etched characters behaving in very real yet very
surprising ways in moments of conflict filled with shades of
Speaking of which, the film is shot brilliantly in black and white to point
up both the beauty and the horror of this suburban landscape.
However did this film languish on a shelf for two years? If film scripts
were eligible for Pulitzer Prizes, Eric Mendelsohn's would have surely been
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