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Est - Ouest
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Est - Ouest (1999)

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Nutzer-Bewertung: 7.2/10 (2,134 Bewertungen)
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Übersicht

Regisseur:
Régis Wargnier
Drehbuchautoren:
Rustam Ibragimbekov (scenario and dialogue) and
Sergei Bodrov (scenario and dialogue) ...
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Premierendatum:
1. September 1999 (France) mehr Trailer ansehen
Genre:
Romanze | Drama mehr
Plot:
June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa... mehr | add synopsis
Filmpreise:
Nominated for Oscar. Another 3 wins & 6 nominations mehr
Nutzerkommentare:
Making political history tangible. mehr

Besetzung

 (Hauptdarsteller)
Oleg Menshikov ... Aleksei Golovin (as Oleg Menchikov)
Sandrine Bonnaire ... Marie, his wife

Catherine Deneuve ... Gabrielle Develay
Sergei Bodrov Jr. ... Sasha Vasilyev (as Sergueï Bodrov Jr)
Ruben Tapiero ... Seryozha, age 7
Erwan Baynaud ... Seryozha, age 14
Grigori Manukov ... Pirogov (as Grigori Manoukov)
Tatyana Dogileva ... Olga (as Tatiana Doguileva)
Bogdan Stupka ... Colonel Boyko
Meglena Karalambova ... Nina Fyodorovna
Atanass Atanassov ... Viktor
Tania Massalitinova ... Anastasia Aleksandrovna
Valentin Ganev ... Volodya Petrov
Nikolai Binev ... Sergei Kozlov (as Nikolaï Binev)
René Féret ... Ambassadeur de France
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Weitere Details

Alternativ:
Восток-Запад (Russia)
Изток - Запад (Bulgaria: Bulgarian title)
East-West (Europe: English title)
Vida prometida, La (Spain)
[Est]Ouest (France) (poster title)
Est-Ouest - Eine Liebe in Rußland (Deutschland) [de]
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MPAA:
Rated PG-13 for violence and brief sensuality.
Länge:
121 Min
Produktionsland:
Bulgaria | France | Russia | Spain | Ukraine
Farbe:
Farbe
Seitenverhältnis:
1.85 : 1 mehr
Tonverfahren:
Dolby Digital | DTS
MOVIEmeter: ?
^ 6% since last week why?
Firma:
UGC YM mehr

Fun-Ecke

Dies und das:
The two main Russian actors (Oleg Menshikov and Sergei Bodrov Jr.) do not speak French. They memorized all the lines phonetically. mehr
Pannen:
Geographische Fehler: When Marie goes to the KGB building in Kiev and Alexei finds her there, persuading her to leave, the viewer can read a sign on the building that says, in Cyrillic letters, "Ministerstvo na..." This is a Bulgarian genitive construction, meaning "The Ministry of..." The only Slavic languages that show the genitive case in this fashion are Bulgarian and Macedonian. The genitive case is marked differently in Russian and Ukrainian, which shows that the "KGB" building could not actually have been in Kiev. This makes sense because the film was partially shot in Bulgaria. mehr
Bezüge zu anderen Titeln:
Ausschnittsweise enthalten in Femme Fatale (2002) mehr

Häufig gestellte Fragen (FAQ)

This FAQ is empty. Add the first question.
9 out of 10 people found the following comment useful:-
Making political history tangible., 19 April 2000
9/10
Author: Paul Creeden von Boston,MA,USA

I went to this film without realizing that it told a story which had parallels in the history of my own Russian-emigrant family. My grandmother's brother repatriated under Stalin, had his goods and land confiscated, died in Siberia, and lost his two young sons to the Soviet Army.

The film is absorbing and disturbing. The most shooting is done at eye level. There is a true sense of witness for the viewer in a very elemental, unavoidable way. Strangely, I think this improved the experience of the predictable horrors of life in Stalin's USSR. It made the experience seem, for me, much more present and less sentimental.

The performances were very good. Ms. Bonnaire was totally believable and very likeable, despite the naivete and hysteria of her character. Mr. Menshikov played Alexei with great complexity and nuance, which allowed me to be less judgmental and to see his irrational need to belong among his own people as a very natural inclination. Mr. Bodrov, a Russian Brad-Pitt-alike, was very magnetic in his role as Sacha.

I simply love to see Ms. Deneuve in any role, but her playing a mature French actress with admirable values was very moving for me. She carries her own maturity so regally. She was perfect for this role.

I think this film is a wonderful model of cross-cultural cinema. I would like to see more films of this type in the US.

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