| Andrea Arnold | ... | Dawn Lodge (67 Folgen, 1982-1988) | |
| Nick Staverson | ... | Harry Stern (65 Folgen, 1982-1988) | |
| Neil Buchanan | ... | Neil (57 Folgen, 1982-1988) | |
| Kim Goody | ... | Kim (52 Folgen, 1982-1988) | |
| Sandi Toksvig | ... | Ethel Davis / ... (42 Folgen, 1982-1986) |
Regisseure der Serie | |||
| Michael Kerrigan | (7 Folgen, 1983-1985) | ||
| Alistair Clarke | (5 Folgen, 1986-1987) | ||
| Graeme Matthews | (3 Folgen, 1986-1987) | ||
| Paul Cole | (2 Folgen, 1985) | ||
| Janie Grace | (2 Folgen, 1986) | ||
Autoren der Serie | ||
| Sandi Toksvig | (41 Folgen, 1982-1985) | |
| Nick Symons | (35 Folgen, 1984-1985) | |
| Richard Morss | (7 Folgen, 1986-1987) | |
| Will McFadzean | (5 Folgen, 1986-1987) | |
Series Produced by | |||
| J. Nigel Pickard | .... | producer / executive producer (23 Folgen, 1985-1986) | |
| Tim Edmunds | .... | associate producer / producer (22 Folgen, 1985-1987) | |
| John Dale | .... | executive producer (21 Folgen, 1985) | |
| Janie Grace | .... | executive producer in charge of production / executive producer / ... (7 Folgen, 1986-1987) | |
| Richard Leyland | .... | executive producer (unbekannte Anzahl Folgen) | |
Series Original Music by | |||
| Andy Wilson | (82 Folgen, 1984-1988) | ||
Series Film Editing by | |||
| Bill Garner | (9 Folgen, 1985-1987) | ||
Series Production Design by | |||
| Philip Murphy | (2 Folgen, 1987) | ||
Series Art Direction by | |||
| Humphrey Bangham | (1 Folge, 1987) | ||
| Neil Pollard | (1 Folge, 1987) | ||
Series Costume Design by | |||
| Kim Foster-Dillon | (5 Folgen, 1986-1987) | ||
Series Makeup Department | |||
| Gaynor Stevens | .... | makeup artist (35 Folgen, 1984-1985) | |
| Jackie Morris | .... | makeup artist (28 Folgen, 1985-1987) | |
| Jan Musgrove | .... | makeup artist (23 Folgen, 1985-1987) | |
| Judy Dalton | .... | makeup artist (21 Folgen, 1985) | |
Series Production Management | |||
| Francesco Reidy | .... | unit manager (7 Folgen, 1985-1986) | |
| Bill Slark | .... | unit manager (2 Folgen, 1987) | |
Series Second Unit Director or Assistant Director | |||
| Garry Mawstone | .... | first assistant director (1 Folge, 1986) | |
Series Art Department | |||
| Mike Smith | .... | production buyer (36 Folgen, 1984-1986) | |
| David Tasker | .... | graphics / graphic artist (23 Folgen, 1985-1986) | |
| Patrick Duncan-Burgess | .... | carpenter (21 Folgen, 1985) | |
| Tony Duncan | .... | property master (21 Folgen, 1985) | |
| John Hitchens | .... | painter (21 Folgen, 1985) | |
| Dave Lewis | .... | production buyer (21 Folgen, 1985) | |
| Fiona McNeil | .... | assistant designer (21 Folgen, 1985) | |
| Tom Silling | .... | graphics (14 Folgen, 1984) | |
| Geoff Burford | .... | production buyer (7 Folgen, 1986-1987) | |
Series Sound Department | |||
| Chris Thorpe | .... | sound / sound supervisor (22 Folgen, 1985-1986) | |
| Mick Kellie | .... | sound (21 Folgen, 1985) | |
| Alison Maw | .... | sound (21 Folgen, 1985) | |
| Andy Mitchell | .... | sound (21 Folgen, 1985) | |
| Bob Owens | .... | sound (21 Folgen, 1985) | |
| Adrian Smith | .... | sound (21 Folgen, 1985) | |
| Geoff Smyth | .... | sound (21 Folgen, 1985) | |
| Ian Rosam | .... | sound supervisor (15 Folgen, 1984-1985) | |
| Warwick Wride | .... | sound / sound recordist (8 Folgen, 1985-1987) | |
| Geoff Neate | .... | sound (7 Folgen, 1985) | |
| Steve Crisp | .... | sound supervisor / sound director (7 Folgen, 1986-1987) | |
| Danny Curtis | .... | dubbing mixer (5 Folgen, 1985) | |
| Dave Fallon | .... | dubbing mixer / dubbing editor (3 Folgen, 1986-1987) | |
| Tony Cunningham | .... | dubbing mixer (2 Folgen, 1985) | |
| Malcolm Berry | .... | sound / sound recordist (2 Folgen, 1986) | |
Series Visual Effects by | |||
| Gary Rose | .... | telecine (21 Folgen, 1985) | |
| Colin Would | .... | vision mixer (21 Folgen, 1985) | |
Series Camera and Electrical Department | |||
| Nigel Roberts | .... | camera operator / senior camera operator (28 Folgen, 1985-1987) | |
| Jon Bunch | .... | camera operator (21 Folgen, 1985) | |
| Jim Campagnac | .... | camera operator (21 Folgen, 1985) | |
| Ian Edwards | .... | electrician (21 Folgen, 1985) | |
| Trevor Hawkins | .... | camera operator (21 Folgen, 1985) | |
| Ian Hembury | .... | camera operator (21 Folgen, 1985) | |
| Roger Hill | .... | electrician (21 Folgen, 1985) | |
| Laurie Hobson | .... | electrician (21 Folgen, 1985) | |
| Dick Vivian | .... | electrician (21 Folgen, 1985) | |
| Nigel Roberts | .... | senior camera operator (16 Folgen, 1984-1986) | |
| E.G. Knagg | .... | lighting director (15 Folgen, 1984-1985) | |
| John Fish | .... | camera operator (9 Folgen, 1985-1987) | |
| George Pellett | .... | camera operator (6 Folgen, 1985-1986) | |
| Graham Canton | .... | vision controller (5 Folgen, 1986-1987) | |
| Brian Turner | .... | lighting effects (5 Folgen, 1986-1987) | |
| Peter Hazle | .... | camera operator / lighting camera (4 Folgen, 1985-1987) | |
| John Seager | .... | vision controller (3 Folgen, 1985-1987) | |
Series Costume and Wardrobe Department | |||
| Lawrie Oxley | .... | costumer (35 Folgen, 1984-1985) | |
| Frankie Harding | .... | costumer (21 Folgen, 1985) | |
| June Wilkinson | .... | costumer (21 Folgen, 1985) | |
Series Editorial Department | |||
| Paul Evans | .... | assistant editor (5 Folgen, 1985) | |
| Chris Allen | .... | vision mixer (5 Folgen, 1986-1987) | |
Series Music Department | |||
| Tim Graham | .... | music associate (21 Folgen, 1985) | |
| Claire Sheehan | .... | music associate (7 Folgen, 1986-1987) | |
Series Other crew | |||
| John Dale | .... | deviser / devised by (38 Folgen, 1982-1987) | |
| Christopher lloyd Pack | .... | stage manager (36 Folgen, 1984-1986) | |
| Sue Willimott | .... | production assistant (35 Folgen, 1984-1985) | |
| Andy Prendergast | .... | researcher (28 Folgen, 1985-1987) | |
| Alison Black | .... | production assistant (22 Folgen, 1985-1986) | |
| Claire Sheehan | .... | researcher (22 Folgen, 1985-1986) | |
| John Dashfield | .... | studio hand (21 Folgen, 1985) | |
| Neil Elphinstone | .... | technical coordinator (21 Folgen, 1985) | |
| David Golden | .... | floor assistant (21 Folgen, 1985) | |
| Peter Grant | .... | senior floor manager (21 Folgen, 1985) | |
| Alison Hollaway | .... | floor manager (21 Folgen, 1985) | |
| Gwenneth Hughes | .... | production secretary (21 Folgen, 1985) | |
| Ben Lofts | .... | studio attendant (21 Folgen, 1985) | |
| Darrell Series | .... | studio hand (21 Folgen, 1985) | |
| Peter Smith | .... | studio hand (21 Folgen, 1985) | |
| Paul Taylor | .... | studio hand (21 Folgen, 1985) | |
| Brendan Frazer Tomlins | .... | console operator (21 Folgen, 1985) | |
| Ricky Vivian | .... | studio hand (21 Folgen, 1985) | |
| Colin Would | .... | video control (21 Folgen, 1985) | |
| Ben Warwick | .... | floor manager / senior floor manager (17 Folgen, 1984-1987) | |
| Judy Fetherston | .... | production assistant / continuity (16 Folgen, 1984-1986) | |
| Suzanne Pearse | .... | vision mixers (15 Folgen, 1984-1986) | |
| Francesco Reidy | .... | senior floor manager (15 Folgen, 1984-1985) | |
| Tim Edmunds | .... | researcher (14 Folgen, 1984) | |
| Jan Euden | .... | researcher (14 Folgen, 1984) | |
| Janie Grace | .... | researcher (14 Folgen, 1984) | |
| Tim Graham | .... | researcher (14 Folgen, 1984) | |
| Nick Hughes | .... | vision control (14 Folgen, 1984) | |
| Denise Lesley | .... | researcher (14 Folgen, 1984) | |
| Mohan Tauligar | .... | technical coordinator (14 Folgen, 1984) | |
| John Coombes | .... | researcher / consultant (8 Folgen, 1986-1987) | |
| Harriet Llewellyn | .... | researcher (8 Folgen, 1986-1987) | |
| Maggie Pike | .... | floor manager (8 Folgen, 1986-1987) | |
| Steve Springford | .... | floor manager (7 Folgen, 1985) | |
| Penny Hollis | .... | production assistant (7 Folgen, 1986-1987) | |
| Vanessa Hill | .... | researcher (6 Folgen, 1986-1987) | |
| Theresa Robertson | .... | stage manager (6 Folgen, 1986-1987) | |
| Alan Robinson | .... | researcher (6 Folgen, 1986-1987) | |
| Gill Slaven | .... | production assistant (6 Folgen, 1986-1987) | |
| Peter Johnson | .... | technical coordinator (5 Folgen, 1986-1987) | |
| Neil Pollard | .... | design (5 Folgen, 1986-1987) | |
| Ben Warwick | .... | floor manager (5 Folgen, 1986-1987) | |
| Chris Allen | .... | vision mixers (3 Folgen, 1985-1986) | |
| Peter Corey | .... | script associate (2 Folgen, 1985) | |
| Alison Holloway | .... | floor manager (2 Folgen, 1985) | |
| Val Smith | .... | researcher (2 Folgen, 1985) | |
| Richard Morss | .... | script coordinator / script editor (2 Folgen, 1986-1987) | |
| Linda Glover | .... | production secretary (unbekannte Anzahl Folgen) | |
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| The Funhouse | "The Get Set Picture Show" | "Little Britain" | "Saturday Supercade" | Night at the Museum |
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| Übersicht der einzelnen Folgen | Besetzung und Stab | Beteiligte Firmen |
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Simply great. "No 73" was the best Saturday morning children's TV series I've ever seen - and having seen an episode recently, I'm struck by what fun the colourful 1980s fashions, so derided in the priggish 90s and 2000s, actually were.
Centre stage was Sandi Toksvig as Ethel. Ethel was a bit of a dithering dimwit of a landlady, kind as could be, but definitely not the brightest of people. This made Ms Toksvig's slides out of character into her own sharp minded and witty self all the more enjoyable.
The next door neighbours, Hazel and Martin Edwards, were a very 1980s TV couple. The ethos of that decade was to show that men shared many of the faults traditionally associated only with women, and Martin was the nag and sticky beak. Hazel was good natured and long-suffering.
Guest bands, originally in the lounge, later in the cellar, included the Red Skins and the Associates, not your usual Saturday morning pop idols.
The rest of the cast, Dawn, Harry, Neil, Kim and Fred the postman all added their own distinctive charms to the series and the brilliance of fictional comic chaos mixed with Saturday morning magazine style, was inspired.
The show was never the same after Sandi left in 1986. The house was finally demolished in 1988, to be replaced, briefly, by a Wild West theme park. Awful.
But from 1982 to 1986 No 73 was, in my humble opinion, simply the best!