| Fotos (Alle 55 | Diashow) | Videos |
| Björk | ... | Selma Jezkova | |
| Catherine Deneuve | ... | Kathy | |
| David Morse | ... | Bill Houston | |
| Peter Stormare | ... | Jeff | |
| Joel Grey | ... | Oldrich Novy | |
| Cara Seymour | ... | Linda Houston | |
| Vladica Kostic | ... | Gene Jezkova | |
| Jean-Marc Barr | ... | Norman | |
| Vincent Paterson | ... | Samuel | |
| Siobhan Fallon | ... | Brenda | |
| Zeljko Ivanek | ... | District Attorney | |
| Udo Kier | ... | Dr. Porkorny | |
| Jens Albinus | ... | Morty | |
| Reathel Bean | ... | Judge | |
| Mette Berggreen | ... | Receptionist | |
| Lars Michael Dinesen | ... | Defense Attorney | |
| Katrine Falkenberg | ... | Suzan | |
| Michael Flessas | ... | Angry Man | |
| John Randolph Jones | ... | Detective | |
| Noah Lazarus | ... | Officer of the Court | |
| Sheldon Litt | ... | Visitor | |
| Andrew Lucre | ... | Clerk of Court | |
| John Martinus | ... | Chairman | |
| Luke Reilly | ... | New Defense Counsel | |
| T.J. Rizzo | ... | Boris | |
| Stellan Skarsgård | ... | Doctor | |
| Sean-Michael Smith | ... | Person in Doorway | |
| Paprika Steen | ... | Woman on Night Shift | |
| Eric Voge | ... | Officer | |
| Nick Wolf | ... | Man with Hood | |
| Timm Zimmermann | ... | Guard | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Troels Asmussen | ... | Dancer (uncredited) | |
| Marianne Bengtsson | ... | Dancer (uncredited) | |
Regie | |||
| Lars von Trier | (as Lars Von Trier) | ||
Buch | ||
| Lars von Trier | (written by) (as Lars Von Trier) | |
Produktion | |||
| Malte Forsell | .... | line producer | |
| Friðrik Þór Friðriksson | .... | associate producer (as Fridrik Thór Fridriksson) | |
| Finn Gjerdrum | .... | associate producer | |
| Mogens Glad | .... | associate producer | |
| Anja Grafers | .... | associate producer | |
| Tony Grob | .... | line producer: USA | |
| Torleif Hauge | .... | associate producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Lars Jönsson | .... | co-executive producer | |
| Tero Kaukomaa | .... | associate producer | |
| Poul Erik Lindeborg | .... | associate producer | |
| Leo Pescarolo | .... | collaborating producer | |
| Marianne Slot | .... | co-executive producer | |
| Els Vandevorst | .... | associate producer | |
| Vibeke Windeløv | .... | producer | |
Originalmusik | |||
| Björk | |||
Kamera | |||
| Robby Müller | |||
Schnitt | |||
| François Gédigier | |||
| Molly Marlene Stensgård | (as Molly Marlene Stensgaard) | ||
Casting | |||
| Avy Kaufman | |||
Szenenbild | |||
| Karl Júlíusson | |||
Bauten/Dekorationsbau (art directors) | |||
| Peter Grant | |||
Kostüme | |||
| Manon Rasmussen | |||
Maske/Frisuren | |||
| Michelle Crane | .... | key hair stylist: second unit (as Michelle Ahern) | |
| Michelle Crane | .... | key makeup artist: second unit (as Michelle Ahern) | |
| Cédric Gérard | .... | makeup artist: Catherine Deneuve | |
| Sanne Gravfort | .... | makeup artist | |
| Morten Jacobsen | .... | special makeup effects artist | |
| John Nollet | .... | hair stylist: Catherine Deneuve | |
| Ursula Rödel | .... | makeup artist: Catherine Deneuve | |
Produktionsleiter (production managers) | |||
| Joakim Höglund | .... | unit manager | |
| Jonas Overton | .... | assistant unit manager | |
Regieassistenten | |||
| Caroline Sascha Cogez | .... | assistant director | |
| Damian Payne | .... | assistant director: second unit | |
| Anders Refn | .... | first assistant director | |
| Anders Refn | .... | second unit director | |
Ausstattung (Stab) | |||
| Mary Buri | .... | propmaster: second unit | |
| Nicola Hewitt | .... | set decorator: second unit | |
| Jesper Lorents | .... | property master | |
Ton Stab | |||
| Kristian Eidnes Andersen | .... | supervising sound editor | |
| Guy Sigsworth | .... | sound processor: Celesta | |
| Ad Stoop | .... | boom operator | |
| Per Streit | .... | sound designer | |
| Damian Taylor | .... | sound processor: Celesta | |
| Paul Walton | .... | additional sound recordist | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Stunts | |||
| Stig Günther | .... | stunts | |
Kamera und Elektrik (Stab) | |||
| Frank Berger | .... | gaffer | |
| Edvard Friis-Moeller | .... | head of 100 camera department | |
| Peter Hjorth | .... | technical director: 100 camera unit | |
| David Koskas | .... | still photographer | |
| Morten Nybø | .... | electrician | |
| Helene Sandberg | .... | still photographer intern | |
| Harri Sipilä | .... | electrician | |
| Jean-Robert Viallet | .... | video assistant | |
| Lars von Trier | .... | camera operator (as Lars Von Trier) | |
| Marcel Zyskind | .... | additional camera operator | |
| Marcel Zyskind | .... | focus puller | |
| Kristoffer Andrén | .... | assistant camera: Sweden (uncredited) | |
Casting (Stab) | |||
| Joyce Nettles | .... | casting: UK | |
Kostüm und Garderobe (Stab) | |||
| Jalene Murphy | .... | set costumer | |
| Louize Nissen | .... | assistant costume designer | |
Schnitt (Stab) | |||
| Christine Ekstrand | .... | post-production assistant | |
| Peter Hjorth | .... | additional editor | |
| Yvan Lucas | .... | color timer | |
Musik (Stab) | |||
| Mark Bell | .... | music producer | |
| Mark Bell | .... | music programmer | |
| Björk | .... | music arranger: choral | |
| Björk | .... | music producer | |
| Björk | .... | musician: celesta | |
| Björk | .... | vocal editor | |
| Geoff Foster | .... | score recordist | |
| Vincent Mendoza | .... | conductor | |
| Vincent Mendoza | .... | music arranger | |
| Vincent Mendoza | .... | orchestrator | |
| Scott Rodger | .... | music manager | |
| Greg Rogers | .... | music consultant | |
| Guy Sigsworth | .... | musician: celesta | |
| Valgeir Sigurðsson | .... | music editor | |
| Valgeir Sigurðsson | .... | music mixer | |
| Valgeir Sigurðsson | .... | music programmer | |
| Valgeir Sigurðsson | .... | music recordist | |
| Mark Stent | .... | music mixer: songs (as Mark 'Spike' Stent) | |
| Ray Williams | .... | music consultant | |
| Charlie Morgan | .... | musician: drums (uncredited) | |
Transporte | |||
| Thomas Garris | .... | transportation captain | |
Restlicher Stab | |||
| Sedsel Andersen | .... | continuity | |
| Mattias Andersson | .... | runner | |
| Andrea F. Cannistraci | .... | legal services | |
| Linda Daae | .... | continuity | |
| Roger D. Faires | .... | location manager: USA | |
| Peter Garde | .... | financial advisor | |
| Andrea Helgadóttir | .... | assistant: Björk | |
| Carsten Holst | .... | assistant: Lars von Trier | |
| Joga Jóhannsdóttir | .... | assistant: Björk (as Joga Johannsdottir) | |
| Per Kirkeby | .... | overture sequence | |
| Søren Kloch | .... | digital film transfer | |
| Hans Lönnerheden | .... | completion bond | |
| Liz Miller | .... | unit publicist | |
| Mette Nelund | .... | financial coordinator | |
| Pia Severin Nielsen | .... | assistant: Vibeke Windeløv | |
| Vincent Paterson | .... | choreographer | |
| Charlotte Pedersen | .... | assistant: Vibeke Windeløv | |
| Cecilie Rui | .... | assistant: Vibeke Windeløv | |
| Chris Sanger | .... | assistant: Marianne Slot | |
| Sean-Michael Smith | .... | dialogue coach | |
| Line Spanning | .... | travel coordinator | |
| Jonathan Sydenham | .... | script translator | |
| Nicholas Vroman | .... | unspecified assistant | |
| James Wilson | .... | production executive: FilmFour | |
| Karrie Melendrez | .... | story analyst (uncredited) | |
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| Infamous | Let Him Have It | Wait Until Dark | Ray | A Place in the Sun |
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| Nachrichtenartikel | IMDb Musical section | IMDb USA section |
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Gene Kelly's musicals may never have tempted a tear, but this film sure did. This is the most creative and powerful film I've seen this year. I just got back so it will take a while to absorb where it fits in the hierarchy of great movies, but it is one of the few 10's I have ever given on IMDB. I went in knowing nothing other then that Bjork was the lead and that it was a Cannes favorite, I and was rewarded greatly. I am not closed minded, but I thought I would never again find a musical that so wrapped you up in the emotional core of the piece, such as the musicals that I enjoyed in my youth. Its style is experimental enough that I would be surprised if it got a Best Film Oscar nod, but never would I be surprised for any honors bestowed on Bjork, who torturingly WAS Selma for those two painful hours. She is a goddess.