A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Selma has emigrated with her son from Central Europe to America. The year is 1964. Selma works day and night to save her son from the same disease she suffers from, a disease that inevitably will make her blind. But Selma has the energy to live because of her secret! She loves musicals. When life feels tough she can pretend that she is in the wonderful world of musicals...just for a short moment. All happiness life is not able to give her she finds there... Written by
Fredrik Klasson <firstname.lastname@example.org>
Lars von Trier originally cast himself as the angry man who chastises Selma and Cathy in the movie theater. However, due to the contentious on-set relationship between himself and Björk, he feared that he might end up losing control and overacting, so the part went to Michael Flessas instead. See more »
Surname of Selma's son should be a Jezek, not Jezková. See more »
This isn't the last song, there's no violin, the choir is quiet, and no one takes a spin, this is the next to last song, and that's all...
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This is quite possibly the most moving film I've seen, it ensnares you within the first minute, or Bjork does with her interpretation of the sound of music, which is both hilarious and introduces one of the main themes: the magic of musicals. Not one of my favourite genres (but everyone loves The Sound Of Music, right?) but Lars Von Trier makes you re-evaluate your perception with a gentle loving pastiche of the way for no reason people and things in musicals spontaneously erupt into song, made more credible in this film by implicating a reason for it: Bjork's character is going blind so she hears music in the slightest thing and she, in her mind, sees how moves should be choreographed with the music she hears, reminiscent of her own It's Oh So Quiet' music video. And the best thing about this film is the way Bjork charms you with her portrayal of the nicest person in the world, she will do anything for you if she could. She is essentially an innocent and though this is her weakness you can't help but love her all the more: a sparkling performance from a unique singer in real life.
However from this don't assume that this is a light happy film as there is a dark tragic side also, and this side is full of injustice, agony- and I mean agony-, sorrow- like you'd not believe-, and an intense emotional pull as I've ever felt in a cinema before, and it's this half that propels it from being just a great film to becoming one of the greatest. Its greatness is in telling a simple story of a woman trying to stop her own genetic sight disorder afflicting her son, by working every hour to afford the operation, working heavy machinery despite essentially being virtually blind, its greatness is its ability to inflict upon you the gift of feeling every conceivable emotion you posses and you do, you really do experience so much during this film. But I'll not say too much as my enjoyment of this film increased due to, for a change, not second guessing what would happen but to just let it be, I would say to passively watch but there's nothing passive about this film. It really moves you. It makes you feel alive.
This film should be seen alone, in the quiet when you are all by yourself, but more importantly than that it should be seen: this is more than mere movie this is art this is real this is the greatest film I have ever seen: even better than Casablanca, and Shadowlands, and The Piano.
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