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Mulholland Dr. (2001)

After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

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Nominated for 1 Oscar. Another 47 wins & 56 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dan Birnbaum ...
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Rita / Camilla Rhodes (as Laura Elena Harring)
Randall Wulff ...
Limo Driver (as Scott Wulff)
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Maya Bond ...
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Dan
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Bum
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Joseph Kearney ...
Enrique Buelna ...
Richard Mead ...
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Storyline

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

An actress longing to be a star. A woman searching for herself. Both worlds will collide...on Muholland Drive. See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and some strong sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

19 October 2001 (USA)  »

Also Known As:

Mulholland Drive  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$587,591 (USA) (12 October 2001)

Gross:

$7,219,578 (USA) (3 May 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Rebekah Del Rio (the singer at Club Silencio) first met David Lynch when a talent agent took her, on a whim, to a recording studio where Lynch happened to be and asked her to sing a song for him. She performed an impromptu version of "Llorando" which, also on a whim (and without her knowledge) was being taped by the audio engineer. Years later, Lynch decided to incorporate the song into "Mullholland Dr."; except for a few minor tweaks, this is the exact same recording used in the movie. See more »

Goofs

Director Adam Kesher's frenzied attack on the Castigliane brother's limousine immediately scatters pigeons in the far distance, but only when he finally knocks out a headlight (a relatively minor impact) do the pigeons directly behind the car fly up. See more »

Quotes

[first lines]
Rita: What are you doing? We don't stop here.
See more »

Crazy Credits

Credits have the movie director's name as 'Bob Booker' (not 'Brooker' as we hear). Furthermore, many of the characters' names are simply not mentioned at all during the course of the film (Billy Deznutz, Joe Messing, Bondar, etc.) but their character's names are all listed in the closing credits. See more »

Connections

Referenced in Dead Like Me: Life After Death (2009) See more »

Soundtracks

Bring It On Home
Written by Willie Dixon
Performed by Sonny Boy Williamson
Courtesy of MCA Records
Under license from Universal Music Enterprises
Published by Hoochie Coochie Music
Administered by Bug Music, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
Where does it begin and end??
30 November 2001 | by (U.S.) – See all my reviews

Hitchcock would be proud of this movie. Even when nothing happens, it is suspenseful. Director David Lynch overuses a few cheap thrill tricks here and there, but he intersperses them with other cinematographic techniques to keep it from becoming obtuse.

Altogether surreal, this movie is like waking up and remembering most of a dream but not enough to make it sensible. I am still trying to figure it all out and will probably have to see it again to catch things I missed and which may help me understand it better. It is a very detailed plot that very slowly comes together, so you must be patient and pay attention. Get your bathroom trip out of the way before it starts. And yet, the plot is overshadowed by the theme, the mood, the character development, and the filming techniques.

The dual roles of the main actress, Naomi Watts, showcase her enormous talent. That is, when I could get my eyes off of her co-star. What an acting pair.

Lynch surprises throughout the movie with unusual camera angles, the length/timing of editing cuts, jumping back and forth between scenes. Combined with smart use of music and sounds, it all helps to build suspense in our minds, doubtless a major objective of the director. Well, he kept me on the edge of my seat, even had me talking to the actors to be careful here, and not be so naive there. You know, the kind of stuff you want to smack your kids for doing at the movies.


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