| Fotos (Alle 10 | Diashow) | Videos |
Regie | |||
| Alan Rudolph | |||
Buch(WGA) | ||
| Alan Rudolph | (story) & | |
| John Binder | (story) | |
| Alan Rudolph | (screenplay) | |
Produktion | |||
| Robert Altman | .... | producer | |
| Joseph Patrick Finn | .... | co-producer | |
| James McLindon | .... | executive producer | |
Originalmusik | |||
| Mark Isham | |||
| Roger Neill | |||
Kamera | |||
| Jan Kiesser | (director of photography) | ||
Schnitt | |||
| John Helde | |||
| Michael Ruscio | |||
Casting | |||
| Pam Dixon | (as Pam Dixon Mickelson) | ||
Szenenbild | |||
| Linda Del Rosario | |||
| Richard Paris | |||
Bauten/Dekorationsbau (art directors) | |||
| Barbara Wilson | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Brian Kane | |||
Kostüme | |||
| Monique Prudhomme | |||
Maske/Frisuren | |||
| Shannon Coppin | .... | assistant makeup artist | |
| Jayne Dancose | .... | key makeup artist | |
| Gerald Gibbons | .... | assistant hair stylist | |
| Toby Lindala | .... | special makeup effects artist | |
| Roy Sidick | .... | hair stylist | |
Produktionsleiter (production managers) | |||
| Steve Barnett | .... | post-production supervisor | |
| Joseph Patrick Finn | .... | unit production manager | |
Regieassistenten | |||
| Melissa Lee Anderson | .... | third assistant director (as Melissa Anderson) | |
| Jennifer K. Graham | .... | second assistant director | |
| Allan Harmon | .... | first assistant director | |
| Ali Salamati | .... | trainee assistant director (as Ali 'Gator' Salamati) | |
Ausstattung (Stab) | |||
| Yvonne Akehurst | .... | lead painter | |
| Ea Birkett | .... | props buyer | |
| Jared Brown | .... | on-set dresser | |
| John Crockett | .... | construction foreman | |
| Nick Dibley | .... | property master | |
| JoAnn Ellis | .... | art department assistant (as Joann Ellis) | |
| Lori Gillis | .... | assistant set decorator | |
| Arthur A. Green | .... | head greensman (as Art Green) | |
| Jim Hopkins | .... | scenic carpenter | |
| Dale Husuliak | .... | lead carpenter | |
| Jean François Larche | .... | set dresser | |
| Vern Lavoie | .... | scenic painter | |
| Margo Kaczynska McKenzie | .... | head painter (as Margo McKenzie) | |
| Tom McKinnon | .... | sign painter | |
| Jake Miller | .... | assistant property master | |
| Tanya A. Nordhoff | .... | set buyer | |
| Ian Reiman | .... | scenic carpenter | |
| Michel Rheault | .... | scenic carpenter | |
| Rob Schwenk | .... | scenic carpenter (as Robert Schwenk) | |
| Michael Segal | .... | lead dresser (as Michael 'Fix It' Segal) | |
| Jack Silvestre | .... | paint laborer | |
| Pat Thomas | .... | lead laborer | |
| Chris Thompson | .... | construction coordinator | |
| Athena Wong | .... | set dresser (as Athena 'Photo Girl' Wong) | |
Ton Stab | |||
| Joe Barnett | .... | sound re-recording mixer | |
| Tim Boggs | .... | adr supervisor (as Timothy Boggs) | |
| Lance Brown | .... | sound effects editor | |
| Matt Dubin | .... | digital transfer engineer | |
| Lisle Engle | .... | sound effects editor | |
| Arthur Farkas | .... | sound effects editor (as Artie Farkas) | |
| David Lee Fein | .... | foley artist | |
| Marc Fishman | .... | sound re-recording mixer (as Mark Fishman) | |
| Alan Freedman | .... | adr mixer | |
| Cormac Funge | .... | sound effects editor | |
| Jason George | .... | dialogue editor | |
| Kevin Hamilton | .... | dialogue editor | |
| Michael Hertlein | .... | dialogue editor | |
| Chato Hill | .... | assistant sound editor | |
| Frederick Howard | .... | sound supervisor (as Fred Howard) | |
| Craig Jurkiewicz | .... | foley editor | |
| Michael Kamper | .... | sound effects editor | |
| Eva Madden | .... | cable person | |
| Diane Marshall | .... | foley artist (as S. Diane Marshall) | |
| Michael Mullane | .... | background sound editor | |
| Mark Noda | .... | boom operator | |
| Rick Patton | .... | sound mixer | |
| Andy Potvin | .... | stereo sound consultant: Dolby Stereo | |
| Yuri Reese | .... | additional sound re-recording mixer | |
| Sarah Smith | .... | foley editor | |
| William Smith | .... | additional sound re-recording mixer | |
| Walter Spencer | .... | dialogue editor (as Walter Spenser) | |
| Alec St. John | .... | assistant sound editor | |
| Lucy Sustar | .... | foley mixer | |
| Johanna Turner | .... | digital transfer engineer (as Johanna Kraemer) | |
| Robert Getty | .... | dialogue editor (uncredited) | |
| Kevin Hamilton | .... | adr editor (uncredited) | |
Spezialeffekte | |||
| Denys Guillemette | .... | special effects assistant | |
| Clay McGhee | .... | special effects fabricator | |
| Elie Merhab | .... | special effects first assistant (as Elie Merheb) | |
| Jak Osmond | .... | special effects coordinator | |
Visual Effects | |||
| Joe Finley | .... | digital color timer (uncredited) | |
Stunts | |||
| Sylvain Cameron | .... | stunt performer | |
| Yves Cameron | .... | stunt coordinator | |
| Douglas Chapman | .... | stunt performer | |
| Dean Choe | .... | stunt performer | |
| Duane Dickinson | .... | stunt performer | |
| Corry Glass | .... | stunt performer (as Cory Glass) | |
| Carol Jackson | .... | stunt performer | |
| J.J. Makaro | .... | stunt coordinator | |
| Justin Sain | .... | stunt performer | |
| Douglas Chapman | .... | stunt double: Dermont Mulroney (uncredited) | |
Kamera und Elektrik (Stab) | |||
| Robert Reed Altman | .... | camera operator | |
| Stephen Arnott | .... | grip (as Steve Arnott) | |
| J.B. Bivens | .... | grip (as John Bivens) | |
| Bill Dawson | .... | lamp operator | |
| Elvis Drazic | .... | generator operator | |
| Amie Gibbins | .... | camera trainee | |
| Colin Gray | .... | gaffer | |
| Jiri Kucera | .... | first assistant camera: "b" camera | |
| Jeff Kunkel | .... | dolly grip | |
| Scott MacDonald | .... | first assistant camera | |
| Shawn McLaughlin | .... | best boy electric | |
| Klaus Melchior | .... | video playback operator | |
| Tricia Mutcher | .... | second assistant camera | |
| Dorian Perodie | .... | best boy grip | |
| Derick Rosevold | .... | lamp operator | |
| Joyce Rudolph | .... | still photographer | |
| Aki Shigematsu | .... | second assistant camera: "b" camera | |
| Randy Stamhuis | .... | key grip | |
| Richard Wilson | .... | camera operator: "b" camera | |
| Richard Wilson | .... | steadicam operator | |
Casting (Stab) | |||
| Susan Taylor Brouse | .... | location casting associate (as Sue Brouse) | |
| Lynne Carrow | .... | location casting | |
| Anastasia Kousakis | .... | extras casting assistant | |
| Lonnie Mackenzie | .... | extras casting assistant (as Lonnie MacKenzie) | |
| Mandy Milicevic | .... | extras casting assistant | |
| Lisa Ratke | .... | extras casting | |
Kostüm und Garderobe (Stab) | |||
| Shane Deschamps | .... | costume supervisor (as L. Shane Deschamps) | |
| Debbie Douglas | .... | assistant costume designer (as Deborah M. Douglas) | |
| Gail Vance | .... | set costumer | |
Schnitt (Stab) | |||
| Gary Burritt | .... | negative cutter | |
| Errin Clutton | .... | production editing assistant | |
| Lorinda Donovan | .... | first assistant editor | |
| Kristin Eaton | .... | assistant editor | |
| Tyson Sawyer | .... | post-production coordinator | |
| Kimberly L. Sewell | .... | assistant editor (as Kimberly Sewell) | |
| Mike Stanwick | .... | color timer | |
| Ronald White | .... | apprentice editor | |
Musik (Stab) | |||
| James Bonney | .... | assistant music engineer | |
| James Bonney | .... | music preparation | |
| Brenda Burns | .... | composer: song "I Have the Right to Know" | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Lori L. Eschler | .... | music editor (as Lori Eschler Frystak) | |
| Richard Ford | .... | music editor | |
| Rick Frystak | .... | composer: song "Perky Bossa" | |
| Mark Governor | .... | song producer: "Blue Flame Cafe" | |
| Don Great | .... | provider: additional source music | |
| Mark Isham | .... | orchestrator | |
| Stephen Krause | .... | score recordist | |
| Stephen Krause | .... | scoring mixer | |
| Jason La Rocca | .... | assistant music engineer (as Jason LaRocca) | |
| David Low | .... | music contractor | |
| Peter Maunu | .... | musician: guitar | |
| Howard McCrary | .... | composer: song "All Over You" | |
| Howard McCrary | .... | song producer: "All Over You" | |
| Roger Neill | .... | musician: guitar | |
| Roger Neill | .... | orchestrator | |
| Troy Yorke | .... | composer: song "Orange at Three" | |
Transporte | |||
| Bob Bowe | .... | transportation coordinator | |
| Sean Brennan | .... | driver: hair/makeup truck | |
| John Busch | .... | driver: construction | |
| Ron Gavin | .... | driver: electric truck | |
| Barry 'Bear' Horton | .... | driver: starwagon | |
| Mitch LaFleur | .... | transportation captain (as Mitch Lafleur) | |
| Mark Litke | .... | driver: cast | |
| Rick Marcoux | .... | driver: starwagon | |
| Laurie Matheson | .... | driver: cast | |
| Gordon Pearce | .... | driver: set decoration | |
| Bubba Ram | .... | driver: camera car | |
| Bubba Ram | .... | transportation co-captain | |
Widmungen und Dankeschöns | |||
| Gregory Alpert | .... | special thanks (as Greg Alpert) | |
| Wren Arthur | .... | special thanks: Sandcastle 5 Productions | |
| Joshua Astrachan | .... | special thanks: Sandcastle 5 Productions | |
| Diane Buck | .... | special thanks | |
| Paula Cantu | .... | special thanks: Sandcastle 5 Productions | |
| May Chan | .... | special thanks | |
| Mark Governor | .... | special thanks: Citysound Music | |
| Heather Holst | .... | special thanks | |
| Ken Kamins | .... | special thanks | |
| Arnaud Levy | .... | special thanks | |
| Michael Maxtone-Smith | .... | special thanks | |
| Myles Nestel | .... | special thanks (as Miles Nestel) | |
| Sabrina Padwa | .... | special thanks | |
| Nina Ruscio | .... | special thanks | |
| Danielle Sotet | .... | special thanks: Sandcastle 5 Productions | |
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| The Spider Returns | The Mysterious Pilot | Too Much Beef | The Singing Detective | The Big Sleep |
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I had heard that the malapropism of Emily Watson's character would begin to wear after a while. Not for me, it was like watching a seriously deadpan Gracie Allen at work.
The key to the film (which covers some of the same territory as "Fargo" and contains a few references to the movie) is the realization that it is not only Watson's character whose utterances are ridiculous, but those of the major characters, but Red's description of his relationship to the dead woman and Senator Avery's comments to the reporters show a similar dislocation with reality and sense. We start by realizing that her comments are off the wall, but they turn out to be nothing compared to the double-speak that we have become accustomed to coming out of the mouths of politicians and developers.
The ending is a bit harum-scarum but overall a very enjoyable movie. The plot twists at the end weakened it, although they were very much in keeping with the noir genre.