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A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

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8 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Pamela Hart ...
Stephen Pearlman ...
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...
Kristyn Mae-Anne Lao ...
Espher Lao Nieves ...
Joanne Gordon ...
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...
Moustacheless Man (as Stanley Herman)
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Photographer
Tom Tumminello ...
Ephraim
Henri Falconi ...
Kaballah Scholar
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Storyline

Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

faith in chaos See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

10 July 1998 (USA)  »

Also Known As:

3.14159265358  »

Box Office

Budget:

$60,000 (estimated)

Opening Weekend:

$31,069 (USA) (10 July 1998)

Gross:

$3,216,970 (USA) (27 November 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Clint Mansell, the composer of the film's soundtrack and frequent composer for Aronofsky's films, makes an appearance as a photographer. See more »

Goofs

When Robeson is discussing Archimedes' Principle with Max, he states that Archimedes wanted to assess density by measuring weight and volume. Nowadays, density is (usually, not always!) defined as mass, rather than weight, per volume so as to make it independent of the strength of the prevailing gravitational field. The concept of gravity, however, did not arise for many hundreds of years after Archimedes. It is, therefore, not a goof to say that Archimedes used the crown's weight to calculate density rather than its mass. See more »

Quotes

[first lines]
Maximillian Cohen: 9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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Crazy Credits

End credits shown over bugs crawling on Max's papers. See more »

Connections

Referenced in Logos (2013) See more »

Soundtracks

Angel
Performed by Massive Attack
Written by Robert del Naja (as Del Naja) / Grant Marshall (as Marshall) / Mushroom Vowles (as Vowels) / Horace Hinds (as Hinds)
Published by Songs of Polygram International, Inc.(BMI)/BMG Music Publishing LTD.(PRS) Admin. by BMG Songs Inc.(ASCAP)
Massive Attack appears courtesy of Circa Records LTD.
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User Reviews

Genius!
5 October 2003 | by (Ottawa, Ontario) – See all my reviews

I have yet to come even close to fully appreciating the sheer artistry and complexity of Darren Aronofsky's stunning mathematical/sci-fi thriller, "Pi". Watching this film, one can tell from the subdued effects, grainy black-and-white filter, and guerrilla-style filmmaking that this must be a low-budget independent film - NOT to try and downplay its impact, as many independent films can clearly surpass any typical Hollywood movie, in terms of style and subject matter.

"Pi" is a perfectly concrete example of how the relative absence of special effects, explosions, etc. can still help create an engaging, and thoroughly unique viewing experience. Overflowing with intensity and hyperkinetic camerawork, this is a frightening roller-coaster ride of a film; despite clocking in at less than 90 minutes, "Pi" is by no means short on resonance

  • but rather leaves a heavy feeling of exuberance and fascination with the


material that lasts long after it's finished. At the same time, though, people who aren't as open-minded to more obscure, abstract films like this would be, I think, surprised. This is not as complicated or bewildering a film as I had expected. If one can be able to focus intently on the story, the result is rewarding, and doesn't provide for much head-scratching. Its style seems rather modern, rather hip...at times it reminded me of "The Matrix" (which, ironically, was released the FOLLOWING year) what with its slick techno musical score and its flashy opening credits.

To shy away from this film simply because of its math content is to be completely shallow and ignorant. The way it handles the material is a whole lot more interesting than you'd probably think. Like "A Beautiful Mind", "Pi" is an instant classic that serves to re-awaken my erratic interests in my poorest subject, mathematics. It's original, it's interesting, and above all - genius.


86 of 125 people found this review helpful.  Was this review helpful to you?

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Do not watch this troxx
216 digits long lalchimiste1
The scariest movie i've ever seen. now THAT'S powerful cinema. AudreyHamm
Schizophrenia tita_a
Why 'Pi' ? dario_van_kuschn
Question about the number pi... sputnik410
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