A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by
The film "Pi" describes the Talmudic tradition of finding meaning in the numerical values of Biblical words and phrases. A common misconception is that in recording the dimensions of one piece of temple furniture, Pi is evaluated to 3. This mistake is based on a misunderstanding of the measurements of the ceremonial bowl. (1st Book of Kings Chapter 7 verse 23) See more »
Max suggests that the Kabbalists have already tried all possible 216-digit numbers. That is 10 to the power of 215 multiplied by 9 [9x(10^215)] - if they had been doing a quadrillion a day since the destruction of the Temple, they would barely have begun. See more »
9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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Leonardo DaVinci listed under "Special Thanks" See more »
"Pi (1998)" is, without doubt, the best no-budget movie I've ever seen. Directed by Darren Aronofsky with a ridiculous budget of $60,000 - which I first thought was a mistake in the figures, since I couldn't believe such a movie could possibly be made with that amount of money.
Most of the cast and crew later re-united to make "Requiem for a Dream (2000)" - one of the best movies made in the last few years. Like many others, it was "Requiem" that made me find "Pi". It took Aronofsky only 2 movies to become one of my favorite directors, and I can't wait to see what the future holds for this young and promising writer/director.
The movie stars Sean Gullette, which co-wrote the movie with Aronofsky and Eric Watson. You might recognize him as Arnold (Marion's old partner and shrink) in "Requiem". Gullette is perfect in his role and does an amazing job here. It's a shame we don't see his talent in more movies.
Mark Margolis (Mr. Rabinowitz in "Requiem") is excellent as Max's mentor and all the other cast is doing a great job too.
Like in "Requiem", technical aspect is top-notch: Excellent black-and-white cinematography (Matthew Libatique) and the innovative use of the Snorricam, lightning, editing (Oren Sarch), and music (Clint Mansell, frontman for Pop will Eat itself).
The director's commentary for this movie is fascinating. After hearing it you'd appreciate the effort and heart that were put into this movie a lot more.
Look for guest/cameo appearances by Samia Shoaib (the nurse in "Requiem") as Devi, Max's nextdoor neighbor; Clint Mansell (the movie's composer) as the photographer; and Abraham Aronofsky (Darren's father) as one of the men delivering the suitcase at the door.
One last word. While some aspects presented in the movie - such as the Hebrew numerology and mathematical concepts - are correct (that is, the explanations of Hebrew numerology are not made-up; That _doesn't_ mean I actually believe in any of the meanings attached to them), I suggest you to use your suspension-of-disbelief instead of trying to find logic and mistakes in them.
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