A pair of shuttle astronauts leave their spacecraft to repair a satellite. There's an explosion. NASA loses contact for two minutes, but the both are rescued and safely returned to Earth. Eventually it becomes evident that neither of the astronauts is quite the same. Written by
Clea Duvall (Nan) can be seen wearing blue contacts during several scenes in the movie. In some scenes, she sports her natural brown eyes. See more »
When examining Reese's things, Jillian comes across a Newsweek magazine with a cover story of the accident in space and a cover picture of a B-58. There is no conceivable explanation nor storyline of why a front line story would use a picture of an aircraft retired practically 30 years before the mission. See more »
[appears out of no where]
Shh shhh shhh. Don't talk. Don't say a word honey. You're fine, you're fine now. They're still inside you Jill. They're right where they need to be. And we are never going to mention what you tried to do... what you tried to do with them pills, ok? Doesn't exist. Never happened Jill.
[Jillian tries to talk but Spencer interrupts]
I don't want to hear a peep out of you. You hear me? I love you so much. I don't know what I'd do if anything happened to you or the babies. ...
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I have to say, I always enjoy Johnny Depp's work. He is a chameleon; an actor who can take literally any role, who can step outside the boundaries of typecasting. And, his performance in this film is in no way weaker than any other character; it is merely a role that not many are likely to recall when asked about him. The film builds decently enough. Depp and Theron play a married couple, and a significant element of stress begins to grow on Theron following Depp's events during an orbital assignment given to his character.
I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.
The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.
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