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Run Lola Run (1998)
"Lola rennt" (original title)

 -  Action | Crime | Thriller  -  18 June 1999 (USA)
7.8
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Ratings: 7.8/10 from 148,013 users   Metascore: 77/100
Reviews: 699 user | 184 critic | 29 from Metacritic.com

A young woman in Germany has twenty minutes to find and bring 100,000 Deutschmarks to her boyfriend before he robs a supermarket.

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Title: Run Lola Run (1998)

Run Lola Run (1998) on IMDb 7.8/10

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Nominated for 1 BAFTA Film Award. Another 29 wins & 16 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Herbert Knaup ...
Nina Petri ...
...
Joachim Król ...
Norbert von Au
...
Suzanne von Borsody ...
Frau Jäger
Sebastian Schipper ...
Mike
Julia Lindig ...
Doris
Lars Rudolph ...
Herr Kruse
...
Ronnie
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Storyline

Lola receives a phone call from her boyfriend Manny. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Jeden Tag, jede Sekunde triffst Du eine Entscheidung, die Dein Leben verändern kann. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for some violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

| |

Release Date:

18 June 1999 (USA)  »

Also Known As:

Lola Runs  »

Filming Locations:

 »

Box Office

Budget:

DEM 3,500,000 (estimated)

Opening Weekend:

£70,938 (UK) (22 October 1999)

Gross:

$7,267,324 (USA) (21 January 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film contains about 1581 transitions (edits, dissolves, fades, wipes, etc) in 71 minutes of action (i.e. excluding the credits, and pre-credits sequence). This equates to an Average Shot Length of about 2.7 seconds. Interestingly, the editing is relatively slower towards the end of the film. For most contemporary films, the opposite is the norm. See more »

Goofs

In Part 1, Lola leaves the bank and looks to her right. The shot from this side then shows Lola facing in this direction with a young woman approaching in the background (i.e. Lola's left). The next shot (from the front) has an old woman appear from Lola's left. See more »

Quotes

[first lines]
[subtitled version]
Narrator: Man... probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer... an answer that will give rise to a new question... and the next answer will give rise to the next question and so on. But, in the end, isn't it always the same question? And always the same answer?
See more »

Crazy Credits

"Special thanks to those who ran with us". See more »

Connections

Referenced in Gossip Girl: Salon of the Dead (2012) See more »

Soundtracks

What A Difference A Day Makes
Vocals by Dinah Washington
Music by María Grever (as Maria Grever)
Lyrics by Stanley Adams
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Riveting action, dynamic sound track, and brilliant editing had me hooked from the first frame.
27 June 1999 | by (San Diego, CA) – See all my reviews

The concepts are simple. How do our actions affect our own lives, as well as those whom we touch? What part do chance and random events play in determining an outcome? Can we select a different result by making different choices? In short, what is reality? Well, maybe it isn't all that simple, but while others have plowed these same fertile fields, as recently as the film "Go", and also in "The Music of Chance", based on Paul Auster's novel, no one has dealt with such cosmic existential questions with more brilliant originality, fast paced action, and a pulsing score than in this German cinematic masterpiece.

In a compact ninety minutes, combining snips of animation, cinema verité, quirky characters, situations and dialogue, and a pace that makes most music videos look like they've been filmed in slow motion, three versions of the same story sequence unfold, and each time conclude with a jolting finish that defies convention, and keeps the viewer guessing until the final frame.

This is one of those rare cinematic events that is entertaining, satisfying, and absorbing, as well as flawlessly acted, staged, edited, produced and directed. I thought that Lola ran her race with flair and style, and left all others way behind in the dust.


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