| Fotos (Alle 15 | Diashow) |
Regie | |||
| Mark Steven Johnson | |||
Buch(WGA) | ||
| Mark Steven Johnson | (screenplay) | |
| John Irving | (novel "A Prayer For Owen Meany") (suggestion) | |
Produktion | |||
| John Baldecchi | .... | executive producer | |
| Roger Birnbaum | .... | producer | |
| Howard Ellis | .... | associate producer | |
| Billy Higgins | .... | co-producer | |
| Laurence Mark | .... | producer | |
Originalmusik | |||
| Marc Shaiman | |||
Kamera | |||
| Aaron Schneider | (as Aaron E. Schneider) | ||
Schnitt | |||
| David Finfer | |||
Casting | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Szenenbild | |||
| David Chapman | |||
Bauten/Dekorationsbau (art directors) | |||
| Dennis Davenport | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Carolyn 'Cal' Loucks | |||
Kostüme | |||
| Betsy Heimann | |||
| Abram Waterhouse | |||
Produktionsleiter (production managers) | |||
| Brian Leslie Parker | .... | production manager | |
Regieassistenten | |||
| Howard Ellis | .... | assistant director | |
| Derek Filiatrault | .... | daily trainee assistant director | |
| Mickey Gilbert | .... | second unit director | |
| Robin M. Reelis | .... | third assistant director: second unit | |
| Bob Warwick | .... | trainee assistant director | |
| Glenn R. Wilder | .... | second unit director | |
Ausstattung (Stab) | |||
| Carlos Caneca | .... | lead set dresser | |
| Reverend Bob Chiasson | .... | set dresser | |
| Teresita Doucet | .... | set dresser | |
| Danielle Fleury | .... | assistant set decorator | |
| Bill Iiams | .... | construction coordinator | |
| Wayne Jacques | .... | set dresser | |
| Janet Kusnick | .... | storyboard artist | |
| Anastasia Masaro | .... | second assistant art director | |
| David Ritchie | .... | assistant property master | |
| Michael Shocrylas | .... | assistant art director | |
Ton Stab | |||
| Gregg Barbanell | .... | foley artist | |
| Jim Borgardt | .... | supervising adr editor | |
| Valerie Davidson | .... | sound editor | |
| Dane A. Davis | .... | supervising sound editor | |
| Barbara Delpuech | .... | assistant sound editor (as Barbara S. Way) | |
| Glen Gauthier | .... | sound | |
| Gary Gegan | .... | sound re-recording mixer | |
| Tom Hammond | .... | foley editor | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Geoffrey G. Rubay | .... | sound editor | |
| Steve Switzer | .... | boom operator | |
| Rudy Pi | .... | sound re-recording mixer (uncredited) | |
Spezialeffekte | |||
| Jason Board | .... | special effects | |
| Tony Kenny | .... | special effects | |
| Arthur Langevin | .... | special effects key | |
| Brad Larkin | .... | special effects crew | |
| Al Marangoni | .... | special effects coordinator | |
| Jeff Miller | .... | special effects foreman | |
| Lawrence Willett | .... | special effects technician | |
Visual Effects | |||
| Joe Bauer | .... | visual effects supervisor | |
| Rick Cortes | .... | visual effects artist | |
| Sarah Moore | .... | digital compositor: Buena Vista Imaging | |
| Rick Shick | .... | digital compositor | |
Stunts | |||
| Gregory J. Barnett | .... | stunts | |
| Michael T. Brady | .... | stunts | |
| Eric Bryson | .... | stunt double | |
| Peter Cox | .... | stunts | |
| Tim A. Davison | .... | stunt coordinator: second unit | |
| C.J. Fidler | .... | stunts | |
| Ed Gale | .... | stunts | |
| Kris A. Jeffrey | .... | water safety & stunts | |
| Alison Reid | .... | stunt coordinator | |
| Bryan Renfro | .... | stunts | |
| Suzi Stingl | .... | stunts | |
| Allan Redford | .... | stunt performer (uncredited) | |
Kamera und Elektrik (Stab) | |||
| Sam Bojin | .... | best boy electric | |
| Rocky Brown | .... | crane grip | |
| Angelo Colavecchia | .... | camera operator | |
| Bruce Comtois | .... | grip: underwater unit, Los Angeles | |
| Mark Cyre | .... | first assistant camera | |
| Bryan Forde | .... | gaffer | |
| Greg Haddow | .... | electrician | |
| Maynard Harris | .... | crane technician | |
| Don McCuaig | .... | director of photography: second unit | |
| Robert McRae | .... | gaffer: rigging | |
| Monty Montgomerie | .... | first assistant key grip | |
| Dennis J. Murphy | .... | electrician | |
| Alexandre Naufel | .... | assistant chief lighting technician | |
| Brad Peterman | .... | first assistant camera: underwater unit | |
| Ron Renzetti | .... | dolly grip | |
| Dylan Rush | .... | set lighting: Los Angeles | |
| Richard Stevens | .... | first assistant camera | |
| A.J. Vesak | .... | camera operator: "a" camera, second unit | |
| Lawrence Willett | .... | electrician: Nova Scotia | |
Casting (Stab) | |||
| Juli-Ann Kay | .... | casting associate: Canada | |
| Jane Rogers | .... | extras casting | |
Kostüm und Garderobe (Stab) | |||
| Cori Burchell | .... | costume supervisor | |
Schnitt (Stab) | |||
| Doug Caron | .... | assistant film editor | |
| Penny Lee Hallin | .... | first assistant editor | |
| Ariel Nachmann | .... | first assistant editor | |
| David Orr | .... | color timer | |
| Scott Wesley Ross | .... | apprentice editor | |
| Kevin D. Ross | .... | assistant editor (uncredited) | |
Musik (Stab) | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Jeff Atmajian | .... | orchestrator | |
| Frank Bennett | .... | orchestrator | |
| Dan DiPrima | .... | music editor: temp music | |
| Ralph Grierson | .... | musician: piano solos | |
| Artie Kane | .... | conductor | |
| Stephanie Lowry | .... | assistant music editor | |
| Patrick Russ | .... | orchestrator | |
| Scott Stambler | .... | supervising music editor | |
| Nick Vidar | .... | music programmer | |
| Zigmund Gron | .... | music editor (uncredited) | |
Transporte | |||
| Lori Ann Bellefontaine | .... | picture car assistant | |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| Nachrichtenartikel | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
A lad with stunted growth who holds out with brave optimism and sheer good-naturedness is able to go through school life and survive any antagonisms with aplomb, indeed, forging an inseparable friendship, as he approaches his twelfth and fatal year.
Beautifully told story, with excellent photography and good music keeping just the right atmosphere, this is a film which might have some downgrading it to a simple `tear-jerker' and reaching for inexhaustible supplies of paper-handkerchiefs. But the story-line is more subtle and more carefully played out, such that in effect the film does not even try to pull out any angst from those softer-at-heart: the acting itself - especially that of Ian Michael Smith - and the focussing of the story rises above this. However, this is of course a `feel-good' story, though the end might leave you thinking otherwise.
Once again, how nice to see an attractive film without violence or sex being the main protagonists.
I would not mind trying to find the book................