Sånger från andra våningen (2000)

Regisseur:

Roy Andersson

Drehbuchautor:

Roy Andersson (writer)

Premierendatum:

6. Oktober 2000 (Sweden)

Genre:

Drama

Plot:

A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion...

Plot Keywords:

Absurdism | Religion | Businessman | Cult Favorite | Mugging

Filmpreise:

9 wins & 3 nominations

Nutzerkommentare:

THE FIRST MASTERPIECE OF THE CENTURY

Besetzung

Lars Nordh	...	Kalle
Stefan Larsson	...	Stefan
Bengt C.W. Carlsson	...	Lennart
Torbjörn Fahlström	...	Pelle Wigert
Sten Andersson	...	Lasse
Rolando Núñez	...	The foreigner
Lucio Vucina	...	The magician
Per Jörnelius	...	The sawed man
Peter Roth	...	Tomas
Klas-Gösta Olsson	...	The speechwriter
Nils-Åke Eriksson	...	Patient
Hanna Eriksson	...	Mia
Tommy Johansson	...	Uffe
Sture Olsson	...	Sven
Fredrik Sjögren	...	The Russian boy

Alternativ:

Sange fra anden sal (Denmark)
Sanger fra andre etasje (Norway)
Songs from the Second Floor (International: English title)

Länge:

98 Min

Produktionsland:

Sweden | Norway | Denmark

Sprache:

Schwedische

Farbe:

Farbe

Seitenverhältnis:

1.66 : 1

Tonverfahren:

Dolby SR

Altersfreigabe:

Argentina:13 | Denmark:11 | Finland:K-12 | France:U | Germany:16 | Hong Kong:IIB | Netherlands:AL | Norway:15 | Singapore:NC-16 | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15

Drehorte:

Mysinge, Kalmar län, Sweden

Firma:

Danmarks Radio (DR)

Dies und das:

It took director Roy Andersson four years to complete this film.

Dialogzitate:

[about his son]
Kalle: He wrote poetry till he went nuts!

Bezüge zu anderen Titeln:

Ausschnittsweise enthalten in Refränger från källaren (2000)

THE FIRST MASTERPIECE OF THE CENTURY

This film is just so amazingly interesting and well done. This surrealistic masterpiece is the first one of this century.

People calling it a series of meaningless vignettes clearly couldn't understand anything, if there's one thing in this whole movie, is MEANING. Meaning in every little detail of each one of those 46 shots. This is a movie about human condition and how we live with it.

The story is set on an apocalyptic night when, we asume, the world is about to end, se people, and us, start to think about our place in the universe and our place in our own hearts. The main character, a family man who burns his own bussines just to get the insurance money is just the first metaphore of our consumist, unhappy and life wasting society, in which everyone makes it all to satisfy their needs, even, of course, the sacrifice of their youth (which is shown in one of the most memorables scenes in movie history).

It's critical and often so cynical you just want to go, cause it's too cruel to listen to what it has to say, but in it's basicly human characters, you'll find the heart beneath the sarcasm, and you just might get moved.

This is terrific, like nothing I've ever seen before, and although I'm still waiting to see Crouching Tiger, Hidden Dragon, I know this is the first really challenging and memorable (unforgettable) movie from the 21st century, a definitive masterpiece and a true classic, and as far as I'm concerned, one of the best movies I've ever seen.