| Fotos (Alle 15 | Diashow) |
| Vanessa Redgrave | ... | Mrs. Clarissa Dalloway | |
| Natascha McElhone | ... | Young Clarissa | |
| Michael Kitchen | ... | Peter Walsh | |
| Alan Cox | ... | Young Peter | |
| Sarah Badel | ... | Lady Rosseter | |
| Lena Headey | ... | Young Sally | |
| John Standing | ... | Richard Dalloway | |
| Robert Portal | ... | Young Richard | |
| Oliver Ford Davies | ... | Hugh Whitbread | |
| Hal Cruttenden | ... | Young Hugh | |
| Rupert Graves | ... | Septimus Warren Smith | |
| Amelia Bullmore | ... | Rezia Warren Smith | |
| Margaret Tyzack | ... | Lady Bruton | |
| Robert Hardy | ... | Sir William Bradshaw | |
| Richenda Carey | ... | Lady Bradshaw | |
| Katie Carr | ... | Elizabeth Dalloway | |
| Selina Cadell | ... | Miss Kilman | |
| Amanda Drew | ... | Lucy | |
| Phyllis Calvert | ... | Aunt Helena | |
| John Franklyn-Robbins | ... | Lionel, Clarissa's Father | |
| Alistair Petrie | ... | Herbert | |
| Rupert Baker | ... | Joseph Breitkopf | |
| Janet Henfrey | ... | Miss Pym | |
| Polly Pritchett | ... | Nursemaid | |
| Jane Whittenshaw | ... | 1st Woman by Lake | |
| Susie Fairfax | ... | 2nd Woman by Lake | |
| Richard Bradshaw | ... | Evans | |
| Hilda Braid | ... | Woman in deckchair | |
| Derek Smee | ... | Man in deckchair | |
| Fanny Carby | ... | Singer | |
| Denis Lill | ... | Doctor Holmes | |
| Richard Stirling | ... | Receptionist | |
| Neville Phillips | ... | Mr. Wilkins | |
| Peter Cellier | ... | Lord Lezham | |
| Kate Binchy | ... | Ellie Henderson | |
| Edward Jewesbury | ... | Professor Brierly | |
| Jack Galloway | ... | Sir Harry Audley | |
| Tony Steedman | ... | Prime Minister | |
| Faith Brook | ... | Lady Bexborough | |
| Nancy Nevinson | ... | Mrs. Hilberry | |
| Christopher Staines | ... | Willie | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Oscar Pearce | ... | Bookshop Assistant (uncredited) | |
Regie | |||
| Marleen Gorris | |||
Buch | ||
| Eileen Atkins | (screenplay) | |
| Virginia Woolf | (novel) | |
Produktion | |||
| Christopher Ball | .... | executive producer (as Chris J. Ball) | |
| Stephen Bayly | .... | producer | |
| Simon Curtis | .... | executive producer | |
| Hans De Weers | .... | co-producer (as Hans de Weers) | |
| Paul Frift | .... | associate producer | |
| Lisa Katselas Paré | .... | producer | |
| Bill Shepherd | .... | executive producer | |
| William Tyrer | .... | executive producer | |
Originalmusik | |||
| Ilona Sekacz | |||
Kamera | |||
| Sue Gibson | (director of photography) | ||
Schnitt | |||
| Michiel Reichwein | |||
Casting | |||
| Celestia Fox | |||
Szenenbild | |||
| David Richens | |||
Bauten/Dekorationsbau (art directors) | |||
| Nik Callan | |||
| Alison Wratten | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Carlotta Barrow | |||
| Jeanne Vertigan | |||
Kostüme | |||
| Judy Pepperdine | |||
Maske/Frisuren | |||
| Jane Body | .... | hair stylist | |
| Tricia Cameron | .... | hair artist | |
| Tricia Cameron | .... | makeup artist | |
| Christine Greenwood | .... | hair artist | |
| Christine Greenwood | .... | makeup artist | |
| Joan Hills | .... | chief hair designer | |
| Joan Hills | .... | chief makeup designer | |
| Maureen McGill | .... | hair artist | |
| Maureen McGill | .... | makeup artist | |
| Elizabeth Moss | .... | hair artist | |
| Elizabeth Moss | .... | makeup artist | |
| Maggie Webb | .... | hair stylist supervisor | |
| Maggie Webb | .... | makeup supervisor | |
Ausstattung (Stab) | |||
| Tony Ferguson | .... | dressing propman | |
| Hugh Fottrell | .... | stand-by propman | |
| David Gray | .... | construction manager | |
| Micky Green | .... | dressing propman | |
| Bert Habicht | .... | dressing propman | |
| Colin Harris | .... | property buyer | |
| Freddie Harrison | .... | property master (as Freddy Harrison) | |
| Iain Hill | .... | construction manager | |
| Bill Howarth | .... | stand-by painter | |
| Maurice Jones | .... | property master | |
| John Lawrence | .... | stand-by carpenter | |
| Adam Marshall | .... | stand-by art director | |
| Nic Pallace | .... | stand-by art director | |
| Jim Parker | .... | dressing propman | |
| Sara Partis | .... | art department assistant | |
| Martin Phipps | .... | stand-by rigger | |
| Gino Risi | .... | stand-by propman | |
| Peter Risi | .... | stand-by propman | |
| Ken Robins | .... | stand-by propman | |
| Glenn Taylor | .... | stand-by carpenter | |
| Linda Ward | .... | stand-by art director | |
Ton Stab | |||
| Geert De Bruin | .... | sound recording engineer (as Gert De Bruun) | |
| Stephen Gilmour | .... | assistant sound | |
| Peter Glossop | .... | sound mixer | |
| Nick Meijer | .... | adr editor | |
| Shaun Mills | .... | boom operator | |
| Marc Nolens | .... | sound editor | |
| Herman Pieëte | .... | foley mixer | |
| John Pitt | .... | boom operator | |
| Wim Post | .... | dubbing mixer | |
| Ad Roest | .... | dubbing mixer | |
| Brian Simmons | .... | sound mixer | |
| Wiebe van der Vliet | .... | assistant sound editor (as Wiebe Van Der Vliet) | |
| Marie-Jeanne Wijckmans | .... | foley artist (as Marie-Jeanne Wyckmans) | |
Spezialeffekte | |||
| John Horton | .... | special effects | |
Stunts | |||
| Andreas Petrides | .... | stunt arranger | |
Kamera und Elektrik (Stab) | |||
| Paul Borg | .... | gaffer | |
| Richard Broome | .... | key grip | |
| Steve Burgess | .... | focus puller | |
| Shaun Cobley | .... | camera trainee | |
| Gary Colkett | .... | electrician | |
| Ian Foster | .... | camera operator | |
| David Hughes | .... | best boy | |
| Roberta Parkin | .... | still photographer | |
| Steve Pattenden | .... | electrician | |
| Ronnie Savory | .... | electrician (as Ron Savoury) | |
| Bill Thornhill | .... | best boy (as Billy Thornhill) | |
| Alf Tramontin | .... | steadicam operator | |
| Jon Wood | .... | clapper loader | |
| Joe Wright | .... | clapper loader | |
Casting (Stab) | |||
| Ray Knight | .... | extras casting (as Ray Knight Casting) | |
Kostüm und Garderobe (Stab) | |||
| Jill Avery | .... | costume assistant | |
| Jane McDonagh | .... | costumer: Cosprops | |
| Michael Price | .... | assistant costume designer | |
| Christopher Prins | .... | costumer: Cosprops | |
| Adrian Simmons | .... | costume supervisor | |
| Alyson Smith | .... | costume assistant | |
Schnitt (Stab) | |||
| Nienke de Wit | .... | post-production assistant (as Nienka De Wit) | |
| Mark Lane | .... | assistant editor | |
| Gerrit Netten | .... | assistant editor | |
| Bert Nijdam | .... | post-production coordinator | |
| Jonathan Sales | .... | assistant editor | |
Musik (Stab) | |||
| Dick Bakker | .... | conductor | |
| Hugh den Ouden | .... | music supervisor | |
Restlicher Stab | |||
| Danielle Brandon | .... | production coordinator | |
| Tony Coroon | .... | production accountant | |
| Pete Daly | .... | unit publicist (as Pete Daly dda) | |
| Anthony Davies | .... | script consultant to the director | |
| Jeanne Ferber | .... | location manager | |
| Jilly Greenham | .... | assistant location manager | |
| Elizabeth Hurley | .... | assistant accountant | |
| Kate Jones | .... | floor runner | |
| Stephen Lawrence | .... | location manager | |
| Sue Lefton | .... | choreographer | |
| Nigel Marchant | .... | production runner | |
| Susan Mather | .... | location manager | |
| Sue Matthews | .... | assistant to producers | |
| Paola Minazzato | .... | script supervisor | |
| Sarah Morrell | .... | assistant: Bill Shepherd | |
| Sarah Morrell | .... | runner | |
| Duncan Rodger | .... | accounting assistant | |
| Danuta Skarszewska | .... | script supervisor | |
| Maria Slough | .... | production executive | |
| Jane Summers | .... | unit nurse | |
| Becky Symons | .... | assistant to director | |
Widmungen und Dankeschöns | |||
| James Ivory | .... | special thanks | |
| Ismail Merchant | .... | special thanks | |
| Simon Perry | .... | special thanks | |
| Tony Pierce-Roberts | .... | special thanks | |
| Robin Sales | .... | special thanks | |
| Maria Uitdehaag | .... | special thanks | |
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Everyone doesn't like everything, so I'm not surprised that some people find the movie of Mrs. Dalloway boring. They probably would find the book boring too. But it's depressing. So they won't agree with some of us who see the novel as one of the great works of the 20th century, and the film as a truly remarkable and beautiful capturing of it. The only touch I regretted was the opening of the film with the Septimus Warren-Smith war scenes. The opening really belongs with Mrs. D. and her first words, "I will buy the flowers myself." After that moment, it's a quiet day but a beautiful and sensitive one.