In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by
The Dude meets a lot of new people throughout the story, outside his "tribe". But only three, Brandt, Jackie Treehorn and The Stranger (Sam Elliott) show enough "respect" for him to call him "Dude". See more »
The amount of White Russian in the Dude's glass varies between shots, as does the amount dripping off his mustache and his position on the seat. See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
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Peaceful Easy Feeling
Written by Jack Tempchin
Performed by Eagles (as The Eagles)
Published by Jazz Bird Music / WB Music Corp. (ASCAP)
Courtesy of Elektra Entertainment group
By Arrangement with Warner Special Products See more »
No movie has entertained me more in the last year than this film. It's delightfully written, directed with poise and acted with extravagance and excellence. I do admit that this is a film that I had to see six times to get. Every time I watch it I learn something new. The genius of the film lies within a game I think the Coen brothers play with their audiences. There are the touches of the masters in many of their films. In "The Hudsucker Proxy," it was Preston Sturges and Frank Capra. In "Raising Arizona," I felt a touch of Sam Fuller. In this film, I felt many touches of greatness, but more specifically I felt John Sayles or even John Cassevettes in spots. The camera was manipulated beautifully and I felt a tinge of their talents lurking in at many a turn. The performances are astounding, especially Goodman as the deranged bowler still living deep within the jungles of the Vietcong. Huddleston is also quite wonderful as the title character. Turturro gives a fine cameo as "Jesus," coupled with a rousing and humurous version of the Eagles, "Hotel California," done in Espanol. I hope this is a film that is looked at with more seriousness. It is, once you dig deep, a fine piece of filmmaking.
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