A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by
In an early draft of the script, The Dude's source of income was revealed. He was an heir to the inventor of the Rubik's Cube. It was Joel Coen's idea to drop this and never say. See more »
After Walter jumps out of The Dude's car, The Dude scrambles across to the driver's side, and the door is already closed. See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
See more »
Written by Louis Hardin (a.k.a. Moondog)
Performed by Moondog with Orchestra
Published by Archimedes Music,
Administered for the world by Don Williams Music Group, Inc. (ASCAP)
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing See more »
The film with the highest rewatchability factor of all time
It's actually kind of hard to describe this movie (and what's so great about it) to people who don't already know it and love it; as with many cult films, The Big Lebowski will either speak to you (in which case you will become a fervent follower of His Dudeness and abide by his code for the rest of your life) or, if it doesn't, the film will either leave you completely indifferent or you'll even downright hate it.
I believe it's a very funny film and I'm sure it can be rightfully called a comedy, but don't expect punchlines, gags, jokes or slapstick
it's not that kind of comedy. If you want to enjoy this film, you
have to meet Jeffery "The Dude" Lebowski by his terms, hang out with him and his bowling buddies and follow them at a their (perhaps somewhat leisurely) pace through this weird and unbelievable tale about nihilism, theft (of a car and, more importantly: a Creedence Clearwater Revival tape), kidnapping, abstract art, porn and - of course - bowling.
The story is actually kind of simple. You see, some no-good German nihilists urinated on The Dude's rug - and this kind of aggression just won't stand against The Dude. With the help of his bowling buddies, he will do everything in his power to get someone to pay for his rug - or possibly get a new one (because that rug really tied the room together). So he embarks on this worthy quest during which he will encounter many wondrous things and fascinating people (even Jesus - who is NOT the messiah but a very naughty man).
With Jeff Bridges in the leading role, the Coen brothers have found the perfect actor to incorporate one of the most iconic characters that has ever been created. But it's not just The Dude that makes this a winner; the whole film is such an inspired folly and simply inventive filmmaking at its finest (the hilarious dream sequence alone is worth the price of admission). The supporting cast is outstanding (J.Turturro, J.Goodman and S.Buscemi among many others), the song choices are perfect and the dialog is the funniest, most quotable in any comedy I've ever seen. This - for me - is without a doubt the film with the highest rewatchability factor of all time. 10 stars out of 10.