One man's struggle to contain the curse he hides within... and his last-ditch attempt to free himself with the love of family. But when it looks as if he is losing his battle, and ... See full summary »
The daughter of the werewolf from AWIL is alive and living in Paris where her mother (from the first film) and stepfather are trying to overcome her lycanthropic disease. A trio of American tourists on a thrill seeking trip around Europe manage to stop her from plunging to her death from the top of the Eiffel tower and are embroiled in a horrific but often hilarious plot involving a secret society of werewolves based in the city and a drug which allows werewolves to change at any time... This time there's no need for a full moon... Written by
Ben Jewitt <firstname.lastname@example.org>
Andy is in hospital bed after Brad and Chris went looking for the suicide note, he supposedly sees "the mystery woman" in nurse garb walking down the hallway. When Andy gets out of bed to chase her, and is in the hallway, all the rooms windows are covered with frosted glass. See more »
When a trio of American teens travel to Paris for a daredevil challenge they decide to bungee jump off the Eiffel Tower. During the jump Andy manages to save the life of a girl attempting suicide. However when he later tries to find her again he finds that she has something to hide. When he and his friends attend a party held by friends for hers they find they are trapped by werewolves. Andy gets bitten and becomes part of a world he wants no part of.
This is a belated sequel to the 1980's classic `American Werewolf in London' and indeed it tries very hard to be just like it - the corpse black humour, the dreams within dreams sequences etc. However the story is different as it introduces a wider werewolf conspiracy idea to the plot. It actually works quite well - it's not better than many other creature features but it works OK.
The main problem with it is that it is very much another teen horror movie - with a stupid rock soundtrack, valley girl style humour and dumb spectacle. It lacks the original's black humour and it isn't anywhere near as tense as `London'. The special effects are totally CGI and they don't work as well as `London's' - it all looks too computerised, and seeing everything takes the scare factor out of it.
In fairness when you look at it as a stand-alone film it's not so bad even though it doesn't stand out from other teenage horror movies. But a sequel to `London'? - sorry but it's not a great addition to that piece of work. Tom Everett Scott looks like he's stepped out of American Pie into a horror movie! He's OK but he doesn't compare with Dunne all those years ago. Julie Delphy is actually quite good - she doesn't have much of a character but she carries herself well. The other characters are either rough French skinheads or American teens.
Overall it's entertaining enough - but it pales terribly when compared to the original.
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