Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Despite being portrayed in an Oscar nominated movie, Larry Flynt was refused an invitation to the 1997 Academy Awards, so Woody Harrelson brought Flynt to the award shows as his "+1". See more »
Los Angeles County Sheriff deputies are used in Federal Court when Larry Flynt is being asked to reveal his source of the John DeLorean tapes. State law enforcement is not used in Federal Courts. See more »
[in his office]
What's your name?
[sitting on his couch, Lying]
We have a policy in this club I have a suspicion that you're not of age
[showing her the fake ID]
this could cost me my liquor license I'd have to close that shop and fire a lot of people
I am one second one millimeter one second from being legal
Well, I'd have to ask you to come back when that second and millimeter is up
That'd be tomorrow morning then
I like the way you dance don't get me wrong
Can I ask you a question?
[...] See more »
Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.
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