The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by
Bill Pullman is really playing the saxophone during the scene in which Fred is performing in the night club. He did not know how to play before signing on for the part and learned only to play that particular solo. See more »
How you doin' Pete?
I'm sure you noticed that girl that was with me the other day, good lookin' blonde? She stayed in the car? Her name is Alice. I swear I love that girl to death. If I ever find out that somebody was making out with her, I'd take this...
[pulls out a .357 pistol]
...and shove it so far up his ass it would come out of his mouth. Then you know what I'd do?
I'd blow his fuckin' brains out.
[Mr. Eddy puts his gun away]
Hey, you're looking good. What you been up to?
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Something Wicked This Way Comes
Performed by Barry Adamson appearing courtesy of Mute Records Ltd.
by arrangement with Warner Special Products.
Written by Barry Adamson (courtesy of Mute Songs and Windswept Pacific) and contains excerpts from
Written by Harry Middlebrooks (as H. Middlesbrooke), Mike Shapiro (as M. Shapiro),
'Buddy Buie' (as B. Buie) and J.R. Cobb and published by Lowery Music Co. Inc.
2) "Blues Lines"
Written by Robert Del Naja (as R. Del Naja), Grant Marshall (as G. Marshall), Mushroom Vowles (as A. Vowles) and Tricky (as A. Thaws) and published by Island Music Ltd. and
3) "Le Temps Des Souvenirs"
Written by Jacques Datin, Maurice Vidalin and Charles Blackwell and published by EMI Limited Partnership Ltd. See more »
The thing that's great about Lost Highway is there is no absolute solution to the events in the film, everything about the film is open to interpretation and after you watch it you either need to thing and talk about it for a couple of hours or watch it again. In Mulholland Drive, people say that it needs to be watched twice to be fully understood. Lost highway needs to be watched about 3 or 4 time to be slightly understood and will probably never be fully understood. All the clues are there in the film but to include all of them to make sense is very difficult. However it is very rewarding to try and find out the meaning of Lost Highway.
Although it is described as a modern film-noir, it's more inspired by Alfred Hitchcock. The use of music to increase the suspense of the film is used a lot here and in many Hitchcock films such as Psycho. Even if you cant work out what it is about, it is still a very tense thriller.
Final Score 10/10
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