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The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by
According to the script for this film, the scene with Mr. Eddy and the tailgater takes place on Mulholland Drive. David Lynch would go on to direct a film of the same name (Mulholland Dr. (2001)), which also has a motor accident take place in the same spot. See more »
[laying on the ground with his throat slashed by Fred and the Mystery Man]
[gagging from his bloody throat]
What do you guys want?
[the Mystery Man pulls out a hand-held Watchman TV and gives it to Mr. Eddy who looks on it to see an interior of Andy's house at night with with Mr. Eddy and Renee watching a snuff-porno film while fondling each other beside the projector. The image suddenly changes back to Fred and the Mystery Man standing before him in the frame]
Now you can hand it back.
[...] See more »
I believe it was the legendary Homer Simpson who once gave the ideal description on David Lynch productions. During watching a Twin Peaks'-episode he said, `Brilliant but I don't get it'. Too true you love what you're seeing and you want to be a part of the mysterious Lynch universe! You actually feel the urge to search for solutions, you want to solve the riddle that is Lost Highway and you desperately try to do so until you realize it's in fact a puzzle that cannot be solved. Therefore, my advice would be: Don't try to be Einstein and develop too many theories' just get overwhelmed by Lost Highway and enjoy the mixture of weirdness, violence and erotica you get to see. It's amazing what David Lynch pulls off here! He serves an absurd and impossible structure that involves an inexplicable metamorphosis of the protagonist and he actually gets away with it!! Meanwhile, he introduces a bunch of bizarre but extremely fascinating characters of which you don't know they're real or just creations of a mentally ill mind. Lynch in top-condition, in other words you almost start to suspect he's laughing with his audience. The quality of Lost Highway is brought up to an even higher level by the terrific musical score (Angelo Badalamenti), a blasting soundtrack (Rammstein!) and sublime acting. Bill Pullman and Balthazar Ghetty supply each other terrifically, even though they don't have ONE scene together. And Patricia Arquette either blond or brunette looks gorgeous. No wonder men in this film fall into madness over her.
Lost Highway comes with my highest possible recommendation, yet I still prefer the David Lynch of the lat 70's and 80's. Can't really give a reasonable explanation for this Films like Blue Velvet and Eraserhead had something extra.
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