Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by
The music that Hanna plays on the bomb-rigged piano does not correspond with the keys that she is actually playing. See more »
The war's over - you told me yourself. How can it be desertion?
It's not over everywhere. I didn't mean literally.
[looking at Almasy]
When he dies I'll catch up.
[looking over the small cache of provisions]
It's not safe here. The whole country's crawling with Bandits and Germans and God knows what. It's madness. I can't allow it. You're not alright, this is natural. It's shock. For all of us. Hana?
I need morphine. A lot. And a pistol.
[clutching at straws, about Almasy]
And what if he ...
[...] See more »
The producer and director wish to thank The Tozeur District Governor. See more »
Wang Wang Blues
Music by Gus Mueller, Buster Johnson (as "Buster" Johnson), and Henry Busse
Lyrics by Leo Wood
Published by Cromwell Music, Inc., EMI Feist Catalog, Inc., and Bienstock Publishing Co.
On behalf of Redwood Music Ltd.
Performed by Benny Goodman
Courtesy of Columbia Records By arrangement of Sony Music Licensing See more »
as can be read in many reviews here it is a movie you love or hate - apparently not so much space for opinions in between. I for one think that is a good sign.
I always appreciated this movie, although the genre is not my typical style (I never watched Titanic for instance, and am not planning to).
The English Patient grips because it shows how people can be different when they are in an exotic environment as opposed when they are 'home' (Katherine), it shows how destructive love can be in a slow, strong and utterly painful way, it excites because of the extremely passionate affair, the pain of the one(s) who leave behind, how pointless one can feel to move on.
The photography is just stunning, not to mention the play of the actors. The pace is slow, but timely, and that does justice to the book, the timeline, and the depth/development of the characters. To put this in 110 minutes (as some seem to suggest here) would amputate the multi-layeredness of this movie. People tend to have difficulties with the pace of movies... as if they are in a rush to get to work.. hey - get a life ! ;-) enjoy...
I give this movie 4.5 out of 5.
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