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Lumière et compagnie (1995)

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière brothers.

Directors:

(as Theo Angelopoulos), | 39 more credits »

Writer:

(original idea)
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Cast

Credited cast:
...
Himself
Jeffe Alperi ...
Policeman (segment "David Lynch")
...
Himself (as Théo Angelopoulos)
...
(segment "Claude Miller")
Michele Carlyle ...
(segment "David Lynch")
...
Himself
Lou Chapiteau ...
(segment "Claude Miller") (as sa petite fille Lou)
Marc Chapiteau ...
(segment "Claude Miller")
...
(segment "Claude Lelouch")
...
(segment "Jaco Van Dormael")
...
Charles Gérard ...
(segment "Claude Lelouch")
...
(segment "Claude Lelouch")
...
Récitante: Segment Abbas Kiarostami (voice)
...
Himself
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Storyline

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic. Written by Mike D'Angelo <mqd8478@is2.nyu.edu>

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

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Details

Country:

| | |

Release Date:

20 December 1995 (France)  »

Also Known As:

Lumière y Compañía  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

John Boorman's short film was shot on the set of Neil Jordan's Michael Collins (1996). See more »

Connections

Features The Arrival of a Train (1896) See more »

Soundtracks

FRANCK 2000
David Lynch et Angelo Badalamenti
Edition Bob Kind / Anton Music
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User Reviews

 
An interesting diversion with a pioneering camera
29 October 1999 | by (England) – See all my reviews

This film was made to celebrate one-hundred years of the first camera used by the Lumiere Brothers. Forty directors from around the world were asked to make a short film with the original camera. The rules being it lasts no longer than fifty-two seconds, only three takes allowed, and no synchronous sound. The directors are predominately French, with a few notable exceptions like David Lynch, Peter Greenaway and John Boorman. Lynch's segment is far and away the most creative and satisfactory effort. Most of the others are mainly static and ordinary. But it's a fascinating documentary with insights and comments from the all the directors, and worth seeing for Lynch's film alone. That was the prime reason I watched it.


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