A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that seems to come from nowhere. The security guards that search ... See full summary »
Three-part mini-series set during three different eras in a single room of an odd hotel where employees never age. Every story has a slight twist to it, but the stories are mostly dialogue-heavy psychological or relationship dramas.
Clark Heathcliff Brolly,
Camilla Overbye Roos,
The performer of Twin Peaks theme Julee Cruise's experimental concert film, which opens with a short intro where a man breaks up with his girl over the phone, which devastates her. The concert is set in her nightmarish subconscious mind.
A series of 5-minute line animations (drawn in the rough style and with the minimalist plots of David Lynch's The Angriest Dog in the World comic strip) featuring an angry and violent Neanderthal, and his family and neighbors.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic. Written by
Mike D'Angelo <firstname.lastname@example.org>
Surprising lack of talent and ideas among pretentious twits...
In making this documentary, what its makers wind up unveiling is how many of them have no ideas whatsoever. Almost all the attempts with the Lumiere camera involve just placing a lot of people in front of the camera and have them wave and/or stare, or they involve films about filmmakers. Other attempts are to recreate the banal films which were made in the era of first attempts in the history of cinema. And then you have clips that you can see that the director didn't take the project seriously at all, as in the cases of Spike Lee and John Boorman. Then you get laughably bad films made by pretentious idiots, such as the one by Peter Greenaway (who concludes that film is dying) and the one by the Japanese twit who says that film doesn't capture anything.
On the plus side, you get some interesting films along the way, particularly among the last few, like the one by David Lynch, among others.
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