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Ghost in the Shell (1995)

Kôkaku Kidôtai (original title)
Not Rated | | Animation, Action, Crime | 29 March 1996 (USA)
A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.

Director:

Writers:

(based on the manga by) (as Masamune Shirow), (screenplay)
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5 wins & 2 nominations. See more awards »

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A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »

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Cast

Cast overview, first billed only:
...
Motoko Kusanagi (voice)
...
Batou (voice)
...
Togusa (voice)
Yutaka Nakano ...
Ishikawa (voice)
Tamio Ôki ...
Aramaki (voice)
Tesshô Genda ...
Namaki Masakazu ...
Dr. Willis (voice)
Masato Yamanouchi ...
Minister of Foreign Affairs (voice)
Shinji Ogawa ...
Diplomat (voice)
Mitsuru Miyamoto ...
Mizuho Daita (voice)
Kazuhiro Yamaji ...
...
Hiroshi Yanaka ...
Coroner (voice)
Ginzô Matsuo ...
Old Man (voice)
Takashi Matsuyama ...
Terrorist (voice)
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Storyline

It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can direct to the internet directly. Major Motoko Kasunagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

People love machines in 2029 A.D. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

29 March 1996 (USA)  »

Also Known As:

Armored Riot Police  »

Box Office

Budget:

JPY 600,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Original Japanese)| (5.1 surround) (English Dub)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the scene where Section 6 retrieves Project 2501, the programming language on Dr. Willis' terminal screen is actual C code. See more »

Goofs

As the ghost hacked man is running across some wooden planks, the dirt/grime from the planks disappears. See more »

Quotes

[first lines]
Title Card: In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups.
Dispatcher: [on radio] To all units: Code 2-0-8 in district C-13, Newport City. Air space is closed. I repeat...
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Soundtracks

One Minute Warning
Passengers (Brian Eno and U2)
Featuring vocals by Holi
Engineering by Dave Danton Supple
Assisted by Rob Kinwan
Published by Blue Mountain Music (UK), Mother music (Rep. of Ireland), Taiyo Music (Japan)
Polygram Music International Music Publishing B.V.
(R.O.W)/Opel Music except in North America by Upala Music Inc./BMI
P 1995 Polygram International Music B.B.
Holi appears courtesy of Resurgence and Funhouse Inc., Japan
Licenced courtesy of Records Ltd.
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Frequently Asked Questions

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User Reviews

 
A stunning and complex cinematic warning
12 November 2000 | by (Boulder, CO, USA) – See all my reviews

Ghost in the Shell is a masterpiece. I would go so far as to say that it's the second best science fiction film I've ever seen (behind 2001, of course), but no one knows about it. I find it terribly unfortunate that the only American viewers familiar with Ghost in the Shell are anime fans, many of whom overlook the film's complexity and see only its nudity and violence. The movie kind of gets in its own way-- within the first five minutes we see the heroine's nude body as well as a very messy head-exploding scene, and many of the viewers who would otherwise end up enthralled by the film's abundant style and intelligence immediately dismiss it as exploitative anime trash. Every time I show this movie to non-anime fans I have to explain beforehand that Ghost in the Shell is a serious work of science fiction and that everything in it, including the adult content, is part of the point the movie makes about where our society is headed.

The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.

And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.


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