| Fotos (Alle 10 | Diashow) |
Regie | |||
| Simon Langton | |||
Buch(In alphabetischer Reihenfolge) | ||
| Jane Austen | novel | |
| Andrew Davies | writer | |
Produktion | |||
| Sue Birtwistle | .... | producer | |
| Julie Scott | .... | associate producer | |
| Michael Wearing | .... | executive producer | |
Originalmusik | |||
| Carl Davis | |||
Kamera | |||
| John Kenway | |||
Schnitt | |||
| Peter Coulson | |||
Szenenbild | |||
| Gerry Scott | |||
Bauten/Dekorationsbau (art directors) | |||
| John Collins | |||
| Mark Kebby | |||
Kostüme | |||
| Dinah Collin | |||
Maske/Frisuren | |||
| Diane Chenery-Wickens | .... | assistant makeup artist (as Di Wickens) | |
| Jenny Eades | .... | assistant makeup artist | |
| Philippa Hall | .... | assistant makeup artist | |
| Ashley Johnson | .... | assistant makeup artist | |
| Caroline Noble | .... | hair designer | |
| Caroline Noble | .... | makeup designer | |
Produktionsleiter (production managers) | |||
| Paul Brodrick | .... | production manager | |
Ausstattung (Stab) | |||
| Patrick Black | .... | painter | |
| Mike Booys | .... | stand-by props | |
| Bob Elton | .... | property master | |
| Liz Friedman | .... | graphic designer | |
| Derek Honeybun | .... | stand-by painter | |
| Richard Kelloway | .... | dressing props | |
| Barry Moll | .... | construction manager | |
| Marjorie Pratt | .... | set dresser | |
| Sara Richardson | .... | property master | |
| Dennis Ring | .... | painter | |
| John Salisbury | .... | graphic designer | |
| Ron Sutcliffe | .... | stand-by props | |
| Joe Willmott | .... | stand-by carpenter | |
Ton Stab | |||
| Julie Ankerson | .... | foley artist | |
| John Downer | .... | dubbing editor | |
| Michael Feinberg | .... | dubbing editor (as Mike Feinberg) | |
| Brian Marshall | .... | sound | |
| Keith Pamplin | .... | boom operator | |
| Rupert Scrivener | .... | dubbing mixer | |
Visual Effects | |||
| Graham Brown | .... | visual effects designer | |
| Mark Haddenham | .... | visual effects assistant | |
Kamera und Elektrik (Stab) | |||
| Jim Bradshaw | .... | electrician | |
| Phil Brookes | .... | best boy | |
| Adam Coles | .... | clapper loader | |
| Brendan Judge | .... | grip | |
| Joe Judge | .... | electrician | |
| Liam McGill | .... | gaffer | |
| Roger Pearce | .... | camera operator | |
| Rob Southam | .... | focus puller | |
| Alf Tramontin | .... | steadicam operator | |
Kostüm und Garderobe (Stab) | |||
| Yves Barre | .... | costume design assistant | |
| Richard Cooke | .... | costume trainee | |
| Donna Nicholls | .... | wardrobe mistress | |
| Michael Purcell | .... | wardrobe master | |
Schnitt (Stab) | |||
| Clare Brown | .... | second assistant film editor | |
| Sue Card | .... | post-production production assistant | |
| Jenny Doe | .... | post-production production assistant | |
| Julius Gladwell | .... | first assistant film editor | |
| Fiona B. McTavish | .... | post-production | |
Musik (Stab) | |||
| Chris Dibble | .... | music dubbing mixer | |
Transporte | |||
| Wayne Thompson | .... | transportation captain | |
Restlicher Stab | |||
| Maggie Anson | .... | contracts executive | |
| Clive Arnold | .... | location manager | |
| Sam Breckman | .... | location manager | |
| Colin Capon | .... | period chef | |
| Sue Clegg | .... | continuity | |
| Susie Conklin | .... | script editor | |
| Elaine Dawson | .... | assistant production accountant | |
| Jane Gibson | .... | choreographer | |
| Jack Murphy | .... | assistant choreographer | |
| Janet Radenkovic | .... | production coordinator | |
| Melvyn Tan | .... | fortepiano | |
| John Waller | .... | fencing arranger | |
| Julia Weston | .... | production secretary | |
| Vic Young | .... | production operative supervisor | |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| Nachrichtenartikel | IMDb TV Department | IMDb Romanze section |
| IMDb UK section | Add this title to MyMovies |
This adaptation of the Jane Austen novel is really incredible. Set design and costumes are very believable and the acting is practically perfect for most of characters.
A few comments on costume: one of the most believable aspects of the details put into this miniseries has to do with the costumes. Elizabeth and Jane are both adorned simple enough to convey a Christian background and some decor and modesty, as they would have properly been dressed during this time, yet the costumers could have expanded their wardrobe as you see many times in American films (the 1999 version of Emma comes to mind here, particularly) and yet at the time, the women would *not* have had 10 different ensembles to wear at special events. I honestly admired the holding back of their wardrobes to a few gowns rather than having gone overboard as you often see! The women who were of higher stature were properly attired in their jewels and every costume fit the character and situation beautifully. This and the musical score are two of the biggest highlights, I felt.
I would also like to give props to Jennifer Ehle and Colin Firth who were cast wonderfully. Jennifer was able to convey a sort of devilish satire and quick wit which I thought suited her exceedingly well and accentuated the wit Austen was trying to get across in the novel. Firth held back and it suited his character. He shows a quiet power, a feeling of disdain and complexity in his acting that worked well for the first half of the miniseries and then turned this into admiration and openness later as the story develops. By the time he declares his undying love to Elizabeth you get the impression he is ready to burst open and you breathe a huge sigh of relief for him, yet the energy continues to pulse. Its a great thing to watch..
I would recommend this miniseries to anyone, especially those not yet familiar with Austen. This specific miniseries is so well done many people I have watched it with have sparked incredible interests in the intrigues of Austen's works. Good job BBC!