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Schindler's List (1993)

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In German-occupied Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazi Germans.

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(book), (screenplay)
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Top Rated Movies #6 | Won 7 Oscars. Another 78 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Poldek Pfefferberg (as Jonathan Sagalle)
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Wiktoria Klonowska (as Malgoscha Gebel)
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Wilek Chilowicz (as Shmulik Levy)
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Marcel Goldberg
Béatrice Macola ...
Ingrid (as Beatrice Macola)
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Rolf Czurda (as Friedrich Von Thun)
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Herman Toffel
Harry Nehring ...
Leo John
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Storyline

Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us. Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Plot Synopsis

Taglines:

Whoever saves one life, saves the world entire. See more »


Motion Picture Rating (MPAA)

Rated R for language, some sexuality and actuality violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

4 February 1994 (USA)  »

Also Known As:

La lista de Schindler  »

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend USA:

$656,636, 17 December 1993, Limited Release

Gross USA:

$96,067,179

Cumulative Worldwide Gross:

$221,000,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

|

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is the first war film to win the Academy Award for Best Picture Oscar since Platoon (1986), the first predominantly black-and-white war film to be nominated for the Academy Award for Best Picture Oscar since The Longest Day (1962) and the first predominantly black-and-white World War II war film to win the Academy Award for Best Picture Oscar since From Here to Eternity (1953), a gap of forty years. It is also the fifth black-and-white World War II war film to win the Academy Award for Best Picture Oscar, the first World War II film to win the Academy Award for Best Picture Oscar since Patton (1970), the first World War II film to be nominated for the Academy Award for Best Picture Oscar since John Boorman's Hope and Glory (1987), the first predominantly black-and-white film to win the Academy Award for Best Picture Oscar since The Apartment (1960), the first war film to be nominated for the Academy Award for Best Picture Oscar since Born on the Fourth of July (1989), the first predominantly black-and-white film to be nominated for the Academy Award for Best Picture Oscar since both The Elephant Man (1980) and Raging Bull (1980). It is the first Steven Spielberg war film to be nominated for the Academy Award for Best Picture since Indiana Jones and the Last Crusade (1989); the first was Raiders of the Lost Ark (1981). See more »

Goofs

When the evicted family is shown moving into its new ghetto apartment, a woman who is already there is rocking a baby in her arms. There is crying, but the baby itself is calm. See more »

Quotes

[first lines]
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
Krakow registrar: Name?
See more »

Crazy Credits

The theatrical version juxtaposed images from the film of the actors portraying certain identified "Schindler Jews" as each actual person placed a stone on Schindler's grave. The VHS version does not use this device, showing only the actual persons, credited by name. See more »


Soundtracks

Yeroushalaim Shel Zahav
(Jerusalem of Gold)
Written by Naomi Shemer
Performed by The Ramat Gan Chamber Choir Tel-Aviv
Conducted by Hana Tzur
See more »

Frequently Asked Questions

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User Reviews

 
Spielberg, stick to alien abductions and monster movies
15 December 2002 | by See all my reviews

As a (Jewish) professor of mine once said, "Spielberg doesn't have a glimmer of what it would take to do this material right." Don't be suckered by the subject matter--it's still schlockified for mass consumption. And worse still, it's likely the reason why every year since then we have to put up with some sappy Spielberg backed Holocaust movie or documentary winning another Oscar. Is this really how we want to respond emotionally, intellectually and otherwise?


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