From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Jack Skellington, the pumpkin king of Halloween Town, is bored with doing the same thing every year for Halloween. One day he stumbles into Christmas Town, and is so taken with the idea of Christmas that he tries to get the resident bats, ghouls, and goblins of Halloween town to help him put on Christmas instead of Halloween -- but alas, they can't get it quite right. Written by
Jon Reeves <firstname.lastname@example.org>
There are only two shots in the entire film that were filmed at normal speed (24fps), one is the opening overhead shot of the trees in the forest and the other is the bugs falling into the molten pit in Oogie Boogie's lair. See more »
During the song "Kidnap the Sandy Claws", after Shock sends a cage with a bug inside of it to Oogie Boogie, you can see the wires holding up the cage as it bounces upon reaching its destination. And when Lock places Barrel onto a catapult, you can see the metal "skeleton" of Barrel cambering the puppet's feet. Finally, there is a piece of debris next to Barrel when he rises up (as Shock shows them a black box) that disappears. See more »
'Twas a long time ago, longer now than it seems in a place perhaps you've seen in your dreams. For the story you're about to be told began with the holiday worlds of auld. Now you've probably wondered where holidays come from. If you haven't I'd say it's time you begun.
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No credits are shown, except the company and the film's name. See more »
I was five years old when I saw this movie and after that the words Tim Burton rang in my ears as one of Hollywood's most eccentric directors. Whenever I hear that a Tim Burton film is coming out I think of The Nightmare Before Christmas and how wonderful it is. The story is very original, the scenery is wonderfully Gothic and the characters and animation is to scream for.
Another thing about this film are the songs. They're so twisted and funny that I can't help but hum, whistle or just sing them word by word and musical note by musical note.
So in conclusion, The Nightmare Before Christmas is what you would get if you were to put the minds of Edgar Allen Poe and Dr. Seuss in a blender. You get a beautifully dark and wildly bizarre film about Santa Claus, dancing skeletons and what goes bump in the night.
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